settima

1950s

Hägringen [Mirage] (Peter Weiss, 1959)

Feb

12

Hägringen (1959)

An uncomfortably close close-up up of a man's mouth eating something. Tongue and mouth are visible. He's got stubble. DP: Gustaf Mandal.

Weegee’s Coney Island [Coney Island] (Arthur “Weegee” Fellig, 1954)

Feb

10

Good Humor

Weegee’s Coney Island (1954)

Two chubby ladies on Coney Island's beach eating chocolate-coated ice cream bars on a stick, I guess Good Humor bars. The women both wear black shapeless bathing suits. One of them has a pink towel over her shoulders and her hair in rollers. The framing shows only part of the couple, but tells you all you need to know. DP: Weegee.

Day of the Outlaw (André De Toth, 1959)

Feb

2

coffee

Day of the Outlaw (1959)

Blaise Starrett (Ryan) and Mrs Crane (Louise) at a table. There are coffee cups and the talk is tense. DP: Russell Harlan.

“Excuse me, Mrs. Crane. This coffee made me think how good whiskey would taste.”

– Dan, Starret's foreman

Crime Wave [The City Is Dark] (André De Toth, 1953)

Jan

29

dinner for two

Crime Wave (1953)

Ellen Lacey (Phyllis Kirk) serving a bunch of punks (Bronson (2nd from the left, and Ted de Corsia (right) the food she prepared for herself and her husband Steve (Gene Nelson). DP: Bert Glennon.

“You know, it isn't what a man wants to do, Lacey, but what he has to do. Now take me – I love to smoke cigarettes, but the doctors say I can't have them. So what do I do? I chew toothpicks, tons of them.”

– Det. Lt. Sims

Ο Δράκος [O Drakos / The Ogre of Athens / The Ogre / The Vampire] (Nikos Koundouros, 1956)

Jan

2

Martini

Ο Δράκος (1956)

The boss, Hondros (Giannis Argyris), pours out a stiff drink on the floor of his cabaret with Mr Tomas (Dinos Iliopoulos) in the background. DP: Kostas Theodoridis.

The first film dinner of 2024.

Ο Δράκος [O Drakos / The Ogre of Athens / The Ogre / The Vampire] (Nikos Koundouros, 1956)

Dec

31

New Year's Eve

Ο Δράκος (1956)

Men in identical white shirts and dark slacks dancing in the club during after hours. Their upper bodies seem top-heavy, tending to lunge towards the ground. DP: Kostas Theodoridis.

New Year's Eve celebrations.

 

A mousy bank clerk (Dinos Iliopoulos), who bears an uncanny resemblance to a criminal on the run, finds himself hiding in a shady cabaret on New Year's Eve instead of spending a quiet evening alone. During his forced stay at the nightclub, he comes to enjoy and identify more and more with his newfound persona and assumes the role of the notorious “Drago”.

 

An initial box office dud, it is now considered one of the top ten all-time best Greek films.

 

Happy new year, everyone! On to many more cinematic discoveries!

Un condamné à mort s'est échappé ou Le vent souffle où il veut [A Man Escaped] (Robert Bresson, 1956)

Dec

29

slop

Un condamné à mort s'est échappé ou Le vent souffle où il veut (1956)

A man's hand holding a spoon at a perpendicular angle. DP: Léonce-Henri Burel.

“Time to empty our slop pails and run a little water over our faces, then back to our cells for the entire day.”

– Fontaine

Sunset Boulevard (Billy Wilder, 1950)

Dec

21

Short Girl Appreciation Day

Sunset Blvd. (1950)

Norma Desmond (Gloria Swanson) descending an ornate staircase. The size of the set gives you an approximate idea of her height. Even when several steps above him, Swanson's dwarfed by the photographer in the dark suit and glasses. DP: John F. Seitz.

The main character is a “short girl” [I do not agree with the infantilizing wording] on Short Girl Appreciation Day (USA)

 

The great Gloria Swanson (4'11” – 5ft 2 / 1,49 m) – fabulously decked out by Edith Head (5'1” / 1,55 m) with an endless parade of platform shoes – in Billy Wilder's Sunset Blvd. (1950).

“I am big. It's the pictures that got small.”

– Norma Desmond

Also starring, Buster Keaton, who was 5'5” / 1,65 m.

Nasser Asphalt [Wet Asphalt] (Frank Wisbar, 1958)

Dec

20

National Greg Day

Nasser Asphalt (1958)

Greg Bachmann (Horst Buchholz) walking the rainy streets of Berlin. The scene is a direct reference to Dennis Stock's 1955 portrait of James Dean. DP: Helmuth Ashley.

Someone named Greg for National Greg Day (USA)

“Sie können sich einen anderen Beruf aussuchen. Sie sind ein toter Mann.”

Si muero antes de despertar [If I Should Die Before I Wake] (Carlos Hugo Christensen, 1952)

Dec

19

National Hard Candy Day

Si muero antes de despertar (1952)

Lucio (Néstor Zavarce) and his new friend sharing one of her fancy 10¢ lollipop​s. DP: Pablo Tabernero.

Eating hard candy on National Hard Candy Day (USA)

 

Lucio is the class clown, a ne'er-do-well relying on his police-dad's rank and classmates' homework. One of these classmates, a smart little girl, promises him fancy lollipops in exchange for protection. And she has a secret for him too, about the origin of the candy, and the nice man giving her those and other nice things. Under oath, she tells Lucio everything and then promptly disappears. With his friend gone, killed as he later finds out, and an oath weighing on his heart, what can Lucio do when another girl goes missing?

“Only a child can kill the monster.”

– narrator

Cornell Woolrich's haunting tales of childhood lost leaped from Ireland to Argentina. With some similarities with Fritz Lang's M (1931), this fairy-tale feels more oppressive; due to the helplessness of a boy's power in an adult world and his understanding of grown-up responsibilities. A restored version in wider circulation is long overdue.