settima

1950s

The Savage Eye (Ben Maddow, Sidney Meyers + Joseph Strick, 1959)

Dec

7

National Judith Day

The Savage Eye (1959)

Judith X (Barbara Baxley) relaxing on a sun lounger. DPs: Jack Couffer, Helen Levitt & Haskell Wexler.

A Judith or Judy for National Judith Day (USA).

 

By times, The Savage Eye has more in common with mondo than with drama. Judith's betrayed, by her husband. She takes a plane out out out. To Los Angeles, where an angel – it's their town after all – talks to her. About her life, the old one and the new. She tries to reinvent herself with new clothes, a hairstyle, a manicure. It fills the longs days, that too. She attends bloodsports. A burlesque, with her new lover, a married man. There are bleeders and drinkers and jumpers. Sticky sheets. New eyes and fiery tongues, courtesy of Jesus. What is Judith's life if not a stranger's.

“I dream of resurrection in a party dress.”

– Judith X

Ben Maddow, Sidney Meyers, and Joseph Strick's lonely exploration of a gritty, hopeless LA was filmed over 4 years by photographers Haskell Wexler, Helen Levitt, and Jack Couffer in wonderful, merely wordless cinéma vérité. It feels naked and raw, and broke ground for the American New Wave that came crashing in almost a decade later.

Si muero antes de despertar [If I Should Die Before I Wake] (Carlos Hugo Christensen, 1952)

Nov

28

soup

Si muero antes de despertar (1952)

Lucio (Néstor Zavarce) having dinner with his mother (Blanca del Prado) and strict father. DP: Pablo Tabernero.

隠し砦の三悪人 [Kakushi-toride no san-akunin / The Hidden Fortress] (Akira Kurosawa, 1958)

Nov

25

White Ribbon Day

隠し砦の三悪人 (1958)

General Makabe (Toshirō Mifune) facing us with Princess Yuki (Misa Uehara) seemingly standing high above him on the fortress' wall, facing away. DP: Kazuo Yamazaki.

Someone protects a woman on White Ribbon Day

 

“I don't know what to do with her Highness. Say right and she'll go left, say left and she'll go right. And though she is a girl, she has never shown me a tear.”

– old lady-in-waiting

In Kurosawa's 隠し砦の三悪人, a couple of greedy peasants escort a man and woman across enemy lines after the man has promised them a share of the gold they're carrying. Unknowingly, the fools not only protect their bounty, but a general and princess trying to escape an enemy clan so they can rebuild their kingdom. And also unbeknownst to the tricksters, Makabe and Yuki are not as helpless as they may seem.

Les enfants terribles [The Terrible Children] (Jean-Pierre Melville, 1950)

Nov

13

World Orphans Day

Les enfants terribles (1950)

The siblings – children on the cusp of adulthood, played by adults – sharing a bed. Elisabeth (Nicole Stéphane) points up towards the ceiling with one arm wrapped around her brother Paul's (Edouard Dermithe) neck. Both wear dressing gowns. DP: Henri Decaë.

With their mother bedridden, Elisabeth (Nicole Stéphane) nurtures her snowball-fight-injured brother Paul (Edouard Dermithe) back to health.

“Their heritage of instability, extravagant caprice, and natural elegance was their paternal portion.”

– Jean Cocteau, Les enfants terribles (1929)

Withdrawn in their family home, they form a strong manipulative bond, drawing others into their games.

X the Unknown (Leslie Norman + Joseph Losey, 1956)

Oct

24

scoff

X the Unknown (1956)

Two soldiers on nightshift ready to eat. One of them hands a mess tin with grub to the other when there's a sound. DP: Gerald Gibbs.

– What's that? – Tea.

Moi, un noir [I, a Negro] (Jean Rouch, 1958)

Oct

16

National Eddie Day

Moi, un noir (1958)

A young woman looks over her shoulder, smiling. DP: Jean Rouch.

Some of the leads play out their hopes and dreams and are named after famous actors from Western films. Petit Touré is #EddieConstantine.

The Medium (Gian Carlo Menotti, 1951)

Sep

18

The Medium (1951)

Madame Flora (Marie Powers) by herself at a small table in a shady bar. DP: Enzo Serafin.

On the Bowery (Lionel Rogosin, 1956)

Sep

14

National Sober Day

On the Bowery (1956)

Finnish poster. DP: Richard Bagley.

Someone mentions getting sober.

“When I get myself – cleaned up and straightened out, I'm going down and get a ship and I'm going to wind up in South Sea islands. That's where I wanna go!”

To Catch a Thief (Alfred Hitchcock, 1955)

Sep

8

leg or breast

To Catch a Thief (1955)

Francie (Grace Kelly) and John Robie (Cary Grant) taking a (lunch) break on the Grand Corniche coast road. DP: Robert Burks.

– You want a leg or a breast?

– You make the choice.

The Monster That Challenged the World (Arnold Laven, 1957)

Sep

7

National Salami Day

The Monster That Challenged the World (1957)

Coroner Nate Brown (Byron Kane) offering two cops a couple of nice cold sandwiches straight from one of the morgue coolers on his lunch break. DP: Lester White.

Arnold Laven's The Monster That Challenged the World is one of the earliest, if not thé earliest, example of this peculiar movie and television trope: the coroner's lunch break.

– You boys care for a sandwich? Got tuna fish and minced ham on rye.

– No, thanks.

– It's nice and cold.

Having some cold cuts over some cold cuts never gets old. Or appetising.