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Pasażerka [Passenger] (Andrzej Munk, Witold Lesiewicz + Andrzej Brzozowski, 1963)
Dec
9
cruise
Marta and Liza on the cruise ship (via). DP: Krzysztof Winiewicz.
On a cruise, from [OP] Cinn’s bucket list. Well, not in the context of today's film pick*
* the Bales 2025 Film Challenge for December has a few dateless themes. This is one of them.
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Иваново детство [Ivanovo detstvo / Ivan's Childhood] (Andrei Tarkovsky, 1962)
Dec
7
National Pearl Harbor Remembrance Day
Ivan (Nikolay Burlyaev) scouting (via). DP: Vadim Yusov.
“They sent me out by plane to a boarding school. But I ran away. There's a war on. I can't cram some stupid stuff when it's a war.”
– Ivan
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The Criminal [The Concrete Jungle] (Joseph Losey, 1960)
Nov
21
chow time
A prison space. Two tough looking guys in dark clothing appear to savour their meals. One of them is holding a book. DP: Robert Krasker.
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Women in Love (Ken Russell, 1969)
Nov
18
Bates and Reed in post-jostle bliss, bathing in the fireplace's glow (via). DP: Billy Williams.
A memorable fire or fireplace scene*
“Oh, my God, Gerald! Shall I die?”
– Gudrun Brangwen
Oddly, one barely remembers the fireplace.
* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.
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Le pacha [Pasha / Showdown] (Georges Lautner, 1968)
Nov
14
Dany Carrel and Jean Gabin gloomily share a small dinner table. DP: Maurice Fellous.
“The day they put jerks into orbit, you won't stop rotating soon!”
– Comissaire Joss, le Pacha
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하녀 [Hanyeo / The Housemaid] (Kim Ki-young, 1960)
Nov
13
Adding one more ingredient. DP: Deok-jin Kim.
A memorable kitchen or cooking scene*
“Look at us. We're almost totally dependent on our maid. She cooks and washes for us, and is the first person to greet me when I come home from work. She is entirely at our service.”
– Dong-sik Kim
A housemaid works her way into a middle-class household and takes over the wife's tasks – cleaning, cooking, child rearing.
* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.
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Bröllopsbesvär [Wedding: Swedish Style] (Åke Falck, 1964)
Nov
11
Bride and groom, and resentfulness at front. DP: Rune Ericson.
A dysfunctional family*
On a wedding day, and night, a family's dirty secrets are laid bare.
* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.
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Jules et Jim (François Truffaut, 1962)
Nov
4
sweaters
Catherine (Jeanne Moreau) in a raggedy, moth-eaten sweater and oversized newsboy cap, wears a moustache and smokes a cigar (via). DP: Raoul Coutard.
A movie with gorgeous sweater fashion*
“She's a strange breed.”
– Jim
Throwing in a little Movember for good measure.
* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.
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拳銃は俺のパスポート [Koruto wa ore no pasupōto / A Colt Is My Passport] (Takashi Nomura, 1967)
Nov
3
A blurry shot of a man with a moustache in a space with chairs and a round table. DP: Shigeyoshi Mine.
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Bübchen (Roland Klick, 1968)
Nov
1
autumn
Lobby card. Achim (Alexander Kekulé) at a dreary, autumn-y scrapyard surrounded by several serious looking men in trenchcoats. Bübchen is an endearing term for a little boy (via (spoilers)). DP: Robert van Ackeren.
A movie that feels like autumn*
A family of four share the same house and live their own lives. When the parents attend a company party, the neighbour's teenage daughter reluctantly babysits the children then promptly runs off with her secret boyfriend. Left to his own devices, the bored 10-year old Achim plays a game with his little sister
“Junge, du bist ja ganz woanders!”
I Initially nomintad the RAF critique Deutschland im Herbst (1978) for today's challenge, when I realised that Bübchen too is about Germany's youth's antics and the society that planted its seeds. Here again, a repressed community dutifully finds a way to bury the terror into the fabric of mundanity. You'll find it again in Michael Haneke's Das weiße Band (2009), now foretelling the German youth that came to embrace Nazism.
Eternal return, ad nauseam.
* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.