settima

1960s

Il vangelo secondo Matteo [The Gospel According to Matthew] (Pier Paolo Pasolini, 1964)

Jun

22

National Kissing Day

Il vangelo secondo Matteo (1964)

Judas (Otello Sestili) kisses Jesus (Enrique Irazoqui) in intimate closeup. DP: Tonino Delli Colli.

A [favourite] movie kiss for National Kissing Day (USA*), not to be confused with International Kissing Day aka World Kiss Day which falls on July 6.

“I don’t have the inhibitions that a practicing Catholic would in that I’m not paralysed by the sacredness of the text, nor do I have the inhibitions of a lapsed Catholic who would view approaching the story of Jesus as compromising his Marxist beliefs, of sinking back into conformity.”

– PPP, via

An neorealist, straightforward adaptation of the Gospel of Matthew, populated by non-actors (“Jesus” is a 19-year Catalan trade unionist picked for his resemblance to El Greco's Christ), intellectuals, and anachronistic characters based on biblical art through the ages.

 

According to said Gospel, apostle Judas kissed prophet Jesus to signal to the police who of the 13 men present was the one to arrest.

 

Interestingly, the word Matthew chose to describe the kiss is καταφιλέω, the same word used by philosopher Plutarch to describe the kiss between Alexander the Great and his eunuch Bagoas

 

* no one wants to kiss you anymore, America

藪の中の黒猫 [Yabu no naka no kuroneko / A Black Cat in a Bamboo Grove] (Kaneto Shindō, 1968)

Jun

19

Garfield the Cat Day

藪の中の黒猫 (1968)

A young woman in white, strangely resembling a cat, seemingly lapping a drink from a bowl. DP: Kiyomi Kuroda.

A scene with a cat for Garfield the Cat Day (USA)

 

A mother and daughter who are raped and murdered by a rogue samurai, return as cat-shaped onryō, vengeful spirits.

Skammen [Shame] (Ingmar Bergman, 1968)

Jun

12

Loving Day

Skammen (1968)

Eva (Liv Ullmann) and Jan Rosenberg (Max von Sydow) (via). DP: Sven Nykvist.

A [favourite] movie couple for Loving Day (USA)

“Sometimes everything seems just like a dream. It's not my dream, it's somebody else's. But I have to participate in it. How do you think someone who dreams about us would feel when he wakes up. Feeling ashamed?”

– Eva

After Vargtimmen (1968), the second of Bergman's Ullmann/Von Sydow cycle. It was followed by En passion (1969).

 

Against the backdrop of war, a violinist couple tends a garden – and marriage – on the island of Fårö.

O Menino e o Vento [The Boy and the Wind] (Carlos Hugo Christensen, 1967)

Jun

8

National Best Friends Day

O Menino e o Vento (1967)

The two friends in intimate embrace. DP: Antônio Gonçalves.

[Favourite] best friends in film for National Best Friends Day (USA)

“I'm going with this one.”

– Zeca de Curva, running into the storm

The close friendship between two young men raises suspicion when the younger of them disappears..

À Meia Noite Levarei Sua Alma [At Midnight I'll Take Your Soul] (José Mojica Marins, 1964)

Jun

6

Robert Englund – 1947

À Meia Noite Levarei Sua Alma (1964)

Josefel Zanatas, aka Coffin Joe, summoning you to your early grave. DP: Giorgio Attili.

[A] favourite horror movie villain for Robert Englund's birthday (1947).

“What is life? It is the beginning of death. What is death? It is the end of life! What is existence? It is the continuity of blood. What is blood? It is the reason to exist!”

– Zé do Caixão (Coffin Joe), opening lines

In 1963, long before Freddy's got his claws, Brazil didn't have any horror films of its own. Then, José Mojica Marins woke up from uneasy dreams. He had seen himself being dragged across a cemetery by a dark figure, towards a grave with his name on it. Now wide awake in a pool of sweat, José became Josefel Zanatas – the true name of the godless undertaker from his dream.

 

Josefel, nicknamed Zé do Caixão, or Coffin Joe as he was rechristened for the English speaking world, would be Marins' alter ego in numerous movies and TV shows. His gnarly nails clawed their way past Brazil's censorship, dug themselves out of the pits of obscurity, and impaled themselves deep into this disciple's heart.

Le chagrin et la pitié [The Sorrow and the Pity] (Marcel Ophüls, 1969)

Jun

5

Sorry I Was on a Boat Day

Le chagrin et la pitié (1969)

Two smiling farmers. The interviewer asks “What did you think about?” One of them replies “Surviving. That's it.” Screenshot via. DPs: André Gazut & Jürgen Thieme.

Someone makes an excuse on Sorry I Was on a Boat Day (USA)

“One thing I find appalling is when people who were [Vichy President] Pétain supporters come up to me and tell me what they did for the Resistance. Sometimes it's unreal. “Oh, Mr. Gaspard, if only you knew what we did, what I did for the Resistance.” Go ahead, pal, tell me all about it. I try to stay calm. I'm a salesman, and I want to sell my product. The company doesn't pay me to do politics and pick fights, so sometimes I find myself obliged to listen to a song and dance of some guy who shows me a drawer and gets his wife to confirm that there was indeed a revolver in that drawer during the war, a revolver which he was supposedly ready to use on the Germans. Only he never actually used it. History doesn't lie.”

Émile Coulaudon aka Colonel Gaspard, former head of the French Resistance in Auvergne

Marcel Ophüls documents the people of Clermont-Ferrand as the microcosm of Vichy France, part of Europe's only country that happily collaborated with its occupier, Nazi Germany. What were their justifications, their excuses, their motivations? Was it survival, habit, greed? Comfort, conformity, obedience, fear?

 

And what is yours?

Снежная королева [Snezhnaya koroleva / The Snow Queen] (Gennadiy Kazanskiy, 1967)

May

25

National Missing Children's Day

Снежная королева (1967)

Kai (Vyacheslav Tsyupa) under the Snow Queen's spell. DPs: Vadim Grammatikov & Sergei Ivanov.

Someone missing is found on National Missing Children's Day (USA)

 

Oh boy, how to do this one without a spoiler…

 

Siblings Gerda and Kai are best friends until one day, the Snow Queen's mirror shatters into a million pieces. One shard pierces Kai's eye, the other his heart, and from that moment on, all he can see is evil and his heart is cold. Now taken in by the Queen, and cold to Gerda's affection, the girl tries all to get Kai, the old Kai, back.

Reason Over Passion [La raison avant la passion] (Joyce Wieland, 1969)

May

19

Victoria Day

Reason Over Passion (1969)

A winding road. nearos oevr isoasnp. DP: Joyce Wieland.

A movie made or set in Canada for Victoria Day (Canada)

“sroena evor ssiapon”

– Pierre Trudeau

Joyce Wieland's heart and camera travel from the Canadian east coast all the way to the west. Cars drive by, suns set, suns rise, and Pierre Trudeau's motto rings on in 537 permutations.

La caduta degli dei (Götterdämmerung) [The Damned] (Luchino Visconti, 1969)

May

18

Visit Your Relatives Day

La caduta degli dei (Götterdämmerung) (1969)

Martin Von Essenbeck (Helmut Berger) entertains the family. DPs: Pasqualino De Santis & Armando Nannuzzi.

A family gathering on Visit Your Relatives Day (USA)

“You must realize that today in Germany anything can happen, even the improbable, and it's just the beginning, Frederick. Personal morals are dead. We are an elite society where everything is permissible. These are Hitler's words. My dear Frederick, even you should give them some thought.”

– Aschenbach

The wealthy Von Essenbecks gather for a family dinner party. There is entertainment.

Yngsjömordet [Woman of Darkness] (Arne Mattsson, 1966)

May

11

Mother's Day

spoiler warning: click to toggle image Yngsjömordet (1966)

Anna Månsdotter (Gunnel Lindblom). DP: Lasse Björne.

A good or bad mother for Mother's Day.

 

Arranged by his widowed mother, Per Nilsson marries the wealthy judge's daughter Hanna. The wedlock remains unfulfilled as son and mother find satisfaction in each other. Hanna suspects something.  
Based on the Yngsjö murder case, which at the time was considered more noteworthy for the mother/son relationship than the resulting tragedy.