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血は渇いてる [Chi wa kawaiteru / Blood Is Dry] (Yoshishige Yoshida, 1960)
Jul
17
beer
A man and woman share a meal in a top-floor restaurant. The view is numerous identical modern buildings. She's smoking and they both clutch large beer mugs. Two dishes hold small bits of food with toothpicks stuck into them. DP: Tōichirō Narushima.
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Il boom [The Boom] (Vittorio De Sica, 1963)
Jul
13
espresso
A glum looking man holds a teeny espresso cup-and-saucer. DP: Armando Nannuzzi.
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Horoskop [Horoscope] (Boro Drašković, 1969)
Jul
11
The impromptu café awaiting tourists, for now occupied by lounging men. DP: Ognjen Miličević.
Someone at a coffee shop or café*
There's not much next to the railroad tracks. A group of young men spend their summer days there, waiting for the train bringing tourists to the Adriatic coast. Suddenly, the place comes to life with waiters frantically unfolding parasols. And there's a pretty blonde, she stays, and brings her newspaper stand along. The men place a bet…
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Soy Cuba [I Am Cuba] (Mikhail Kalatozov, 1964)
Jul
10
The rich and beautiful spend a lazy day at a grand rooftop pool. DP: Sergey Urusevskiy.
Someone in poolside vacation clothing*
“I am Cuba. Why are you running away? You came here to have fun? Go ahead, have fun! Is this a happy picture? Don't avert your eyes. Look! I am Cuba. For you, I am the casino, the bar, the hotels. But the hands of these children and old people, are also me.”
– the voice of Cuba
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Die endlose Nacht [The Endless Night] (Will Tremper, 1963)
Jul
6
The bold and the beautiful stuck at Tempelhof. And yes, one could smoke there. DP: Hans Jura.
(People at) an airport*
It's foggy at Flughafen Berlin-Tempelhof, the Allies' airbridge to the West, and all the planes into and out of West Berlin are grounded. In any other metropolis this could mean taking a train, enjoy the city's nightlife or maybe just a bed for the night. In post-Wall bureaucracy-happy West Berlin, this means endless waits with strangers. And so, with nowhere to go, a Polish jazz band mingles with British spouses, a lonely South African farmer, a model and her beau.
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Rat Life and Diet in North America (Joyce Wieland, 1968)
Jul
4
Independence Day
Rats – gerbils actually – nibbling on the Stars and Stripes (via). DP: Joyce Wieland.
“This film tells a story of rebels (played by real rats) and cops (played by real cats). After a long domination by cats, the rats escape from prison (this is their rebellion) and find refuge in Canada. There, they feed on organic produce from a garden where the grass hasn’t been sprayed with DDT.”
– Jonas Mekas, via
French-Canadian patriot Joyce Wieland tells a fable of freedom.
Coincidentally, the Canadian city of Trois-Rivières, scene of the final battle of the American Revolutionary War, also celebrates an Independence Day on the fourth of July.
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Il mare [The Sea] (Giuseppe Patroni Griffi, 1962)
Jul
1
The actor (Umberto Orsini) looking out over the island. The claustrophobic framing of the hotel windows contrasts sharply with the openness of the sea. DP: Ennio Guarnieri.
My ideal vacation spot, country, city, town, or resort*
An island, in this case Capri (granted I've never been there), off-season, in a space and time lost in the mists. It'll occasionally rain and it's cold enough to dress up.
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Poslední trik pana Schwarcewalldea a pana Edgara [The Last Trick of Mr. Schwarcewallde and Mr. Edgar] (Jan Švankmajer, 1964)
Jun
26
National Handshake Day
Mr Schwarcewallde and Mr Edgar on stage. Both are puppeteers in Edwardian costumes and oversized papier-mâché heads. DP: Svatopluk Malý.
Two illusionists compete with increasingly incredible tricks, sealed with a hefty handshake.
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Sodrásban [Current] (István Gaál, 1964)
Jun
24
Swim a Lap Day
Friends swimming in a summer haze. DP: Sándor Sára.
A group of friends go swimming to celebrate the start of summer vacation, and relish those final moments before adult responsibly begins. It is only much later when they realise that one of them is missing.
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Il vangelo secondo Matteo [The Gospel According to Matthew] (Pier Paolo Pasolini, 1964)
Jun
22
National Kissing Day
Judas (Otello Sestili) kisses Jesus (Enrique Irazoqui) in intimate closeup. DP: Tonino Delli Colli.
A [favourite] movie kiss for National Kissing Day (USA*), not to be confused with International Kissing Day aka World Kiss Day which falls on July 6.
“I don’t have the inhibitions that a practicing Catholic would in that I’m not paralysed by the sacredness of the text, nor do I have the inhibitions of a lapsed Catholic who would view approaching the story of Jesus as compromising his Marxist beliefs, of sinking back into conformity.”
An neorealist, straightforward adaptation of the Gospel of Matthew, populated by non-actors (“Jesus” is a 19-year Catalan trade unionist picked for his resemblance to El Greco's Christ), intellectuals, and anachronistic characters based on biblical art through the ages.
According to said Gospel, apostle Judas kissed prophet Jesus to signal to the police who of the 13 men present was the one to arrest.
Interestingly, the word Matthew chose to describe the kiss is καταφιλέω, the same word used by philosopher Plutarch to describe the kiss between Alexander the Great and his eunuch Bagoas
* no one wants to kiss you anymore, America