settima

1960s

Vysoká zeď [The High Wall] (Karel Kachyňa, 1964)

Jul

23

Vysoká zeď (1964)

The young man (Vít Olmer) rests in the sun with Jitka (Radka Dulíková) observing him. DP: Josef Vaniš.

Someone is in an ambulance or hospital*

“We still remember our high wall. Even the day we first climbed it, filled with curiosity. The sadness of the discoveries of those years seemed devastating to us. Then we wondered how we could have forgotten it so suddenly.”

– prologue

It's summer in Prague. Jitka, a girl on the cusp of womanhood, follows a stray cat and finds a tall hospital wall. Behind it, a young man in a wheelchair rests. The girl and the man connect.

 

La piscine [The Swimming Pool] (Jacques Deray, 1969)

Jul

20

La piscine (1969)

Marianne (Romy Schneider) and Harry (Maurice Ronet) shopping. Note the plethora of atypical-for-France ingredients, and how the packaging hasn't changed up to today. DP: Jean-Jacques Tarbès.

Shopping for food*

“I thought you'd be hungry, maybe.”

Schneider and Ronet's characters go get their groceries in a tiny, surprisingly well-stocked-with-Asian-food-items French corner shop, ánd manage to find all the ingredients needed. One rookie mistake: Uncle Ben's. Of all the rice in the world…

 

La collectionneuse [The Collector] (Éric Rohmer, 1967)

Jul

18

La collectionneuse (1967)

Daniel (Daniel Pommereulle), wrapped in bedsheets, and Adrien (Patrick Bauchau) rest in the grass. The colour of summer is courtesy of the master, DP Néstor Almendros (via).

Someone's all bundled up*. No list of summer films is complete without Éric Rohmer.

“I even tried not to think. I was face-to-face alone with the sea, far from cruises and beaches, fulfilling a childhood dream put off year after year. I lost myself completely in the play of shadow and light, sinking into a lethargy heightened by the water. That state of passivity, of complete availability, promised to last much longer than the euphoria of one’s first summer dip into the ocean. I could easily see myself spending a whole month this summer this way.”

– Adrien

An art dealer and his writer friend plan to spend the summer together in a villa on the Côte d'Azur. A young woman, a collector of sorts, disrupts their retreat.

 

血は渇いてる [Chi wa kawaiteru / Blood Is Dry] (Yoshishige Yoshida, 1960)

Jul

17

beer

Chi wa kawaiteru (1960)

A man and woman share a meal in a top-floor restaurant. The view is numerous identical modern buildings. She's smoking and they both clutch large beer mugs. Two dishes hold small bits of food with toothpicks stuck into them. DP: Tōichirō Narushima.

 

Il boom [The Boom] (Vittorio De Sica, 1963)

Jul

13

espresso

Il boom (1963)

A glum looking man holds a teeny espresso cup-and-saucer. DP: Armando Nannuzzi.

 

Horoskop [Horoscope] (Boro Drašković, 1969)

Jul

11

Horoskop (1969)

The impromptu café awaiting tourists, for now occupied by lounging men. DP: Ognjen Miličević.

Someone at a coffee shop or café*

 

There's not much next to the railroad tracks. A group of young men spend their summer days there, waiting for the train bringing tourists to the Adriatic coast. Suddenly, the place comes to life with waiters frantically unfolding parasols. And there's a pretty blonde, she stays, and brings her newspaper stand along. The men place a bet…

 

Soy Cuba [I Am Cuba] (Mikhail Kalatozov, 1964)

Jul

10

Soy Cuba (1964)

The rich and beautiful spend a lazy day at a grand rooftop pool. DP: Sergey Urusevskiy.

Someone in poolside vacation clothing*

“I am Cuba. Why are you running away? You came here to have fun? Go ahead, have fun! Is this a happy picture? Don't avert your eyes. Look! I am Cuba. For you, I am the casino, the bar, the hotels. But the hands of these children and old people, are also me.”

– the voice of Cuba

Die endlose Nacht [The Endless Night] (Will Tremper, 1963)

Jul

6

Die endlose Nacht (1963)

The bold and the beautiful stuck at Tempelhof. And yes, one could smoke there. DP: Hans Jura.

(People at) an airport*

 

It's foggy at Flughafen Berlin-Tempelhof, the Allies' airbridge to the West, and all the planes into and out of West Berlin are grounded. In any other metropolis this could mean taking a train, enjoy the city's nightlife or maybe just a bed for the night. In post-Wall bureaucracy-happy West Berlin, this means endless waits with strangers. And so, with nowhere to go, a Polish jazz band mingles with British spouses, a lonely South African farmer, a model and her beau.

 

Rat Life and Diet in North America (Joyce Wieland, 1968)

Jul

4

Independence Day

Rat Life and Diet in North America (1968)

Rats – gerbils actually – nibbling on the Stars and Stripes (via). DP: Joyce Wieland.

A movie set in the USA for Independence Day (USA)

“This film tells a story of rebels (played by real rats) and cops (played by real cats). After a long domination by cats, the rats escape from prison (this is their rebellion) and find refuge in Canada. There, they feed on organic produce from a garden where the grass hasn’t been sprayed with DDT.”

– Jonas Mekas, via

French-Canadian patriot Joyce Wieland tells a fable of freedom.

 

Coincidentally, the Canadian city of Trois-Rivières, scene of the final battle of the American Revolutionary War, also celebrates an Independence Day on the fourth of July.

Il mare [The Sea] (Giuseppe Patroni Griffi, 1962)

Jul

1

Il mare (1962)

The actor (Umberto Orsini) looking out over the island. The claustrophobic framing of the hotel windows contrasts sharply with the openness of the sea. DP: Ennio Guarnieri.

My ideal vacation spot, country, city, town, or resort*

 

An island, in this case Capri (granted I've never been there), off-season, in a space and time lost in the mists. It'll occasionally rain and it's cold enough to dress up.