A clock face for Tick Tock Day, USA.

After World War II, the Japanese martial arts of #kendo was banished by the occupying forces in an attempt to “remove and exclude militaristic and ultra-nationalistic persons from life”. With that in mind, it makes complete sense that nationalist author and former kendo practitioner Yukio Mishima wrote a short story – Sword, originally published in literary magazine Shincho in 1963 – about the art.

– So what is your goal in life then?

– Satisfaction of the present. The sword, and nothing else.

Both the story and Kenji Misumi's 1964 film adaptation follow arrogant kendo student Jiro, played by sublime kabuki actor Raizō Ichikawa who also appears in an earlier Mishima adaptation, 炎上 [Enjō / The Temple of the Golden Pavilion / Conflagration] (1958).

Farmers for Kisan Divas [National Farmers Day], India.

4000 years ago, Egypt, Middle Kingdom. A peasant, leading his mules past a stream of water, is tricked. With his animals gone, he pleads to the Pharaoh to restore Maʽat, harmony.

“He's a peasant. Without looking into his situation, words are all he has.”

Chadi Abdel Salam is not only this film's director, but also a trained architect, later set and costume designer. His eye wordlessly speaks the passing of time in the smallest of details. The withering of ferns, desert sand staining linen, the Sun merging with skin. At once, the universal presence of the gods becomes visible.

“We'll go back to Nice tomorrow. The Bay of Angels brings us luck.”

– Jean Fournier

“We say hip, hooray, Hip, hip hooray, For fat!”

– Barry Mann & Cynthia Weil, The Fat Song

Speak an Arabic language on UN Arabic Language Day.

“The first section's dead. There's no one left. We lost contact with the second. The third is reorganizing. All that's left is the fourth. It's enough to start over with.”

“I'm not Hassan. I'm his cow.”

A boy (Bin Amatsu), helps out his father and stepmother's insurance money scam by pretending to be injured in traffic.