Les scélérats [The Wretches] (Robert Hossein, 1960)
Feb
26
canapés
Maid Louise (Perrette Pradier) holding a platter with canapés at a black tie party. Observing her is the master of the house, Jess Rooland (Robert Hossein). DP: Jacques Robin.
Les scélérats [The Wretches] (Robert Hossein, 1960)
Feb
26
canapés
Maid Louise (Perrette Pradier) holding a platter with canapés at a black tie party. Observing her is the master of the house, Jess Rooland (Robert Hossein). DP: Jacques Robin.
Иконостасът [Ikonostasat / The Icon Stand] (Christo Christov + Todor Dinov, 1969)
Feb
5
apples
A closeup of woman's hand moving an apple. The black-and-white photography is deliberately out of focus. DP: Atanas Tasev.
“Father, we just ate!”El verdugo [The Executioner] (Luis García Berlanga, 1963)
Jan
31
stale bread
A closeup of man's hands crumbling bread over a small bowl placed next to a newspaper with keys on top of it. The man has a wool blanket over his shoulders. DP: Tonino Delli Colli.
– Do you play?
– Try me.The Thomas Crown Affair (Norman Jewison, 1968)
Jan
26
champagne
A production photo showing Thomas Crown (McQueen) and Vicki Anderson (Dunaway) sharing foods and drinks. Them seem enthralled with each other. DP: Haskell Wexler.
Touha zvaná Anada [Desire Called Anad / Adrift] (Elmar Klos + Ján Kadár, 1968/1971)
Jan
21
salt
Semi-off screen, an older man with a moustache at a dinner table – many plates, glasses, and foods – reaches for a bowl of salt. DP: Vladimír Novotný.
Восточный коридор [Vostochny Koridor / Eastern Corridor] (Valentin Vinogradov, 1967)
Jan
15
People eating, drinking, singing. DP: Yuri Marukhin.
Les yeux cernés [Marked Eyes] (Robert Hossein, 1964)
Jan
11
baguette
A young woman with big eyes and a dark bob (Marie-France Pisier) picks crumbs out of a fresh baguette. She's somewhere in a dreary small town. The snow's almost gone. DP: Jean Boffety.
A cavallo della tigre [On the Tiger's Back / Jail Break] (Luigi Comencini, 1961)
Jan
6
Two men in a doorway with a stunned look on their faces and their mouths stuffed with food. DP: Aldo Scavarda.
– So what is your goal in life then? – Satisfaction of the present. The sword, and nothing else.剣 (小説) [Ken / The Sword] (Kenji Misumi, 1964)
Dec
29
Tick Tock Day
One of the kendōka kneeled on the floor in gruelling punishment faces a clock on the wall, while the other students continue their training. DP: Chikashi Makiura.
A clock face for Tick Tock Day, USA.
After World War II, the Japanese martial arts of #kendo was banished by the occupying forces in an attempt to “remove and exclude militaristic and ultra-nationalistic persons from life”. With that in mind, it makes complete sense that nationalist author and former kendo practitioner Yukio Mishima wrote a short story – Sword, originally published in literary magazine Shincho in 1963 – about the art.
Both the story and Kenji Misumi's 1964 film adaptation follow arrogant kendo student Jiro, played by sublime kabuki actor Raizō Ichikawa who also appears in an earlier Mishima adaptation, 炎上 [Enjō / The Temple of the Golden Pavilion / Conflagration] (1958).