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Il deserto rosso [Red Desert] (Michelangelo Antonioni, 1964)
Aug
12
green
Valerio (Valerio Bartoleschi) and his mother Giuliana (Monica Vitti) in an arid industrial landscape. Giuliana wears a brilliant green coat, its shade between pea and moss, depending on the drabness of her surroundings. DP: Carlo Di Palma.
Green, in food or fashion*
“She'd discovered a small beach far from town, with crystal-clear water and pink sand. She loved that spot. The colors of nature were so beautiful, and there was no noise. She'd leave only when the sun did too.”
– Giuliana
Antonioni's first film in colour beautifully utilises Vitti's brilliance – of her auburn hair, her porcelain teint, her vivid costumes (by Paola Carloni) – against the drab landscape.
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Mitt hem är Copacabana [My Home Is Copacabana] (Arne Sucksdorff, 1965)
Aug
2
The favela children on the beach, playing with kites and mingling with the rich kids. DP: Arne Sucksdorff.
Favela kids steal kites and sell them on in this Copacabana-set Nordic drama.
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Paparazzi (Jacques Rozier, 1963/1964)
Jul
29
A character has a camera or takes photos*
It buzzes on the set of Le mépris. These mosquitos, the Italians say paparazzi, swarm La Bardot, make it merely impossible for anyone – themselves included – to do their job. But Bardot knows them, too well, and gives them what they want, when she wants it.
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La boulangère de Monceau [The Bakery Girl of Monceau] (Éric Rohmer, 1963)
Jul
28
un gâteau
A young woman in an apron grabs a French cookie. DPs: Bruno Barbey & Jean-Michel Meurice.
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Il sorpasso [The Easy Life] (Dino Risi, 1962)
Jul
26
a boys' night out
Bruno (Gassman) and Roberto (Trintignant) driving along Italy in their sports car (via). DP: Alfio Contini.
A boys' night out: men having fun on their own*
“Bruno, I've spent the best two days of my life with you… I mean it!”
– Roberto Mariani
Serious law student Roberto (Jean-Louis Trintignant) goes on an accidental road trip with bon vivant Bruno (Vittorio Gassman).
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La vérité [The Truth] (Henri-Georges Clouzot, 1960)
Jul
25
Bardot and two men in a café. She has her head on Sami Frey's shoulder while the other man kisses her arm. The table in front of them holds a full ashtray and small coffee cups. DP: Armand Thirard.
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Sedmikrásky [Daisies] (Věra Chytilová, 1966)
Jul
25
a girls' night out
Marie I and Marie II (Jitka Cerhová and Ivana Karbanová respectively) having a heck of a time. DP: Jaroslav Kučera.
A girls' night out: women having fun on their own[???]*
Marie II: “But I'm happy.”
Marie I: “I'm so happy, too.”
Two young women called Marie pull destructive, anarchist pranks.
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Vysoká zeď [The High Wall] (Karel Kachyňa, 1964)
Jul
23
The young man (Vít Olmer) rests in the sun with Jitka (Radka Dulíková) observing him. DP: Josef Vaniš.
Someone is in an ambulance or hospital*
“We still remember our high wall. Even the day we first climbed it, filled with curiosity. The sadness of the discoveries of those years seemed devastating to us. Then we wondered how we could have forgotten it so suddenly.”
– prologue
It's summer in Prague. Jitka, a girl on the cusp of womanhood, follows a stray cat and finds a tall hospital wall. Behind it, a young man in a wheelchair rests. The girl and the man connect.
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La piscine [The Swimming Pool] (Jacques Deray, 1969)
Jul
20
“I thought you'd be hungry, maybe.”
Schneider and Ronet's characters go get their groceries in a tiny, surprisingly well-stocked-with-Asian-food-items French corner shop, ánd manage to find all the ingredients needed. One rookie mistake: Uncle Ben's. Of all the rice in the world…
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La collectionneuse [The Collector] (Éric Rohmer, 1967)
Jul
18
Someone's all bundled up*. No list of summer films is complete without Éric Rohmer.
“I even tried not to think. I was face-to-face alone with the sea, far from cruises and beaches, fulfilling a childhood dream put off year after year. I lost myself completely in the play of shadow and light, sinking into a lethargy heightened by the water. That state of passivity, of complete availability, promised to last much longer than the euphoria of one’s first summer dip into the ocean. I could easily see myself spending a whole month this summer this way.”
– Adrien
An art dealer and his writer friend plan to spend the summer together in a villa on the Côte d'Azur. A young woman, a collector of sorts, disrupts their retreat.