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En kärlekshistoria [A Swedish Love Story] (Roy Andersson, 1970)
May
7
National Hug Holiday Week
Pär (Rolf Sohlman) and Annika (Ann-Sofie Kylin) hug on a deserted barren soccer pitch. DP: Jörgen Persson.
Two teenagers in love become increasingly oblivious of the grey world around them.
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Le mépris [Contempt] (Jean-Luc Godard, 1963)
May
5
Europe Day
Michel Piccoli, director Fritz Lang, Jack Palance, and director Jean-Luc Godard behind the scenes. The clapperboard held by Godard is for the movie that Lang's working on in Le Mépris, an adaption of Homer's Odyssey. DP: Raoul Coutard.
A director from the EU for Europe Day
“Producers are something I can easily do without”
– Fritz Lang
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Thirteen to Centaurus (Peter Potter, 1965)
May
4
Star Wars Day
Dr Francis (Donald Houston) and Abel (James Hunter). DP: tbd.
“Our grandfathers always lived on Earth, and we are the first people ever to undertake such a journey. You can be proud that you’re here. Your grandfather, who volunteered to come, was a great man, and we’ve got to do everything to make sure that the Station keeps running.”
– Dr Francis (from Thirteen to Centaurus, J.G. Ballard, 1962)
A ship travels the universe, on its way to Centaurus. On board is a group of people, fourteen in total, one of them a teenager named Abel. His recurring nightmare about a glowing disc prompts to sessions with the on-board psychologist, and the only one with knowledge of Earth, Dr Francis.
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Drylanders [Un autre pays] (Don Haldane, 1962)
Apr
14
Great Depression
A woman runs from one wooden house to the other, barely visible in the dust whirling up around her (via). DP: Reginald H. Morris.
A film set during the Great Depression (or set in Oklahoma) on the date John Steinbeck's The Grapes of Wrath was published in 1939.
A man who returns from the Boer War decides to become a wheat farmer, but – like so many others in North America – falls victim to the Dust Bowl.
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Les demoiselles de Rochefort [The Young Girls of Rochefort] (Jacques Demy, 1967)
APr
10
Siblings Day
Sisters Delphine and Solange Garnier mid-song, played by real-world sisters Catherine Deneuve and Françoise Dorléac. DP: Ghislain Cloquet.
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ドキュメント 路上 [Document Rojo / On the Road: The Document] (Noriaki Tsuchimoto, 1964)
Mar
26
Road Traffic Act 1934
A look from a Tokyo cab driver's perspective. We see the dashboard, heavy trucks ahead, and behind, and the reflection of the driver in his rearview mirror. DP: Tatsuo Suzuki.
Bad drivers: the start of compulsory driving tests in the UK was established on March 26, 1934* with the Road Traffic Act.
“This film portrays the traffic war that goes on every day. — Tokyo, 1964”
– opening title
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Mr. Freedom (William Klein, 1968)
Mar
23
freebie: liberty
Freebie: “Give me liberty or give me death!” (Patrick Henry, March 23, 1775).
“F-R-double-E-D, D-O-M spells Freedom! We fight for freedom, for one and for all! It's you-and-me-dom, and ten foot tall! Freedom, freedom, and oh-can-you-see-dom, we'll always beat 'em with star-spangled freedom!”
– Mr. Freedom singing his theme song
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The Bed Sitting Room (Richard Lester, 1969)
Mar
22
National Goof-off Day
The BBC (Frank Thornton) bringing you the news (via). DP: David Watkin.
“I am the BBC as you can see, and here was the last news.”
– The BBC
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L'eclisse [The Eclipse] (Michelangelo Antonioni, 1962)
Mar
20
natural phenomena
Vitti's blond hair shifts in front of Delon's dark coupe, quietly mimicking the eclipse. DP: Gianni Di Venanzo.
“There was a silence different from all other silences, an ashen light, and then darkness – total stillness. I thought that during an eclipse even our feelings stop. Out of this came part of the idea for L'eclisse.”
During several moments in the film, the main characters' mannerisms foreshadow the looming solar eclipse.
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La Chinoise, ou plutôt à la Chinoise: un film en train de se faire [La chinoise] (Jean-Luc Godard, 1967)
Mar
19
Howard University Protest
Yvonne (Juliet Berto) holed up behind piles of Mao's Little Red Book, wielding a machine gun. DP: Raoul Coutard.
“One must confront vague ideas with clear images”
– slogan on a wall
Five Maoist students theorise, then practice a radical overthrow via terrorism.
Loosely based on Dostoyevsky's Бѣсы [The Possessed] (1871–72).