“I'm a volcano of ideas.”I pugni in tasca [Fists in the Pocket] (Marco Bellocchio, 1965)
Nov
3
Alessandro (Lou Castel). DP: Alberto Marrama.
– Alessandro
“I'm a volcano of ideas.”I pugni in tasca [Fists in the Pocket] (Marco Bellocchio, 1965)
Nov
3
Alessandro (Lou Castel). DP: Alberto Marrama.
– Alessandro
“One… two… three… four… five… seven… six… six… eight… nine… nine…”Peace, little girl [Daisy / Daisy Girl] (Sidney Myers, 1964)
Nov
3
1964
Monique Corzilius aka Monique Cozy as the Daisy Girl. DP: Drummond Drury.
– Daisy Girl
The Gruesome Twosome (Herschell Gordon Lewis, 1967)
Sep
14
chicken
Teenage girls at a pajama party, dance, munch on the Colonel's chicken, and read the March 27, 1967 newspaper. DP: Roy Collodi.
The Black Cat (Harold Hoffman, 1966)
Sep
9
A sad blonde (Robyn Baker) with her perfectly coiffed head on her perfectly set table. DP: Walter Schenk.
El esqueleto de la señora Morales [Skeleton of Mrs. Morales] (Rogelio A. González, 1960)
Sep
6
Señora Morales (Amparo Rivelles) looks on in horror while señor Morales (Arturo de Córdova) enjoys his meal. DP: Víctor Herrera.
“Matto, caldo, soldi, morto… girotondo…”Vergogna, schifosi!… [Dirty Angels] (Mauro Severino, 1969)
Aug
14
fruit
A group of people in skimpy swimwear sits on space-agey white plastic seating – Archizoom's radical Superonda (1967) – while decadently eating luxurious tropical fruit from a round table that futuristically descends from the ceiling via a steel pole. DP: Angelo Lotti.
”'Junket is junket,' I said, and 'no matter what you do with it, it still tastes like swill and swallows like slime.'”Bunny Lake Is Missing (Otto Preminger, 1965)
Aug
4
junket
Two women – one young (Carol Lynley), one older (Lucie Mannheim) – in a school's kitchen. The older woman handling the food says “But when it looks like junket, it is junket.“. DP: Denys N. Coop.
– school cook
玉羅剎 [Yu luo cha / The Jade Raksha] (Meng-Hua Ho, 1968)
Jul
20
peanuts
Leng Chiu-han's hand (Pei-Pei Cheng) holds up a roasted peanut in the shell. On the table several more peanuts, empty shells, wine cups, and chopsticks. DP: Kuo-Hsiang Lin.
“Why bother having money when you can spend other people's?”Plein soleil [Purple Noon] (René Clément, 1960)
Jun
15
croissants
Tom Ripley (Alain Delon) going though his passport over breakfast. Multiple passport photos, a fountain pen, and a magnifying glass take precedence over his fresh croissants. DP: Henri Decaë.
– Philippe Greenleaf