Il mare [The Sea] (Giuseppe Patroni Griffi, 1962)
Feb
17
1962
The actor (Umberto Orsini) approaches a hotel lobby. A blackboard notes the date: February 17, 1962. DP: Ennio Guarnieri.
“There's nary a conspiracy. And if I'm right about this, it's a far older sin than politics.”
The List of Adrian Messenger (John Huston, 1963)
Feb
16
Lady Jocelyn Bruttenholm (Dana Wynter), Anthony Gethryn (George C. Scott), and Raoul Le Borg (Jacques Roux). DP: Joseph MacDonald.
– Adrian Messenger
Night Must Fall (Karel Reisz, 1964)
Feb
2
roast
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A man mostly off screen carves meat of some sort. Surely it's symbolic. DP: Freddie Francis.
燃えつきた地図 [Moetsukita chizu / The Man Without a Map / The Ruined Map] (Hiroshi Teshigahara, 1968)
Feb
2
Shintarō Katsu and Etsuko Ichihara as the detective and the missing man's wife, their faces and gestures warped by a paned window. DP: Akira Uehara.
黒の試走車 [Kuro no tesuto kā / Black Test Car] (Yasuzō Masumura, 1962)
Jan
18
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We watch over a man's shoulder. He's behind a table, wearing a pinstripe suit. In front of him drinks and chopsticks on a chopstick rest. He's signing the top leaf of a chequebook. DP: Yoshihisa Nakagawa.
“Right now, I don't know if it's me or the dynamite that doin' all that sweatin'.”
The Professionals (Richard Brooks, 1966)
Jan
12
1812
The sheriff jolts something down next to a wall calendar that reads January 12, 1812. Just visible through a window, Jake (Woody Strode) approaches. DP: Conrad L. Hall.
– Jake Sharp
Que la bête meure [The Beast Must Die] (Claude Chabrol, 1969)
Jan
3
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A hand writes 3 janvier in red ink on quad paper. DP: Jean Rabier.
Accidente 703 [Los culpables] (José María Forqué, 1962)
Dec
21
A darkened room. People take care of a man slumped on a coach. A wall calendar tells us it's the 21st. DP: Juan Mariné.
“Écoute les orgues
Elles jouent pour toi
Il est terrible, cet air-là
J'espère que tu aimes
C'est assez beau, non ?
C'est le requiem pour un con”
Le pacha [Pasha / Showdown] (Georges Lautner, 1968)
Dec
19
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Jean Gabin and Dany Carrel in a still on the cover of Serge Gainsbourg's Requiem pour un con 7” (via). DP: Maurice Fellous.
– Serge Gainsbourg, Requiem pour un con (1968)
“Shadow boxes become poetic theaters or settings wherein are metamorphosed the element of a childhood pastime.”
Children's Party (Joseph Cornell, c. 1938/1969)
Dec
18
Las Posadas
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Exuberant dancers at the children's party.
A festive child for Las Posadas
– Joseph Cornell
Children of all ages are entertained by a menagerie of dancers, acrobats, talented fauna and bobbing apples in this exhilarating found-footage party. Part of The Children's Trilogy, together with Cotillion (c. 1938/1969) and The Midnight Party (c. 1938/1969).