view
Baron Prášil [The Fabulous Baron Munchausen] (Karel Zeman, 1962)
Mar
14
Under the Skin – 2013
A weird of quirky sci-fi film on the date Under the Skin (2013) was released in the UK.
“I cast my hat out into the universe, let it greet those who are on their way from Earth. From this day forward, the Moon is no longer a dream.”
– Cyrano de Bergerac
view
Нощта срещу тринадесети [Noshtta sreshtu 13-i / On the Eve of the 13th] (Anton Marinovich, 1961)
Mar
13
Three men packed in a car. It's night and it's raining. DP: Trendafil Zahariev.
view
L'immortelle (Alain Robbe-Grillet, 1963)
Mar
12
National Hitchcock Day
A woman in silhouette (Françoise Brion) enters a building. The setup is perfectly symmetrical except a beam of light passing through the opened doors that highlight's the woman's presence, adding a sense of wrong to the scene. DP: Maurice Barry.
“You're a foreigner and you're lost.”
view
Le Songe Des Chevaux Sauvages [Dream of the Wild Horses] (Denys Colomb de Daunant, 1960)
Mar
10
ithrah69's birthday
Camargue horses galloping through a haze of water and dreams. DPs: Denys Colomb de Daunant & André Costey.
Filmmaker and photographer Colomb de Daunant's spiritual sequel to Crin blanc : le cheval sauvage [White Mane] (1953) and Glamador (1958) follows the same wild Camargue horses in their dreams.
The accompanying music is performed on a Cristal Baschet, a glass instrument key to several avant-garde films. I refer to John Coulthart's writeup about Le Songe, which links through to an article about the Cristal Baschet.
view
Invasión [Invasion] (Hugo Santiago, 1969)
Mar
9
Bobby Fischer – 1943
Don Porfirio (Juan Carlos Paz) in front of a map of Aquileia. DP: Ricardo Aronovich.
Strategy for Bobby Fischer's birthday (1943).
People meticulously plan, move, and countermove in response to an invasion.
view
Fata/Morgana [Left-Handed Fate / Panik 75] (Vicente Aranda, 1966)
Mar
9
Gim (Teresa Gimpera) modelling in a photo studio. The photographer, another woman in silhouette, has an identical hairstyle and outfit. DP: Aurelio G. Larraya.
view
Nattlek [Night Games] (Mai Zetterling, 1966)
Mar
8
International Women's Day
Jan (Jörgen Lindström) and his mother (Ingrid Thulin) share a bed while she reads him a bedtime story. DP: Rune Ericson.
When returning home to the castle he grew up in, Jan attempts to free himself from the suffocating clutches of his neurotic mother.
This film was the final straw for Shirley Temple; she resigned from the board of the San Francisco Film Festival calling Zetterling's film “pornography for profit”.
view
Io la conoscevo bene [I Knew Her Well] (Antonio Pietrangeli, 1965)
Mar
5
Crispus Attucks – 1770
Adriana (Stefania Sandrelli) seen through her apartment window. Rome is reflected in her face. DP: Armando Nannuzzi.
A wasteful act: Crispus Attucks, (arguably) the first American victim in the American Revolution, dies on March 5th, 1770.
“She's always happy. She desires nothing, envies no one, is curious about nothing. You can't surprise her. She doesn't notice the humiliations, though they happen to her every day. It all rolls off her back like some waterproof material. Zero ambition. No moral code. Not even a whore's love of money.”
– The Writer
An ambitious but aimless girl – she wants to be loved, and to be a model, a proto-Edie – mills about her day.
Sublimely shot, we see Adriana through glass panes, in reflections, in an off-focal plane, in other people's words.
view
The City of the Dead (John Llewellyn Moxey, 1960)
Mar
3
Nan Barlow (Venetia Stevenson), exploring. DP: Desmond Dickinson.
– Burn witch, burn witch, burn!
– Dig that crazy beat, man.
view
憂國 [Yūkoku / Patriotism or the Rite of Love and Death] (Yukio Mishima, 1966)
Feb
26
1936
Reiko (Yoshiko Tsuruoka) walking through her lover's blood, her kimono drenched. DP: Kimio Watanabe.
Covers February 26–28, 1936.
”'I know how you feel,' Reiko says quietly. 'And I will follow you wherever you go.'”
– intertitles
