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憂國 [Yūkoku / Patriotism or the Rite of Love and Death] (Yukio Mishima, 1966)
Feb
26
1936
Reiko (Yoshiko Tsuruoka) walking through her lover's blood, her kimono drenched. DP: Kimio Watanabe.
Covers February 26–28, 1936.
”'I know how you feel,' Reiko says quietly. 'And I will follow you wherever you go.'”
– intertitles
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The Phantom of the Opera (Rupert Julian, Lon Chaney, Ernst Laemmle + Edward Sedgwick, 1925)
Jan
28
Gaslights
An enormous gaslit chandelier dangles over the Paris Opéra audience's heads. DPs: Milton Bridenbecker, Virgil Miller & Charles Van Enger.
Gaslights for the first recorded public street lighting powered by gas, demonstrated in Pall Mall, London, on 28 January, 1807. The introduction of gaslight had a major influence on theatre and opera, including the new Paris Opera (1875), which was lit by no less than 960 gas jets. Thanks to the brilliant light, stage actors could tone down their mannerisms and stage makeup.
“Feast your eyes. Glut your soul on my accursed ugliness.”
– The Phantom
However, in the dark dungeons under the Opéra lives a pitiful creature, doomed to dwell in darkness. His makeup, provided by The Man of a Thousand Faces, Lon Chaney, was both grotesque and eerily real .
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Egged On (Charles R. Bowers, Harold L. Muller + Ted Sears, 1926)
Jan
17
inventions
An invention for Benjamin Franklin's birthday. Inventor Charley (Charles R. Bowers) comes up with an ingenious method to make eggs break-proof for transport by rubberizing them.
“… as we enjoy great advantages from the inventions of others, we should be glad of an opportunity to serve others by any invention of ours; and this we should do freely and generously.”
– Benjamin Franklin in his autobiography
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The Cameraman (Edward Sedgwick + Buster Keaton, 1928)
Jan
14
National Dress Up Your Pet Day
Buster (Buster Keaton) with Josephine the monkey on his shoulder. DPs: Reggie Lanning & Elgin Lessley.
– Now, see! You kill-a de monk!
– Pay him for that baboon… or I'll run you in!
After cameraman Buster accidentally knocks over a monkey, he has no choice but to take the sailor-suited simian along on his movie shoots.
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Escrime [Fencing] (Étienne-Jules Marey, 1890)
Jan
4
revolvers
A revolver to commemorate Samuel Colt's sale of 1 000 revolvers to butcher Captain Samuel Walker in 1847.
“Art and science encounter each other when they seek exactitude.”
– Étienne-Jules Marey
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Die Nibelungen: Siegfried (Fritz Lang, 1924)
Jan
2
dragons
Siegfried (Paul Richter), seen from the back, bathing in the blood of the slain dragon. On his left shoulder blade, a linden leaf. DPs: Carl Hoffmann, Günther Rittau & Walter Ruttmann.
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À propos de Nice – point de vue documenté [À propos de Nice] (Boris Kaufman + Jean Vigo, 1930)
Jan
1
New Year's Day
Exuberant prostitutes, Jean Vigo (5th from the left), and some who appear to be men in drag, dance on a landing with confetti all around them. In the moving footage they can be seen high-kicking with increased vulgarity, the camera posed below them. DP: Boris Kaufman.
Confetti for New Year's Day.
“In this film, by showing certain basic aspects of a city, a way of life is put on trial… the last gasps of a society so lost in its escapism that it sickens you and makes you sympathetic to a revolutionary solution.”
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Die Puppe [The Doll] (Ernst Lubitsch, 1919)
Dec
16
Stupid Toy Day
The doll (Ossi Oswalda) mischievously sticks out her tongue. DPs: Theodor Sparkuhl & Kurt Waschneck .
A ridiculous toy for Stupid Toy Day.
“She must have one complex mechanism!”
– Lancelot
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The Monkey Talks (Raoul Walsh, 1927)
Dec
14
Monkey Day
Jocko (Jacques Lerner) in embrace with his Olivette (Olive Borden). Amazingly, Lerner does not wear a mask; it's all the work of makeup craftsman Jack Pierce. DP: L. William O'Connell.
A monkey for (unofficial) Monkey Day.
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Speedy (Ted Wilde, 1928)
Dec
7
National Cotton Candy Day
Harold 'Speedy' Swift (Harold Lloyd ) and his gal Jane (Ann Christy) enjoy big bags of cotton candy at the fair. DP: Walter Lundin .
Cotton candy for (National) Cotton Candy Day. Gifs via Little Horror Shop on Tumblr.
“When a boy loses his job, buys a new suit and takes a girl to Coney Island, he's either insane or in love – – and there's not much difference.”
– title card