“In the next world war, I believe that both sides could stop before the ultimate destruction of cities so that both sides could retire for a period of ten years or so of post-attack recuperation, in which world wars four to eight could be prepared.”

– a leading American nuclear strategist

“I think it's really rotten of them to lock you up like this for making love to a boy.”

– Thomas Manzoni

November 3 redux

“I'm calm. I'm completely calm. You can leave me alone now”

– Margot

Great Highland #bagpipes, or a' phìob mhòr as they're called in Scottish Gaelic, are traditionally played on the battlefield. Peter Watkins' Culloden moves the senseless bloodshed from 1960s Vietnam to the Scottish Highlands of 1746.

“And wherever he went, he took with him his music, his poetry, his language and his children… thus within a century of Culloden, the English and the Scottish lowlanders had made secure forever their religion, their commerce, their culture, their ruling dynasty.”

– narrator

The most clearly it's seen in the men's eyes. That stare we recognise all too well from the many images that reached the west in the 60s, ever before and after.

Commissioned for a West-German TV series called Kunstgeschichten (litt. both “art stories” and “#art histories”), filmmaker Harun Farocki visits artist Sarah Schumann in her #Berlin studio.

“An diesem Tag war das Bild, drei Monate nach Beginn und 67 Arbeitstagen fertig.”

– narrator

The resulting documentary shows the process of creating one art piece over the course of nine weeks. Schumann's work in that period consists of collage portraits of women important in her life.

“Sir John MacDonald, Jacobite captain of cavalry. Aged, frequently intoxicated, described as 'a man of the most limited capacities'.”

– narrator