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Mix-Up ou Meli-melo (Françoise Romand, 1986)

Nov

21

Mix-Up ou Meli-melo (1986)

One of the daughters, here as a child, with one of their mothers. DP: Emile Navarro.

A heartfelt reunion scene*

“Oh, it's you.”

– Margaret Wheeler, welcoming the viewers to this curious retelling of her life's events

Through an unexplained muddle, the Wheeler and the Rylatt girls were mixed up at the maternity ward. One of the mothers, Mrs Wheeler, had a hunch something was off. Her girl was suspiciously long and skinny, unlike the one that was entrusted to her. Over the years and to Mrs Rylatt's increasing chagrin, Mrs Wheeler kept in touch with that woman from the maternity ward. And was proven to be correct. This film is one breezy yet tense reunion scene. Heartwarming, awkward, and – like all that's nostalgia – slightly surreal.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

Mix-Up ou Meli-melo (Françoise Romand, 1986)

Nov

18

1936

Mix-Up ou Meli-melo (1986)

Mother and daughter in one of the surreal reenactment scenes. DP: Emile Navarro.

A bit – occasionally a lot – Greenaway without the room for interpretation. Lovely though and impossible to make in this overly self-aware selfie universe.

The Night That Panicked America (Joseph Sargent, 1975)

Oct

30

1938

The Night That Panicked America (1975)

Paul Shenar as Orson Welles (via). DP: Jules Brenner.

“Ladies and gentlemen, we interrupt our program of dance music to bring you a special bulletin from the Intercontinental Radio News.”

Śledztwo [The Investigation] (Marek Piestrak, 1974)

Oct

28

Śledztwo (1974)

A person offscreen shoots a handgun. DP: Edward Kłosiński.

Medium (Jacek Koprowicz, 1985)

Oct

2

Medium (1985)

A man in an impeccable, light-colored suit. His nose is bleeding. DPs: Jerzy Zieliński & Wit Dąbal.

Hail the New Puritan (Charles Atlas, 1987)

Sep

22

Fall

Hail the New Puritan (1987)

As it says on the tin, it's Mark E. Smith of The Fall (via). DP: John Simmons.

The Northern Hemisphere welcomes the autumn equinox

“Those flowers, take them away; they’re only funeral decorations. This is The Fall and this is a drudge nation. Your decadent sins will wreak discipline. You puritan, you shook me. I wash every day.”

– The Fall, New Puritan (1979), via

A fictional day in the life of choreographer Michael Clark, company, and friends in preparation of the dance piece New Puritans.

Dead Dreams of Monochrome Men (David Hinton, 1989)

Sep

14

Patrick Swayze – 2009

Dead Dreams of Monochrome Men (1989)

Two of the male dancers performing. They're lying on a black-and-white tiled floor. There's a heaviness to their bodies. DP: Nicholas D. Knowland.

Dancing, or Patrick Swayze who passed away on this date in 2009.

“I caused dreams which caused death … this is my crime.”

– Dennis Nilsen

Dennis Nilsen was a lonesome, closeted gay man in Thatcher's London, whose desperation lead to multiple horrific killings. He'd ritually bathe and dress the bodies, and held on to them for company. Radical dance troupe DV8's interpretation of Nilsen's transgressions explores the horror of the act in suffocating beauty.

The Year of the Sex Olympics (Michael Elliott, 1968)

Sep

7

ESPN – 1979

The Year of the Sex Olympics (1968)

The people of a suspiciously 60s looking future critically watch the audience of a reality TV show called The Hungry Angry Show.

Sports watching on TV for ESPN's debut.

“Sex is not to do. Sex is to watch.”

– Nat Mender

All that's on TV is pornography and violence. Welcome to the Year of the Sex Olympics.

Nineteen Eighty-Four (Rudolph Cartier, 1954)

Aug

18

indigo

Nineteen Eighty-Four (1954)

Winston Smith (Peter Cushing). We only see his frail looking back with the identifier KZ-6090, and his name SMITH W.

Indigo, in food or fashion*

“He moved over to the window: a smallish, frail figure, the meagreness of his body merely emphasized by the blue overalls which were the uniform of the party. His hair was very fair, his face naturally sanguine, his skin roughened by coarse soap and blunt razor blades and the cold of the winter that had just ended. “

– George Orwell, Nineteen Eighty-Four (1949) (via)

Blue Remembered Hills (Brian Gibson, 1979)

Jun

16

Youth Day

Blue Remembered Hills (1979)

The children playing in the Forest of Dean. From left to right: Raymond (John Bird), Angela (Helen Mirren), Willie (Colin Welland), and Audrey (Janine Duvitski). DP: Nat Crosby.

A [favourite] child character for Youth Day (ZA)

“Into my heart an air that kills From yon far country blows: What are those blue remembered hills, What spires, what farms are those?

That is the land of lost content, I see it shining plain, The happy highways where I went And cannot come again.”

– narrator, after A.E. Housman's A Shropshire Lad

A group of children plays. It's sunny and lovely in the Forest of Dean, a day to remember for as long as one lives. The war, the second one, is one of the adults' plays and far away from the children's much simpler life. It seeps through, though. You may run around, imagining being a fighter bomber, putt-putt-putting while you do so. And your uncle, your uncle!, is a parachutist! And maybe your dad is missing and your mum is doing something that involves bed sheets, and the other kids are mean about that. That too. That too is the cruelty of blue remembered hills.