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Der große Verhau [The Big Mess] (Alexander Kluge, 1971)
Feb
19
Copernicus born
Space ships made out of all sorts of junk pass a moon. DPs: Thomas Mauch & Alfred Tichawsky.
A film about outer space for Nicolaus Copernicus' birthday (1473).
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Sebastiane (Paul Humfress + Derek Jarman, 1976)
Feb
18
Pluto Day
Sebastian (Leonardo Treviglio) sits on a rock in a barren landscape. Two men in the distance, and a sheep, all have their backs turned to him. DP: Peter Middleton.
“His body is golden like molten gold. This hand of his… will smooth away these wounds. Justin, he is as beautiful as the sun. This sun which caresses me… is his burning desire. He is Phoebus Apollo. The sun… is his… burning kiss.”
– Sebastian
Sebastian, member of the Emperor's personal guard, is exiled after an incident. He finds himself on a rocky outpost, and the object of the other men's lust. One of them – a centurion rejected by the Christian boy – subjects Sebastian to torture and eventually lifts him up martyrdom.
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Assalto ao Trem Pagador [Assault on the Pay Train] (Roberto Farias, 1962)
Feb
17
WH helicopter incident – 1974
The favelados-turned-train-robbers. DP: Amleto Daissé.
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Le charme discret de la bourgeoisie [The Discreet Charm of the Bourgeoisie] (Luis Buñuel, 1972)
Feb
16
No One Eats Alone Day
The diners at a long table. DP: Edmond Richard.
“My God. What am I doing in this place?”
– Henri Sénéchal
The bourgeoisie meet for dinner in various settings, but never consume.
* this event takes place on the Friday of the second full week in February, which makes the 2025 date February 14.
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Der Riese [The Giant] (Michael Klier, 1983/1984)
Feb
15
freebie: a movie from 1984
A woman, we only see her hands, waits at a counter while clutching her purse. Her handbag is next to her. The camera focusses on the small space reserved to count out money. DP: n/a.
January 21 redux: a film from 1984 on the date Orwell died (1950).
“The film is about observing, about glances that see without being seen, a dubious art of light and visibility.”
– Michael Klier, via
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Some Like It Hot (Billy Wilder, 1959)
Feb
14
St. Valentine's Day
Sugar, Josephine, Daphne, and Sweet Sue and Her Society Syncopators rehearse Runnin’ Wild on the sleeper train to sunny Florida. DP: Charles Lang.
A movie about romance, of the Mafia, for St. Valentine's Day.
“Real diamonds! They must be worth their weight in gold!”
– Sugar Kane Kowalczyk
The opening shootout was directly inspired by the February 14 1929 Saint Valentine's Day Massacre (graphic), and shares an actor from one of its most famous adaptations, Scarface (1932); George Raft as the wonderfully named Spats Colombo.
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The Party's Over (Guy Hamilton, 1965)
Feb
13
party
The party crowd staggers its way home at dawn across Albert Bridge. DP: Mike Pratt.
– Let's keep this party going till Sunday.
– Why Sunday?
– The Hindus say the world comes to an end on Sunday.
– But, how will we know when it happens?
– Graves will gape and the shrouded dead will run gibbering and shrieking in the streets.
– Sounds like any other Sunday.
*which isn't until March 4 this year.
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Amerikai anzix [American Torso] (Gábor Bódy, 1975)
Feb
12
Lincoln born
Yet another [American] Civil War, for Abraham Lincoln's birthday (1809).
Shot as fainted fragments* based on an Ambrose Bierce story, and outtakes from Karl Marx's diary, Amerikai anzix (litt. American Postcards) follows Hungarian-American cartographer Fiala, one of many of his countrymen fighting in the American Civil War.
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Adieu Philippine [Farewell, Philippine] (Jacques Rozier, 1962)
Feb
11
friendship
Juliette and Liliane (Stefania Sabatini and Yveline Céry) walk along a promenade in a beautiful, vérité tracking shot. DP: René Mathelin.
A film about friendship for Jennifer Anniston's birthday (1969).
1960. Michel is due to leave for Algeria to serve in the Algerian War. Juliette and Liliane are best friends as inseparable as “Filipino almonds”(?). When they meet, the girls decide to join Michel on his final vacation, on Corsica.
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Ole dole doff [Eeny Meeny Miny Moe / Who Saw Him Die?] (Jan Troell, 1968)
Feb
10
Scholastica
A reaction shot shows the pupils' faces. While the girls show some sort of remorse, the boys are deadpan. DP: Jan Troell .
A film about teaching on the day of Saint Scholastica, patron saint of Benedictine nuns, education, and convulsive children.
Companion piece to Vilgot Sjöman's 491 (1964). An anti-authoritarian teacher who is plagued by nightmares, slowly unravels.