settima

bales2025filmchallenge

Chac: Dios de la lluvia [Chac: The Rain God] (Rolando Klein, 1975)

Mar

30

mythology

Chac: Dios de la lluvia (1975)

The villagers light torches in preparation of the ritual. Screenshot via. DP: William B. Kaplan + Álex Phillips Jr..

Mythology on the date Wrath of the Titans (2012) was released.

 

With their shaman lost to alcohol, villagers make their way to a diviner in the hope to appease Chac, the rain god.

“This is the account of when all is still silent and placid.   All is silent and calm.   Hushed and empty is the womb of the sky.”

– Popul Vuh, The Primordial World

Filmed in the forests of Tenejapa, Chiapas, Chac is probably the first film completely in Tzotzil, one of several Maya languages, and based on themes found in the Popol Vuh.

Die Patriotin [The Patriotic Woman] (Alexander Kluge, 1979)

Mar

29

秦始皇兵马俑

Die Patriotin (1979)

Teacher Gabi Teichert (Hannelore Hoger), knee-deep in a puddle with a shovel, inspecting a find. DPs: Guenter Hoermann, Werner Lüring, Thomas Mauch & Jörg Schmidt-Reitwein.

Something buried: discovery of the Terracotta Army on March 29, 1974

 

A German history teacher, unhappy with the standardised history textbooks she has to work with, literally digs up her nation's past and sees how it is reflected in modern society.

Rosalie et son phonographe [Rosalie and Her Phonograph] (Romeo Bosetti, 1911)

Mar

28

Something-on-a-Stick Day

Rosalie et son phonographe (1911)

Rosalie (Sarah Duhamel) dances to her new phonograph. Duhamel makes eye contact with the viewer throughout the film, and even formally introduces herself during the intro.

A laugh out loud scene for Something on a Stick Day (USA)

 

Bonsoir. Je m'appelle Rosalie!

 

Rosalie (the wonderful Sarah Duhamel) buys herself a phonograph and is delighted by the wonders it brings. Quick, the whole household should know!

 

Not only the obvious moments (no spoilers here), but the small, seemingly improvised bits is what makes Rosalie stand out above American productions of the time – with the exception of Roscoe Arbuckle's; his water bucket pun in His Wife's Mistakes (1916) still has me in stitches.

 

Duhamel makes great use of her physique, and doesn't shy away from looking inelegant, boorish even. Her hips are for pushing things and men out of her way, and her mighty paws easily toss any unwieldy piece of furniture out of the window.

 

Like Rosalie's irresistible gusto and her delightful ditties, the combination of Duhamel's physical comedy and (former #vaudeville-ian) Bosetti's Italian-flavoured slapstick, plus some of the best stop-motion trickery I've ever seen, is simply magical.

Paris, Texas (Wim Wenders, 1984)

Mar

27

94th Academy Awards

Paris, Texas (1984)

Travis (Harry Dean Stanton) wandering the desert. DP: Robby Müller.

A film that I wish would have won the Academy Award for Best Picture in honour of the 94th Academy Awards (2022).

“The Dust has come to stay. You may stay or pass on through or whatever.”

– gas station sign

ドキュメント 路上 [Document Rojo / On the Road: The Document] (Noriaki Tsuchimoto, 1964)

Mar

26

Road Traffic Act 1934

ドキュメント 路上 (1964)

A look from a Tokyo cab driver's perspective. We see the dashboard, heavy trucks ahead, and behind, and the reflection of the driver in his rearview mirror. DP: Tatsuo Suzuki.

Bad drivers: the start of compulsory driving tests in the UK was established on March 26, 1934* with the Road Traffic Act.

“This film portrays the traffic war that goes on every day. — Tokyo, 1964”

– opening title

*I find no solid proof to support this statement

Ludwig (Luchino Visconti, 1973)

Mar

25

Elton John – 1947

Ludwig (1973)

Elisabeth “Sissi” of Austria (Romy Schneider) and King Ludwig II of Bavaria (Helmut Berger) in his beloved Venus Grotto below Schloss Linderhoff. Ludwig wanted blue light in reference to the Grotta Azzurra in #Capri, and had electricity installed in the grotto, which was the first usage of electricity in Austria. DP: Armando Nannuzzi.

A flamboyant character for Elton John’s birthday (1947).

“I want to remain an enigma forever. To others, and also to myself.”

– Ludwig II

Mr. Freedom (William Klein, 1968)

Mar

23

freebie: liberty

Mr. Freedom (1968)

Mr. Freedom (John Abbey) in his American football outfit carries Marie-Madeleine (Delphine Seyrig) is his muscular manly arms. Tagline: OH! OHHH! MR. FREEDOM! YOU KILL ME. DP: Pierre Lhomme.

Freebie: “Give me liberty or give me death!” (Patrick Henry, March 23, 1775)

“F-R-double-E-D, D-O-M spells Freedom! We fight for freedom, for one and for all! It's you-and-me-dom, and ten foot tall! Freedom, freedom, and oh-can-you-see-dom, we'll always beat 'em with star-spangled freedom!”

– Mr. Freedom singing his theme song

The Bed Sitting Room (Richard Lester, 1969)

Mar

22

National Goof-off Day

The Bed Sitting Room (1969)

The BBC (Frank Thornton) bringing you the news (still via). DP: David Watkin.

A truly silly film for National Goof-off Day (USA)

“I am the BBC as you can see, and here was the last news.”

– The BBC

The Moon Over the Alley (Joseph Despins, 1976)

Mar

21

End Racism Day

The Moon Over the Alley (1976)

Ronnie Gusset (Patrick Murray), Sherry (Bill Williams), and Belinda (Sharon Forester) at a kitchen table, chatting and laughing. DP: Peter Hannan.

Diversity for the International Day for the Elimination of Racial Discrimination.

 

Today marks the anniversary of the Sharpeville massacre (1960), when police butchered dozens of people gathered to protest the pass law, one of Apartheid's many cruel segregation measurements.

“In a short while you'll see that the moon won't be so bright as it is. Clouds will cover it… it'll get broken up there. I hope it won't break us.”

– Sybil

The multicultural residents of a Notting Hill boarding house go about their day – listening to the radio, humming, singing – with the local council's imminent demolition of their home looming over them.

 

A kitchen sink drama, yes. But also a catchy musical, written by no other than Galt MacDermot, who brought the world the musical Hair (1967) and the blaxploitation neo-noir Cotton Comes to Harlem (1970).

L'eclisse [The Eclipse] (Michelangelo Antonioni, 1962)

Mar

20

natural phenomena

L'eclisse (1962)

Vitti's blond hair shifts in front of Delon's dark coupe, quietly mimicking the eclipse. DP: Gianni Di Venanzo.

A natural phenomenon for this year's March equinox, three supermoons, and the March 25 solar eclipse.

“There was a silence different from all other silences, an ashen light, and then darkness – total stillness. I thought that during an eclipse even our feelings stop. Out of this came part of the idea for L'eclisse.”

During several moments in the film, the main characters' mannerisms foreshadow the looming solar eclipse.