crime &mdash; settima https://write.underworld.fr/settima/tag:crime @settima@zirk.us Mon, 20 Apr 2026 08:17:58 +0200 みな殺しの霊歌 [Minagoroshi no reika / I, the Executioner] (Tai Katō, 1968) https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-7hcf <![CDATA[section class="boxinfo" markdown="1" div class="title" みな殺しの霊歌 [Minagoroshi no reika / I, the Executioner] (Tai Katō, 1968)/div div class="month" Apr/div div class="dont-fill" /div div class="daynr" 3/div div class="occasion" 1968/div div class="img" しの霊歌 (1968)/div div class="caption" A newspaper headline for April 3, 1968: "COMPANY DIRECTOR'S WIFE NEWEST VICTIM". DP: Keiji Maruyama./div div class="txt" "With bar hostesses, there's a type who are likely to be murdered." ### /div div class="tags" ##### #FilmDuJour #April #TaiKatō #MakotoSatō #HajimeKaburagi #KeijiMaruyama #crime #thriller #rape #revenge #SerialKillers #Japan #1960s ★★★★★/div /section ]]>

みな殺しの霊歌 [Minagoroshi no reika / I, the Executioner] (Tai Katō, 1968)

Apr

3

1968

しの霊歌 (1968)

A newspaper headline for April 3, 1968: “COMPANY DIRECTOR'S WIFE NEWEST VICTIM”. DP: Keiji Maruyama.

“With bar hostesses, there's a type who are likely to be murdered.”

#FilmDuJour #April #TaiKatō #MakotoSatō #HajimeKaburagi #KeijiMaruyama #crime #thriller #rape #revenge #SerialKillers #Japan #1960s ★★★★★

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-7hcf Fri, 03 Apr 2026 09:00:00 +0200 Les yeux cernés [Marked Eyes] (Robert Hossein, 1964) https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-bgsr <![CDATA[section class="boxinfo" markdown="1" div class="title" Les yeux cernés [Marked Eyes] (Robert Hossein, 1964)/div div class="month" Apr/div div class="dont-fill" /div div class="daynr" 2/div div class="occasion" 1964/div div class="img" Les yeux cernés (1964)/div div class="caption" A typed request on official stationary dated April 2, requesting to show up at the police precinct on April 4, 1964. DP: Jean Boffety./div div class="txt" /div div class="tags" ##### #FilmDuJour #April #RobertHossein #MichèleMorgan #MarieFrancePisier #AndréHossein #JeanBoffety #crime #mystery #FilmNoir #France #Italy #Austria #1960s ★★★★☆/div /section ]]>

Les yeux cernés [Marked Eyes] (Robert Hossein, 1964)

Apr

2

1964

Les yeux cernés (1964)

A typed request on official stationary dated April 2, requesting to show up at the police precinct on April 4, 1964. DP: Jean Boffety.

#FilmDuJour #April #RobertHossein #MichèleMorgan #MarieFrancePisier #AndréHossein #JeanBoffety #crime #mystery #FilmNoir #France #Italy #Austria #1960s ★★★★☆

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-bgsr Thu, 02 Apr 2026 09:00:00 +0200 野獣死すべし [Yajū shisubeshi / The Beast Shall Die] (Eizō Sugawa, 1959) https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-zpfs <![CDATA[section class="boxinfo" markdown="1" div class="title" 野獣死すべし [Yajū shisubeshi / The Beast Shall Die] (Eizō Sugawa, 1959)/div div class="month" Mar/div div class="dont-fill" /div div class="daynr" 30/div div class="occasion" 7 p.m./div div class="img" 野獣死すべし (1959)/div div class="caption" Kunihiko Date (Tatsuya Nakadai) driving along at night. DP: Fukuzō Koizumi./div div class="txt" "He’s not a beast. No, he’s a robot. A machine created by a modern, twisted society." ### /div div class="tags" ##### #FilmDuJour #March #EizōSugawa #HaruhikoŌyabu #TatsuyaNakadai #HiroshiKoizumi #ReikoDan #YumiShirakawa #MakotoSatō #EikoMiyoshi #ToshirōMayuzumi #FukuzōKoizumi #crime #FilmNoir #Bookadaptation #Japan #1950s ★★★★☆/div /section ]]>

野獣死すべし [Yajū shisubeshi / The Beast Shall Die] (Eizō Sugawa, 1959)

Mar

30

7 p.m.

野獣死すべし (1959)

Kunihiko Date (Tatsuya Nakadai) driving along at night. DP: Fukuzō Koizumi.

“He’s not a beast. No, he’s a robot. A machine created by a modern, twisted society.”

#FilmDuJour #March #EizōSugawa #HaruhikoŌyabu #TatsuyaNakadai #HiroshiKoizumi #ReikoDan #YumiShirakawa #MakotoSatō #EikoMiyoshi #ToshirōMayuzumi #FukuzōKoizumi #crime #FilmNoir #Bookadaptation #Japan #1950s ★★★★☆

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-zpfs Mon, 30 Mar 2026 10:00:00 +0200 Supermarkt [Die Stadt, Jane Love / Supermarket] (Roland Klick, 1974) https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-w8ys <![CDATA[section class="boxinfo" markdown="1" div class="title" Supermarkt [Die Stadt, Jane Love / Supermarket] (Roland Klick, 1974)/div div class="month" Mar/div div class="dont-fill" /div div class="daynr" 30/div div class="X" /div div class="img" Supermarkt (1974)/div div class="caption" Willi Hansen (Charly Wierzejewski) in a phone booth. Filmed from the outside in, his face is partially obscured by neon lights. DP: Jost Vacano./div div class="txt" /div div class="tags" ##### #FilmDuJour #March #RolandKlick #CharlyWierzejewski #EvaMattes #WalterKohut #PeterHesslein #JostVacano #crime #heist #drama #StPauli #Hamburg #WestGermany #1970s ★★★★½/div /section ]]>

Supermarkt [Die Stadt, Jane Love / Supermarket] (Roland Klick, 1974)

Mar

30

Supermarkt (1974)

Willi Hansen (Charly Wierzejewski) in a phone booth. Filmed from the outside in, his face is partially obscured by neon lights. DP: Jost Vacano.

#FilmDuJour #March #RolandKlick #CharlyWierzejewski #EvaMattes #WalterKohut #PeterHesslein #JostVacano #crime #heist #drama #StPauli #Hamburg #WestGermany #1970s ★★★★½

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-w8ys Mon, 30 Mar 2026 09:00:00 +0200 Sisters [Blood Sisters] (Brian De Palma, 1972) https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-0vyy <![CDATA[section class="boxinfo" markdown="1" div class="title" Sisters [Blood Sisters] (Brian De Palma, 1972)/div div class="month" Mar/div div class="dont-fill" /div div class="daynr" 27/div div class="X" /div div class="img" Sisters (1972)/div div class="caption" Danielle and Dominique Blanchion (Margot Kidder) – one beaming one gloomy – wearing bathing suits. In the background, Emil Breton (William Finley) in a therapy pool – fully clothed – with a woman and small child. DP: Gregory Sandor./div div class="txt" "Did you know that the germs can come through the wires? I never call and I never answer. It's a good way to get sick. Very, very sick… That's how I got so sick! SOMEONE CALLED ME ON THE TELEPHONE!" ### /div div class="tags" ##### #FilmDuJour #March #BrianDePalma #MargotKidder #JenniferSalt #WilliamFinley #BernardHerrmann #GregorySandor #horror #mystery #crime #USA #1970s ★★½/div /section ]]>

Sisters [Blood Sisters] (Brian De Palma, 1972)

Mar

27

Sisters (1972)

Danielle and Dominique Blanchion (Margot Kidder) – one beaming one gloomy – wearing bathing suits. In the background, Emil Breton (William Finley) in a therapy pool – fully clothed – with a woman and small child. DP: Gregory Sandor.

“Did you know that the germs can come through the wires? I never call and I never answer. It's a good way to get sick. Very, very sick… That's how I got so sick! SOMEONE CALLED ME ON THE TELEPHONE!”

#FilmDuJour #March #BrianDePalma #MargotKidder #JenniferSalt #WilliamFinley #BernardHerrmann #GregorySandor #horror #mystery #crime #USA #1970s ★★½

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-0vyy Fri, 27 Mar 2026 09:00:00 +0100 The Chase (Arthur Ripley, 1946) https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-746p <![CDATA[section class="boxinfo" markdown="1" div class="title" The Chase (Arthur Ripley, 1946)/div div class="month" Mar/div div class="dont-fill" /div div class="daynr" 21/div div class="X" /div div class="img" The Chase (1946).png)/div div class="caption" A man's hand holds up two first class tickets for March 21, destination Cuba. DP: Franz Planer./div div class="txt" "Have you ever been afraid? Really afraid?" ### – Lorna Roman /div div class="tags" ##### #FilmDuJour #March #ArthurRipley #CornellWoolrich #RobertCummings #MichèleMorgan #SteveCochran #LloydCorrigan #JackHolt #DonWilson #PeterLorre #MichelMichelet #FranzPlaner #mystery #drama #crime #romance #FilmNoir #BookAdaptation #USA #1940s ★★★★☆/div /section ]]>

The Chase (Arthur Ripley, 1946)

Mar

21

The Chase (1946)

A man's hand holds up two first class tickets for March 21, destination Cuba. DP: Franz Planer.

“Have you ever been afraid? Really afraid?”

– Lorna Roman

#FilmDuJour #March #ArthurRipley #CornellWoolrich #RobertCummings #MichèleMorgan #SteveCochran #LloydCorrigan #JackHolt #DonWilson #PeterLorre #MichelMichelet #FranzPlaner #mystery #drama #crime #romance #FilmNoir #BookAdaptation #USA #1940s ★★★★☆

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-746p Sat, 21 Mar 2026 10:00:00 +0100 The Man Who Knew Too Much (Alfred Hitchcock, 1934) https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-rrvw <![CDATA[section class="boxinfo" markdown="1" div class="title" The Man Who Knew Too Much (Alfred Hitchcock, 1934)/div div class="month" Mar/div div class="dont-fill" /div div class="daynr" 21/div div class="X" /div div class="img" The Man Who Knew Too Much (1934)/div div class="caption" Abbott (Peter Lorre). DP: Curt Courant./div div class="txt" "Stand by, there's trouble coming soon." ### – Bob Lawrence\ /div div class="tags" ##### #FilmDuJour #March #AlfredHitchcock #Hitchcock #PeterLorre #LeslieBanks #ArthurBenjamin #CurtCourant #crime #thriller #UK #1930s ★★★★☆/div /section ]]>

The Man Who Knew Too Much (Alfred Hitchcock, 1934)

Mar

21

The Man Who Knew Too Much (1934)

Abbott (Peter Lorre). DP: Curt Courant.

“Stand by, there's trouble coming soon.”

– Bob Lawrence

#FilmDuJour #March #AlfredHitchcock #Hitchcock #PeterLorre #LeslieBanks #ArthurBenjamin #CurtCourant #crime #thriller #UK #1930s ★★★★☆

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-rrvw Sat, 21 Mar 2026 09:00:00 +0100 Нощта срещу тринадесети [Noshtta sreshtu 13-i / On the Eve of the 13th] (Anton... https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-nw5f <![CDATA[section class="boxinfo" markdown="1" div class="title" Нощта срещу тринадесети [Noshtta sreshtu 13-i / On the Eve of the 13th] (Anton Marinovich, 1961)/div div class="month" Mar/div div class="dont-fill" /div div class="daynr" 13/div div class="X" /div div class="img" Нощта срещу 13-ти (1961)/div div class="caption" Three men packed in a car. It's night and it's raining. DP: Trendafil Zahariev./div div class="txt" /div div class="tags" ##### #FilmDuJour #March #AntonMarinovich #ApostolKaramitev #KostaTsonev #AtanasBoyadzhiev #TrendafilZahariev #drama #crime #Bulgaria #1960s/div /section ]]>

Нощта срещу тринадесети [Noshtta sreshtu 13-i / On the Eve of the 13th] (Anton Marinovich, 1961)

Mar

13

Нощта срещу 13-ти (1961)

Three men packed in a car. It's night and it's raining. DP: Trendafil Zahariev.

#FilmDuJour #March #AntonMarinovich #ApostolKaramitev #KostaTsonev #AtanasBoyadzhiev #TrendafilZahariev #drama #crime #Bulgaria #1960s

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-nw5f Fri, 13 Mar 2026 10:00:00 +0100 Hell Bound (William J. Hole Jr., 1957) https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-yb4c <![CDATA[section class="boxinfo" markdown="1" div class="title" Hell Bound (William J. Hole Jr., 1957)/div div class="month" Mar/div div class="dont-fill" /div div class="daynr" 12/div div class="occasion" Sat/div div class="img" Hell Bound (1957)/div div class="caption" A man writes a name in the 9:30 a.m. time slot of the calendar page for Saturday March 21. DP: Carl E. Guthrie./div div class="txt" "Three days ago, at exactly 0600 – because that is really not the time – on February 5 – because that is really not the date – this freighter, which shall be nameless, sailed from a certain Far Eastern port. Its destination: The Port of Los Angeles, Wilmington, California. This is fact." ### – narrator /div div class="tags" ##### #FilmDuJour #March #WilliamJHoleJr #JohnRussell #JuneBlair #StuartWhitman #DehlBerti #GeorgeEMather #LesBaxter #CarlEGuthrie #crime #drama #romance #FilmNoir #drugs #heist #USA #1950s ★★★☆☆/div /section ]]>

Hell Bound (William J. Hole Jr., 1957)

Mar

12

Sat

Hell Bound (1957)

A man writes a name in the 9:30 a.m. time slot of the calendar page for Saturday March 21. DP: Carl E. Guthrie.

“Three days ago, at exactly 0600 – because that is really not the time – on February 5 – because that is really not the date – this freighter, which shall be nameless, sailed from a certain Far Eastern port. Its destination: The Port of Los Angeles, Wilmington, California. This is fact.”

– narrator

#FilmDuJour #March #WilliamJHoleJr #JohnRussell #JuneBlair #StuartWhitman #DehlBerti #GeorgeEMather #LesBaxter #CarlEGuthrie #crime #drama #romance #FilmNoir #drugs #heist #USA #1950s ★★★☆☆

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-yb4c Thu, 12 Mar 2026 09:00:00 +0100 Fata/Morgana [Left-Handed Fate / Panik 75] (Vicente Aranda, 1966) https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-dyd7 <![CDATA[section class="boxinfo" markdown="1" div class="title" Fata/Morgana [Left-Handed Fate / Panik 75] (Vicente Aranda, 1966)/div div class="month" Mar/div div class="dont-fill" /div div class="daynr" 9/div div class="X" /div div class="img" Fata/Morgana (1966)/div div class="caption" Gim (Teresa Gimpera) modelling in a photo studio. The photographer, another woman in silhouette, has an identical hairstyle and outfit. DP: Aurelio G. Larraya./div div class="txt" /div div class="tags" ##### #FilmDuJour #March #VicenteAranda #TeresaGimpera #AntonioPérezOlea #AurelioGLarraya #mystery #drama #crime #SciFi #Barcelona #Spain #WestGermany #1960s ★★★★☆/div /section ]]>

Fata/Morgana [Left-Handed Fate / Panik 75] (Vicente Aranda, 1966)

Mar

9

Fata/Morgana (1966)

Gim (Teresa Gimpera) modelling in a photo studio. The photographer, another woman in silhouette, has an identical hairstyle and outfit. DP: Aurelio G. Larraya.

#FilmDuJour #March #VicenteAranda #TeresaGimpera #AntonioPérezOlea #AurelioGLarraya #mystery #drama #crime #SciFi #Barcelona #Spain #WestGermany #1960s ★★★★☆

]]> https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-dyd7 Mon, 09 Mar 2026 09:00:00 +0100