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Matinée (Jaime Humberto Hermosillo, 1977)
Nov
4
National Easy Bake Oven Day
Friends Aarón (Rodolfo Chávez Martínez) and Jorge (Armando Martín) having a grownup discussion about the situation. DP: Jorge Stahl Jr..
Two boys skip class to catch a movie – Alexander Mackendrick's thematically similar A High Wind in Jamaica (1965) – and end up as members of a violent gang instead. While Matinée has elements of a typical 70s #ComingOfAge movie, the more fascinating element is the role reversal of the two children and the robbers. As the kids are forced to grow up, fast, the criminals live out their childhood fantasy of never having to listen to anyone ever again. And bicker over comics.
Robert Rodriguez stated that the fearsome criminals in his El Mariachi (1992) never outgrew their childhood nicknames. I start to suspect that once upon a time, a little boy named Robertiño skipped class and went to the matinee.
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みな殺しの霊歌 [Minagoroshi no reika / I, the Executioner] (Tai Katō, 1968)
Oct
26
A claustrophobically framed black-and-white shot of a man (Makoto Satō) handling chopsticks close to his face. DP: Keiji Maruyama.
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Orlacs Hände [Die unheimlichen Hände des Doktor Orlac / The Hands of Orlac] (Robert Wiene, 1924)
Sep
25
Paul Orlac (Conrad Veidt) stretched out on a wooden bench in a tavern. A strange man sits on a second bench on the other side of the table. DPs: Hans Androschin & Günther Krampf.
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Gimme Shelter (Albert + David Maysles, Charlotte Zwerin, 1970)
Sep
13
Uncle Sam Day
Mick Jagger seen from the back wearing an Uncle Sam top hat, in front of an unseen crowd. DPs: Albert Maysles, David Maysles & Gary Weis.
It's December 6, 1969 and just like that, the 60s were over. It started out great, the West Coast edition of Woodstock. Santana, Jefferson Airplane, The Flying Burrito Brothers, Crosby, Stills, Nash & Young, a 300.000 strong crowd and, of course, The Rolling Stones on the final leg of their US tour. And, of course too, Hells Angels armed with motorcycle chains, sawed-off pool cues and $500 worth of beer, hired to stop fans from climbing the stage. And not in the least due to its proximity to Frisco, lots of bad drugs mixing with that crowd.
“Well, The Rolling Stones tour of the United States is over. It wounded up with a free concert at the Altamont Speedway for more than 300,000 people. There were four births, four deaths and an awful lot of scuffles reported.”
– Stefan Ponek, KSN Radio
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0課の女 赤い手錠 [Zeroka no onna: Akai wappa / Zero Woman: Red Handcuffs] (Yukio Noda, 1974)
Sep
12
National Police Woman Day
Rei (Miki Sugimoto) wielding the red chain of her handcuffs. DP: Yoshio Nakajima.
Rei (Miki Sugimoto) is a member of Division Zero, a top secret division of #Tokyo's police department. Hired to investigate a high-profile #kidnapping, she infiltrates the gang and kills them off with her signature blood-red handcuffs.
0課の女 赤い手錠 is the first of no less than 9 instalments. Based on Tōru Shinohara's #manga 0課の女 [Zero-ka no Onna] who may be better known for his さそり [Sasori / Scorpion], which in its turn was adapted into the popular Female Prisoner Scorpion series of WiP films.
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Ostia [A Violent Life] (Sergio Citti, 1970)
Sep
11
supper
A group of vulgar looking people eating outdoors at a very long table in front of an old crumbing wall at a very long table. The scene is a re-enactment of Da Vinci's Il Cenacolo / Last Supper. DP: Mario Mancini.
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Warum läuft Herr R. Amok [Why Does Herr R. Run Amok] (Michael Fengler, 1970)
Sep
11
National Boss Employee Exchange Day
Der Chef (Franz Maron) berates Herr R. (Kurt Raab). DP: Dietrich Lohmann.
“No, no, geh' nicht vorbei, als wär' nichts gescheh'n,
Es ist zu spät, um zu lügen,
Komm und verzeih, ich werd' mit dir geh'n,
Wohin dein Weg auch führt,
Und die Welt, sie wird schön.”
– Christian Anders, Geh nicht vorbei (1969)
So why does Herr R run amok?
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Ostia [A Violent Life] (Sergio Citti, 1970)
Sep
10
National Pet Memorial Day
Bandiera and Rabbino and their beloved Rosina, thoughtfully covered with a woollen blanket. DP: Mario Mancini.
Bandiera and Rabbino, two young bumpkins, find that Rosina, their beloved ewe, has been butchered by their father. Years later, the two share their lives with a beautiful blonde who they found believing to be dead.
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کلوزآپ ، نمای نزدیک [Klūzāp, nemā-ye nazdīk / Close-Up] (Abbas Kiarostami, 1990)
Sep
8
Pardon Day
Hossain Sabzian riding passenger on a motorcycle holding a large potted rose-red dahlia. DP: Ali Reza Zarrindast.
کلوزآپ ، نمای نزدیک is visual narrative illustrating a crime. A cinephile, Hossain Sabzian, pretends to be filmmaker Mohsen Makhmalbaf and slowly extorts a family into believing to star in the director's next film.
“Prison is good for the good and bad for the wicked. It teaches the good a lesson but only makes the wicked worse.”
– Hossain Sabzian
An article about the case intrigued director #Kiarostami so much that he decided to film the court case against Sabzian, and ask the accused, Makhmalbaf, and the Ahankhah family to reenact some of the events.
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To Catch a Thief (Alfred Hitchcock, 1955)
Sep
8
leg or breast
Francie (Grace Kelly) and John Robie (Cary Grant) taking a (lunch) break on the Grand Corniche coast road. DP: Robert Burks.
– You want a leg or a breast?
– You make the choice.