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Mickey One (Arthur Penn, 1965)
Apr
8
Step Into The Spotlight Day
Mickey (Warren Beatty) bent over, holding a microphone with a bright spotlight aimed at him. DP: Ghislain Cloquet.
“I'm the king of the silent pictures. I'm hiding out till talkies blow over.”
– Mickey One
Having said that, there are several great small surreal moments that are carried by uncredited character actors alone. And then there's a sole spotlight, stealing it all away.
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Sunrise: A Song of Two Humans (F.W. Murnau, 1927)
Mar
12
Academy Award For Best Picture
The Man and Wife kiss in the countryside. Suddenly, the backdrop changes to the hustle and bustle of the big city. Carts, both horse and engine driven, come to a halt for the lovers. DPs: Charles Rosher & Karl Struss.
Sunrise was bestowed the award for “Best Unique and Artistic Picture” on that first Oscar night. The first and last time that ever happened; in 1930, the price was scrapped and replaced by “Outstanding Picture” aka “Best Picture”. And that one went to the much more American-patriotic Wings (1927).
Also rightfully awarded in '29 were Janet Gaynor (Best Actress in a Leading Role), Charles Rosher and Karl Struss (Best #Cinematography), while Rochus Gliese was nominated for Best #ArtDirection.
“This song of the Man and his Wife is of no place and every place; you might hear it anywhere, at any time.”
– opening title card
Sunrise is a fantastic tour de force, and it winning that award should make you feel hopeful for the future of cinema. Instead, the current list of nominees and winners is, at least to me, a checklist of what to avoid for ever.
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Dirty Little Billy (Stan Dragoti, 1972)
Feb
25
National Billy Day
Michael J. Pollard as Billy the Kid. He looks rather unwashed. DP: Ralph Woolsey.
– All right, Billy. All right. You still haven't answered my question. What do you want to do?
– Nothin'.
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American Dreams: Lost and Found (James Benning, 1984)
Feb
24
National Trading Card Day
A Hank Aaron trading card from director James Benning's personal collection. Below it a scrolling text quoting from Arthur Bremer's diary.
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Le voleur de crimes [Crime Thief] (Nadine Trintignant, 1969)
Feb
20
National Handcuff Day
Jean Girod (Jean-Louis Trintignant) handcuffed in the back of a cell van. DP: Pierre Willemin.
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The Naked City [Homicide (Jules Dassin, 1948)
Feb
10
All The News That's Fit To Print Day
On a crowded subway train, a distraught young woman looks at the back of a newspaper. She may just have read the front, held up by someone offscreen. Headlines read YOUNG MODEL FOUND SLAIN IN BATHTUB. The prop newspaper uses too many typefaces at once. DP: William H. Daniels; still photographers: Bert Anderson & Arthur “Weegee” Fellig.
Filmed on location in New York City, with still photography by Arthur “Weegee” Fellig and others. Weegee was a press photographer known for his stark black-and-white crime scene #photography in the city's seedy underbelly.
“There are eight million stories in the naked city. This has been one of them.”
– narrator
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Shoot It Black, Shoot It Blue (Dennis McGuire, 1974)
Jan
29
Kansas Day
A white cop (Michael Moriarty) aims his gun at someone offscreen. DP: Bob Bailin.
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De man die zijn haar kort liet knippen [The Man Who Had His Hair Cut Short] (André Delvaux, 1965)
Jan
12
freebie: Teacher Appreciation Day
Govert Miereveld (Senne Rouffaer) having his hair cut. DPs: Ghislain Cloquet & Roland Delcour.
A teacher, enthralled by one of his students, gets lost after she graduates.
“Fran.”
– Govert Miereveld
Heavy and light, absurd and profane. An absolute recommendation.
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The Spider (Kenneth MacKenna + William Cameron Menzies, 1931)
Jan
4
World Hypnotism Day
A masked Alexander (Howard Phillips) seated on a curule on stage. DP: James Wong Howe.