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experimentalfilm

To Lavoisier, Who Died in the Reign of Terror (Michael Snow, 1991)

Mar

6

chemistry

To Lavoisier, Who Died in the Reign of Terror (1991)

Shot from below through a glass pane, a man pushes a sulphur-yellow substance around.

Chemistry: Dimitri Mendeleev presented his version of the periodic table on this date in 1869. He claimed to have had a dream in which he envisioned a table in which all the chemical elements were arranged according to their atomic weight (via).

Antoine Lavoisier (1743-1794) was a French chemist who gave the first accurate scientific explanation of the mysteries of fire. He also provided the law of conservation of matter which states that matter can be neither created or destroyed.n His work and this film are situated between modern chemistry and alchemy. The film stages a drama of abstraction and theoretical realism. Everyday life seen photo-chemically and musically. The film is a materialist projected-image conversion of matter.”

– Michael Snow, via

The film stock was chemically altered, giving it an dreamlike quality.

Unsere Afrikareise [Our Trip to Africa] (Peter Kubelka, 1966)

Feb

22

National Wildlife Day

Unsere Afrikareise (1966)

A frame (source) shows a freshly killed zebra on its side. The film stock's perforations and sound track are visible. DP: Peter Kubelka.

Wild animals for this year's first National Wildlife Day (USA). A second one is on September 4.

“For me, Afrikareise is, in its own genre, the most intense sound film that exists. Sound and images are in synch like in nature (even if it isn’t about the natural sound of something). The sound becomes the acoustic portrait of the visual action.”

– Peter Kubelka, via

Commissioned to film a rich Austrian couple's hunting trip, Kubelka sat on the material for several years before editing it in something more than the sum of its parts.

Der Riese [The Giant] (Michael Klier, 1983/1984)

Feb

15

freebie: a movie from 1984

Der Riese (1983/1984)

A woman, we only see her hands, waits at a counter while clutching her purse. Her handbag is next to her. The camera focusses on the small space reserved to count out money. DP: n/a.

January 21 redux: a film from 1984 on the date Orwell died (1950).

“The film is about observing, about glances that see without being seen, a dubious art of light and visibility.”

– Michael Klier, via

According to Harun Farocki, Der Riese was the first narrative film completely compiled out of surveillance footage.

Amerikai anzix [American Torso] (Gábor Bódy, 1975)

Feb

12

Lincoln born

Amerikai anzix (1975)

A soldier on a swing set, high up a tree. Other soldiers and civilians look on. Screenshot (and more information) via. DP: István Lugossy.

Yet another [American] Civil War, for Abraham Lincoln's birthday (1809).

 

Shot as fainted fragments* based on an Ambrose Bierce story, and outtakes from Karl Marx's diary, Amerikai anzix (litt. American Postcards) follows Hungarian-American cartographer Fiala, one of many of his countrymen fighting in the American Civil War.

 

*Using a technique described by Bódy as “light editing”, the footage looks worn and grimy.

Symbiopsychotaxiplasm: Take One (William Greaves, 1968)

Feb

1

Filmmaking

Symbiopsychotaxiplasm: Take One (1968)

Don Fellows – testing as “Freddy” – and Patricia Ree Gilbert – testing as “Alice” –, the director (William Greaves), and a camera assistant holding up a light meter. Everyone is eyeing everyone and it's not clear who is playing what part. DPs: Stevan Larner & Terence Macartney-Filgate.

A film about filmmaking, or Hollywood, to celebrate the opening of Edison's Black Maria in 1893.

“You and I are going to be filming the actors. The two of us, see, are going to be filming the actors – continuously – and you will be filming me and the actors. I'm going to be filming the actors and Terry is going to be in charge of filming the whole thing. You see?”

– William Greaves – Director

During a screentest for a documentary in a documentary in a film, director William Greaves attempts to cast the leads for his upcoming piece Over the Cliff, while a documentary crew records their progress.

War Machine (Duvet Brothers, 1984)

Jan

21

the passing of Orwell

War Machine (1984)

A repurposed TV still of a battle ship billowing thick black smoke with the text WAR MACHINE superimposed over it.

A scratch video from 1984 on the date George Orwell died (1950). Date of production is either 84 or 85.

All My Life (Bruce Baillie, 1966)

Jan

18

roses

All My Life (1966)

A still of a red rose bush next to a fence. Image via à pala de walsh. DP: Bruce Baillie.

Roses for the end of the Wars of the Roses (note: January 18 is when Henry VII married Elizabeth of York in 1486; the wars would continue until June 16 the following year).

“All my life, hold me close to your heart But all else above Hold my love, darling, just hold my love”

– Ella Fitzgerald, All My Life (Sidney D. Mitchell & Sammy Stept), 1936

In one continuous shot, the camera tracks a fence and rose bushes while Ella Fitzgerald's 1936 debut song All My Life is playing.

Kinoautomat: Člověk a jeho dům [Kinoautomat / One Man and His House] (Ján Roháč, Radúz Činčera + Vladimír Svitáček, 1967)

Jan

10

Representation of the People Act 1918

Kinoautomat: Člověk a jeho dům (1967)

The audience about to vote for one of two scenes, with two presenters on stage.. DP: Jaromír Šofr.

Voting, for the Representation of the People Act 1918, UK.

 

Made for the Czechoslovak Pavilion at #Expo67 in #Montréal, Kinoautomat was the world's first interactive film. During nine moments in the story, a moderator would appear on the stage, and ask the audience where the story should go now. Depending on the votes, one of two reels would play.

“The Kinoautomat in the Czechoslovak Pavilion is a guaranteed hit of the World Exposition, and the Czechs should build a monument to the man who conceived the idea, Radúz Činčera.”

– The New Yorker

After its very successful performance at Expo 67, and a one year run in Prague, Kinoautomat was banned by the Czechoslovakian government.

The Clock (Christian Marclay, 2010)

Dec

31

Hogmanay

The Clock (2010)

Prof. Charles Rankin (Orson Welles) during the climax in The Stranger (1946). The clocktower strikes midnight. DP: Russell Metty.

Midnight: it's Hogmanay in Scotland.

“There's no clue to the identify of Franz Kindler; except one little thing. He has a hobby that almost amounts to a mania: clocks.”

– Mr. Wilson

The Clock takes place over – and lasts – 24 hours, with each moment either being shown in a film still or mentioned by characters during a scene. In total, there are over 12 000 scenes edited into Marclay's tour de force.

Das Cabinet des Dr. Caligari [The Cabinet of Dr. Caligari] (Robert Wiene, 1920)

Dec

25

Hanukkah + Christmas

Das Cabinet des Dr. Caligari (1920)
Joseph Nicéphore Niépce (1822 – 1827)

Cesare (Conrad Veidt) escapes with Jane (Lil Dagover) in his arms. Composition and distribution of light and shadow – much of which was painted directly on the set pieces – strike a strong resemblance with the oldest known survived photograph by Nicéphore Niépce from ca. 1822 – 1827. DP: Willy Hameister.

A favourite scene featuring light for Hanukkah and Christmas.

Alan “How long will I live?”

Cesare “Till the break of dawn.”