A character who is happy on the National Day of Joy (USA)

“Grünes Licht für ehrgeizige, strebsame und arbeitswillige junge Menschen.”

Georg Hauser's life is a drag. He gets up to drive his car to the same office to do the same thing surrounded by the same people everyday, just to make money to do the same thing all over again. Then, his glasses break and the new pair makes him see things a bit differently.

“You're a foreigner and you're lost.”

A child with health struggles for Childhood Depression Awareness Day (USA)

“Spotkał katar Katarzynę – A – psik! Katarzyna pod pierzynę – A – psik!”

– Jan Brzechwa, Katar (via)

A little girl has the sniffles, sees the doctor, and so happily spreads the bug all over town. A quirky animated short based on a poem by Jan Brzechwa.

An autistic actor or character for World Autism Awareness Day

“Celui qui n’a jamais rien dit

a cinquante ans d’âge

et ne dira jamais rien

s’est appris à lire

dans les moindres gestes”

– Fernand Deligny, Essi & Copeaux. Derniers écrits et aphorismes, via

Fernand Deligny was an educator who promoted play and exploration, as opposed to drugs and force, to open up the lives of young nonverbal, autistic people. We follow Yves Guignard, one of Deligny's “patients”, who, in his own wordless rhythm shows us his world.

 

Over time, the film was forgotten and even lost, until it was found in a tree, then completed with a narrative and soundtrack in 1969, selected for the 1971 Cannes Film Festival and praised by Cahiers du Cinéma, lost once more, and eventually – with support of Chris Marker – restored and brought to a wider audience.

A favourite non-Hitchcock mystery for National Hitchcock Day (USA)

“You're a foreigner and you're lost.”

A film ithrah69 may like for their birthday.

 

Filmmaker and photographer Colomb de Daunant's spiritual sequel to Crin blanc : le cheval sauvage [White Mane] (1953) and Glamador (1958) follows the same wild Camargue horses in their dreams.

 

The accompanying music is performed on a Cristal Baschet, a glass instrument key to several avant-garde films. I refer to John Coulthart's writeup about Le Songe, which links through to an article about the Cristal Baschet.

Chemistry: Dimitri Mendeleev presented his version of the periodic table on this date in 1869. He claimed to have had a dream in which he envisioned a table in which all the chemical elements were arranged according to their atomic weight (via).

“Antoine Lavoisier (1743-1794) was a French chemist who gave the first accurate scientific explanation of the mysteries of fire. He also provided the law of conservation of matter which states that matter can be neither created or destroyed.n His work and this film are situated between modern chemistry and alchemy. The film stages a drama of abstraction and theoretical realism. Everyday life seen photo-chemically and musically. The film is a materialist projected-image conversion of matter.”

– Michael Snow, via

The film stock was chemically altered, giving it an dreamlike quality.

Wild animals for this year's first National Wildlife Day (USA). A second one is on September 4.

“For me, Afrikareise is, in its own genre, the most intense sound film that exists. Sound and images are in synch like in nature (even if it isn’t about the natural sound of something). The sound becomes the acoustic portrait of the visual action.”

– Peter Kubelka, via

Commissioned to film a rich Austrian couple's hunting trip, Kubelka sat on the material for several years before editing it in something more than the sum of its parts.

January 21 redux: a film from 1984 on the date Orwell died (1950).

“The film is about observing, about glances that see without being seen, a dubious art of light and visibility.”

– Michael Klier, via

According to Harun Farocki, Der Riese was the first narrative film completely compiled out of surveillance footage.

Yet another [American] Civil War, for Abraham Lincoln's birthday (1809).

 

Shot as fainted fragments* based on an Ambrose Bierce story, and outtakes from Karl Marx's diary, Amerikai anzix (litt. American Postcards) follows Hungarian-American cartographer Fiala, one of many of his countrymen fighting in the American Civil War.

 

*Using a technique described by Bódy as “light editing”, the footage looks worn and grimy.