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experimentalfilm

狂つた一頁 [Kurutta ippēji / A Page of Madness] (Teinosuke Kinugasa, 1926)

Sep

12

狂つた一頁 (1926)

The servant's wife (Yoshie Nakagawa) eating. She looks up at someone offscreen, and smiles. DP: Kōhei Sugiyama.

ねこぢる草 [Nekojiru-sō / Cat Soup] (Tatsuo Satō, 2001)

Aug

30

National Grief Awareness Day

ねこぢる草 (2001)

Nyāko taken away by Jizō with little brother Nyatta telling Nyāko to come back home. DP: Masaru Takase.

Nyatta is not ready to have Jizō take away his big sister Nyāko to Ne-no-kuni, the land of the dead. The kitten grabs his sister's paw, resulting in her soul being ripped in two and leaving Nyāko in a state of limbo. The cats' mother then sends the two off on a mission to buy fried #tofu. Maybe now Nyatta can find a way to put Nyāko's divided soul back together. But first, there's a circus to visit!

 

ねこぢる草 is based on works by mangaka Nekojiru / ねこぢる (1967—1998) whose trademark crudely drawn #cats caused a ripple in Japan's underground #manga circuit. Nyatta and Nyāko continued their surreal adventures by way of widower Yamano Hajime after Nekojiru's tragic suicide in 1998.

R​… ne répond plus [R… no longer responds] (Jean-Pierre + Luc Dardenne, 1981)

Aug

28

Radio Commercials Day

R… ne répond plus (1981)

In the nice room for special occasions a small boy is eating next to a large greying woman wearing an apron who in her turn eyes a younger woman who looks exactly like her tuning the radio. It's prominently placed next to an oversized, sensual cornucopian glass bowl, overflowing with oranges. DPs: Jean-Pierre Dardenne & Stéphane Gatti.

R… ne répond plus is Jean-Pierre and Luc Dardenne's exploring the airwaves. Some is clearly political. Radio Schwarzi Chatz (“Radio Black Cat”) and the feminist witches from Wellenhexe (”[radio] wave witch”) have important messages, unheard of in the mainstream media. Others broadcast in languages on the verge of extinction, so may that tongue survive in a world that – already forty years ago – was rapidly homogenising.

“This is called the comeback of reality.”

And then there are those, they're unnamed, who travel the land and across the borders with walkie-talkies – those too are radios, two-way – using their meandering frequencies to hold on to reality. It's all very elusive, but it's there. Maybe #radio is not dead. We just need to learn how to tune into that Enochian frequency again. It's real after all.

Zupa [Soup] (Zbigniew Rybczyński, 1975)

Aug

27

Crab Soup Day

Zupa (1975)

The husband eating soup. The colours are extremely bright and placed on top of animated black-and-white still photographs created with an optical printer. DP: Zbigniew Rybczyński..

Zbigniew Rybczyński's autobiographical Zupa follows an unnamed couple's faltering monotonous relationship.

 

Produced by the groundbreaking Se-ma-for Studios in Łódź – you may be familiar with their 1981 Oscar-winning Tango by, again, Rybczyński – the story is told through colourised analogue still #photography and electronic music and sound effects created by PRES's Eugeniusz Rudnik.

L'homme qui ment [The Man Who Lies] (Alain Robbe-Grillet, 1968)

Jul

25

soup

L'homme qui ment (1968)

The titular man (Jean-Louis Trintignant) at a dinner table, observed by Sylvia (Sylvia Turbová) and Maria (Sylvie Bréal). The room is white and sparsely furnished. DP: Igor Luther.

Cuadecuc, vampir (Pere Portabella, 1971)

May

26

World Dracula Day

Cuadecuc, vampir (1971)

Lucy (Soledad Miranda) in bloody embrace with Dracula (Christopher Lee). DP: Manel Esteban.

A black forest. A man walks through, holding a smoke machine. Then a carriage with a familiar coachman. Dracula! Where are we? No, not 19th century #Transylvania. The film stock reveals bullet holes in ancient walls, and beyond these walls a ladder, maybe scaffolding. A pneumatic drill, more crew members, lights, a clapperboard. Are the characters aware of that? Them seem to interact with the disturbance yet oblige to the interruptions of the movie set. In a state of hypnopompia, guided by kuroko, maybe?

“cut”

Pere Portabella created a hyper-reality with his Cuadecuc, vampir. A director dismantles the man-behind-the-curtain, Franco, the other #Franco while setting up scaffolding for the next Spain. Everything's a reality, or an illusion, then nothing is.

American Dreams: Lost and Found (James Benning, 1984)

Feb

24

National Trading Card Day

American Dreams: Lost and Found (1984)

A Hank Aaron trading card from director James Benning's personal collection. Below it a scrolling text quoting from Arthur Bremer's diary.

書を捨てよ町へ出よう [Sho o suteyo machi e deyō / Throw Away Your Books, Rally in the Streets] (Shūji Terayama, 1971)

Jan

9

成人の日

書を捨てよ町へ出よう (1971)

Young adults rally in the streets. DP: Masayoshi Sukita.

Coming of Age Day in Japan.

“What the hell are you doing?”