<?xml version="1.0" encoding="UTF-8"?><rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/">
  <channel>
    <title>klauskinski &amp;mdash; settima</title>
    <link>https://write.underworld.fr/settima/tag:klauskinski</link>
    <description>@settima@zirk.us</description>
    <pubDate>Mon, 20 Apr 2026 13:15:55 +0200</pubDate>
    <item>
      <title>Nosferatu: Phantom der Nacht [Nosferatu the Vampyre] (Werner Herzog, 1979)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-2vy9</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Nosferatu: Phantom der Nacht [Nosferatu the Vampyre] (Werner Herzog, 1979)/div&#xA;div class=&#34;month&#34;&#xA;Oct/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;22/div&#xA;div class=&#34;occasion&#34;&#xA;eternal returns/div&#xA;div class=&#34;img&#34;&#xA;Nosferatu (1979)/div&#xA;div class=&#34;caption&#34;&#xA;Adjani, Kinski, and Herzog on set. DP: Jörg Schmidt-Reitwein./div&#xA;div class=&#34;txt&#34;&#xA;[A favourite] horror remake&#xA;&#xA;  &#34;I never thought I could be friends with a German again. But here I am… Werner is somehow like Murnau brought back to life.&#34;&#xA;  ### – Lotte Eisner visiting the set of Herzog&#39;s Nosferatu (via)&#xA;&#xA;Coming back to Murnau&#39;s expressionist masterpiece was Herzog&#39;s bridge between the films made by the grandfathers of German cinema and his era. Herzog, born in 1942 Munich, noted this void created by that philistine regime and felt that, by picking up the thread cut a quarter of a century earlier, German culture could see a restoration to its (non-nationalistic) greatness. Thus a menagerie of rats and actors was released in a reluctant, bourgeois Dutch town. &#xA;&amp;nbsp;&#xA;But that&#39;s a story for another generation to draw upon.&#xA;&amp;nbsp;&#xA;the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.&#xA;/div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2025FilmChallenge #WernerHerzog #BramStoker #KlausKinski #IsabelleAdjani #BrunoGanz #RolandTopor #FlorianFricke #PopolVuh #JörgSchmidtReitwein #outbreak #drama #horror #romance #vampires #BookAdaptation #WestGermany #France #1970s ★★★★☆/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="nosferatu-phantom-der-nacht-nosferatu-the-vampyre-werner-herzog-1979-div" id="nosferatu-phantom-der-nacht-nosferatu-the-vampyre-werner-herzog-1979-div">Nosferatu: Phantom der Nacht [Nosferatu the Vampyre] (Werner Herzog, 1979)</div></h4>

<p><div class="month"></p>

<h2 id="oct-div" id="oct-div">Oct</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="22-div" id="22-div">22</div></h1>

<p><div class="occasion"></p>

<h2 id="eternal-returns-div" id="eternal-returns-div">eternal returns</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/gjn1DRcf/1022-Nosferatu-Phantom-der-Nacht-1979.jpg" alt="Nosferatu (1979)"></div>
<div class="caption"></p>

<h6 id="adjani-kinski-and-herzog-on-set-dp-jörg-schmidt-reitwein-div" id="adjani-kinski-and-herzog-on-set-dp-jörg-schmidt-reitwein-div">Adjani, Kinski, and Herzog on set. DP: Jörg Schmidt-Reitwein.</div></h6>

<p><div class="txt"></p>

<h5 id="a-favourite-horror-remake" id="a-favourite-horror-remake">[A favourite] horror remake*</h5>

<blockquote><p>“I never thought I could be friends with a German again. But here I am… Werner is somehow like Murnau brought back to life.”</p>

<h3 id="lotte-eisner-https-en-wikipedia-org-wiki-lotte-h-eisner-visiting-the-set-of-herzog-s-nosferatu-via-https-www-bfi-org-uk-sight-and-sound-features-adventures-set-werner-herzogs-nosferatu" id="lotte-eisner-https-en-wikipedia-org-wiki-lotte-h-eisner-visiting-the-set-of-herzog-s-nosferatu-via-https-www-bfi-org-uk-sight-and-sound-features-adventures-set-werner-herzogs-nosferatu">– <a href="https://en.wikipedia.org/wiki/Lotte_H._Eisner" rel="nofollow">Lotte Eisner</a> visiting the set of Herzog&#39;s <em>Nosferatu</em> (<a href="https://www.bfi.org.uk/sight-and-sound/features/adventures-set-werner-herzogs-nosferatu" rel="nofollow">via</a>)</h3>
</blockquote>

<h5 id="coming-back-to-murnau-s-expressionist-masterpiece-was-herzog-s-bridge-between-the-films-made-by-the-grandfathers-of-german-cinema-and-his-era-herzog-born-in-1942-munich-noted-this-void-created-by-that-philistine-regime-and-felt-that-by-picking-up-the-thread-cut-a-quarter-of-a-century-earlier-german-culture-could-see-a-restoration-to-its-non-nationalistic-greatness-thus-a-menagerie-of-rats-and-actors-was-released-in-a-reluctant-bourgeois-dutch-town" id="coming-back-to-murnau-s-expressionist-masterpiece-was-herzog-s-bridge-between-the-films-made-by-the-grandfathers-of-german-cinema-and-his-era-herzog-born-in-1942-munich-noted-this-void-created-by-that-philistine-regime-and-felt-that-by-picking-up-the-thread-cut-a-quarter-of-a-century-earlier-german-culture-could-see-a-restoration-to-its-non-nationalistic-greatness-thus-a-menagerie-of-rats-and-actors-was-released-in-a-reluctant-bourgeois-dutch-town">Coming back to Murnau&#39;s expressionist masterpiece was Herzog&#39;s bridge between the films made by the grandfathers of German cinema and his era. Herzog, born in 1942 Munich, noted this void created by that philistine regime and felt that, by picking up the thread cut a quarter of a century earlier, German culture could see a restoration to its (non-nationalistic) greatness. Thus a menagerie of rats and actors was released in a reluctant, bourgeois Dutch town.</h5>

<p> </p>

<h5 id="but-that-s-a-story-https-www-bfi-org-uk-sight-and-sound-features-adventures-set-werner-herzogs-nosferatu-for-another-generation-to-draw-upon" id="but-that-s-a-story-https-www-bfi-org-uk-sight-and-sound-features-adventures-set-werner-herzogs-nosferatu-for-another-generation-to-draw-upon">But that&#39;s <a href="https://www.bfi.org.uk/sight-and-sound/features/adventures-set-werner-herzogs-nosferatu" rel="nofollow">a story</a> for another generation to draw upon.</h5>

<p> </p>

<h6 id="the-bales-2025-film-challenge-for-october-is-horror-themed-as-opposed-to-date-based-and-is-all-about-favourites-expect-non-horror-and-films-i-believe-to-be-relevant-instead" id="the-bales-2025-film-challenge-for-october-is-horror-themed-as-opposed-to-date-based-and-is-all-about-favourites-expect-non-horror-and-films-i-believe-to-be-relevant-instead">* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.</h6>

<p></div>
<div class="tags"></p>

<h5 id="bales2025filmchallenge-wernerherzog-bramstoker-klauskinski-isabelleadjani-brunoganz-rolandtopor-florianfricke-popolvuh-jörgschmidtreitwein-outbreak-drama-horror-romance-vampires-bookadaptation-westgermany-france-1970s-div" id="bales2025filmchallenge-wernerherzog-bramstoker-klauskinski-isabelleadjani-brunoganz-rolandtopor-florianfricke-popolvuh-jörgschmidtreitwein-outbreak-drama-horror-romance-vampires-bookadaptation-westgermany-france-1970s-div"><a href="/settima/tag:Bales2025FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2025FilmChallenge</span></a> <a href="/settima/tag:WernerHerzog" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">WernerHerzog</span></a> <a href="/settima/tag:BramStoker" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BramStoker</span></a> <a href="/settima/tag:KlausKinski" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">KlausKinski</span></a> <a href="/settima/tag:IsabelleAdjani" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">IsabelleAdjani</span></a> <a href="/settima/tag:BrunoGanz" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BrunoGanz</span></a> <a href="/settima/tag:RolandTopor" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">RolandTopor</span></a> <a href="/settima/tag:FlorianFricke" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FlorianFricke</span></a> <a href="/settima/tag:PopolVuh" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">PopolVuh</span></a> <a href="/settima/tag:J%C3%B6rgSchmidtReitwein" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JörgSchmidtReitwein</span></a> <a href="/settima/tag:outbreak" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">outbreak</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:horror" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">horror</span></a> <a href="/settima/tag:romance" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">romance</span></a> <a href="/settima/tag:vampires" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">vampires</span></a> <a href="/settima/tag:BookAdaptation" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BookAdaptation</span></a> <a href="/settima/tag:WestGermany" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">WestGermany</span></a> <a href="/settima/tag:France" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">France</span></a> <a href="/settima/tag:1970s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1970s</span></a> ★★★★☆</div></h5>

<p></section></p>
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      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-2vy9</guid>
      <pubDate>Wed, 22 Oct 2025 16:00:00 +0200</pubDate>
    </item>
    <item>
      <title>Le orme [Footprints on the Moon] (Luigi Bazzoni + Mario Fanelli, 1975)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-r97w</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Le orme [Footprints on the Moon] (Luigi Bazzoni + Mario Fanelli, 1975)/div&#xA;div class=&#34;month&#34;&#xA;Sep/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;30/div&#xA;div class=&#34;occasion&#34;&#xA;International Translation Day/div&#xA;div class=&#34;img&#34;&#xA;Le orme (1975)/div&#xA;div class=&#34;caption&#34;&#xA;Alice reflected/reflecting in a glass pane (via). DP: Vittorio Storaro./div&#xA;div class=&#34;txt&#34;&#xA;A translator for International Translation Day&#xA;&#xA;  &#34;This mirror reflected a painting… with words. Chinese idiograms. &#39;The she-crane calls in the shadow. Her cheek answers.&#39;&#34;&#xA;  ### – Alice Campos&#xA;&#xA;Alice, the always fantastically brooding Florinda Bolkan, works as a translator when all of sudden she loses her job and finds herself on the small island of Garma. People tell her she has been there before, recently, but she knows this is not possible.&#xA;&amp;nbsp;&#xA;Some English-language posters try to sell Le orme as an action-ridden sci-fi giallo, but oh boy leave that perception behind and you&#39;re in for one unsettling treat! Le orme can be placed somewhere between Don&#39;t Look Now and that other Alice film, Chabrol&#39;s Alice ou la dernière fugue. Drifting and elegant, distant and claustrophobic.&#xA;/div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2025FilmChallenge #InternationalTranslationDay #LuigiBazzoni #MarioFanelli #FlorindaBolkan #PeterMcEnery #NicolettaElmi #KlausKinski #LilaKedrova #NicolaPiovani #VittorioStoraro #mystery #giallo #drama #BookAdaptation #Italy #Turkey #1970s ★★★★☆/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="le-orme-footprints-on-the-moon-luigi-bazzoni-mario-fanelli-1975-div" id="le-orme-footprints-on-the-moon-luigi-bazzoni-mario-fanelli-1975-div">Le orme [Footprints on the Moon] (Luigi Bazzoni + Mario Fanelli, 1975)</div></h4>

<p><div class="month"></p>

<h2 id="sep-div" id="sep-div">Sep</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="30-div" id="30-div">30</div></h1>

<p><div class="occasion"></p>

<h2 id="international-translation-day-div" id="international-translation-day-div">International Translation Day</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/k5BZzNcQ/0930-Orme-1975.webp" alt="Le orme (1975)"></div>
<div class="caption"></p>

<h6 id="alice-reflected-reflecting-https-www-moleculasmalucas-com-post-the-mario-fenelli-affair-in-a-glass-pane-via-https-www-on-magazine-co-uk-arts-film-reviews-footprints-on-the-moon-1975-dp-vittorio-storaro-div" id="alice-reflected-reflecting-https-www-moleculasmalucas-com-post-the-mario-fenelli-affair-in-a-glass-pane-via-https-www-on-magazine-co-uk-arts-film-reviews-footprints-on-the-moon-1975-dp-vittorio-storaro-div">Alice reflected/<a href="https://www.moleculasmalucas.com/post/the-mario-fenelli-affair" rel="nofollow">reflecting</a> in a glass pane (<a href="https://www.on-magazine.co.uk/arts/film-reviews/footprints-on-the-moon-1975/" rel="nofollow">via</a>). DP: Vittorio Storaro.</div></h6>

<p><div class="txt"></p>

<h5 id="a-translator-for-international-translation-day-https-www-un-org-en-observances-international-translation-day" id="a-translator-for-international-translation-day-https-www-un-org-en-observances-international-translation-day">A translator for <a href="https://www.un.org/en/observances/international-translation-day" rel="nofollow">International Translation Day</a></h5>

<blockquote><p>“This mirror reflected a painting… with words. Chinese <a href="https://en.wikipedia.org/wiki/Ideogram" rel="nofollow">idiograms</a>. &#39;The she-crane calls in the shadow. Her cheek answers.&#39;”</p>

<h3 id="alice-campos" id="alice-campos">– Alice Campos</h3>
</blockquote>

<h5 id="alice-the-always-fantastically-brooding-florinda-bolkan-works-as-a-translator-when-all-of-sudden-she-loses-her-job-and-finds-herself-on-the-small-island-of-garma-people-tell-her-she-has-been-there-before-recently-but-she-knows-this-is-not-possible" id="alice-the-always-fantastically-brooding-florinda-bolkan-works-as-a-translator-when-all-of-sudden-she-loses-her-job-and-finds-herself-on-the-small-island-of-garma-people-tell-her-she-has-been-there-before-recently-but-she-knows-this-is-not-possible">Alice, the always fantastically brooding Florinda Bolkan, works as a translator when all of sudden she loses her job and finds herself on the small island of Garma. People tell her she has been there before, recently, but she knows this is not possible.</h5>

<p> </p>

<h5 id="some-english-language-posters-try-to-sell-le-orme-as-an-action-ridden-sci-fi-giallo-but-oh-boy-leave-that-perception-behind-and-you-re-in-for-one-unsettling-treat-le-orme-can-be-placed-somewhere-between-don-t-look-now-and-that-other-alice-film-chabrol-s-alice-ou-la-dernière-fugue-drifting-and-elegant-distant-and-claustrophobic" id="some-english-language-posters-try-to-sell-le-orme-as-an-action-ridden-sci-fi-giallo-but-oh-boy-leave-that-perception-behind-and-you-re-in-for-one-unsettling-treat-le-orme-can-be-placed-somewhere-between-don-t-look-now-and-that-other-alice-film-chabrol-s-alice-ou-la-dernière-fugue-drifting-and-elegant-distant-and-claustrophobic">Some English-language posters try to sell <em>Le orme</em> as an action-ridden sci-fi giallo, but oh boy leave that perception behind and you&#39;re in for one unsettling treat! <em>Le orme</em> can be placed somewhere between <em>Don&#39;t Look Now</em> and that other Alice film, Chabrol&#39;s <em>Alice ou la dernière fugue</em>. Drifting and elegant, distant and claustrophobic.</h5>

<p></div>
<div class="tags"></p>

<h5 id="bales2025filmchallenge-internationaltranslationday-luigibazzoni-mariofanelli-florindabolkan-petermcenery-nicolettaelmi-klauskinski-lilakedrova-nicolapiovani-vittoriostoraro-mystery-giallo-drama-bookadaptation-italy-turkey-1970s-div" id="bales2025filmchallenge-internationaltranslationday-luigibazzoni-mariofanelli-florindabolkan-petermcenery-nicolettaelmi-klauskinski-lilakedrova-nicolapiovani-vittoriostoraro-mystery-giallo-drama-bookadaptation-italy-turkey-1970s-div"><a href="/settima/tag:Bales2025FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2025FilmChallenge</span></a> <a href="/settima/tag:InternationalTranslationDay" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">InternationalTranslationDay</span></a> <a href="/settima/tag:LuigiBazzoni" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">LuigiBazzoni</span></a> <a href="/settima/tag:MarioFanelli" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MarioFanelli</span></a> <a href="/settima/tag:FlorindaBolkan" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FlorindaBolkan</span></a> <a href="/settima/tag:PeterMcEnery" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">PeterMcEnery</span></a> <a href="/settima/tag:NicolettaElmi" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">NicolettaElmi</span></a> <a href="/settima/tag:KlausKinski" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">KlausKinski</span></a> <a href="/settima/tag:LilaKedrova" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">LilaKedrova</span></a> <a href="/settima/tag:NicolaPiovani" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">NicolaPiovani</span></a> <a href="/settima/tag:VittorioStoraro" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">VittorioStoraro</span></a> <a href="/settima/tag:mystery" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">mystery</span></a> <a href="/settima/tag:giallo" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">giallo</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:BookAdaptation" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BookAdaptation</span></a> <a href="/settima/tag:Italy" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Italy</span></a> <a href="/settima/tag:Turkey" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Turkey</span></a> <a href="/settima/tag:1970s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1970s</span></a> ★★★★☆</div></h5>

<p></section></p>
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      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-r97w</guid>
      <pubDate>Tue, 30 Sep 2025 18:00:00 +0200</pubDate>
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      <title>Aguirre, der Zorn Gottes [Aguirre, the Wrath of God] (Werner Herzog, 1972)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-3fyw</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Aguirre, der Zorn Gottes [Aguirre, the Wrath of God] (Werner Herzog, 1972)/div&#xA;div class=&#34;month&#34;&#xA;Jun/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;20/div&#xA;div class=&#34;occasion&#34;&#xA;World Productivity Day/div&#xA;div class=&#34;img&#34;&#xA;Aguirre, der Zorn Gottes (1972)/div&#xA;div class=&#34;caption&#34;&#xA;Don Lope de Aguirre (Kinski), his eyes focussed. DP: Thomas Mauch./div&#xA;div class=&#34;txt&#34;&#xA;A character who is always on the GO sic] for [World Productivity Day&#xA;&#xA;  &#34;I am the great traitor. There must be no other. Anyone who even thinks about deserting this mission will be cut up into 198 pieces. Those pieces will be stamped on until what is left can be used only to paint walls. Whoever takes one grain of corn or one drop of water… more than his ration, will be locked up for 155 years. If I, Aguirre, want the birds to drop dead from the trees… then the birds will drop dead from the trees. I am the wrath of God. The earth I pass will see me and tremble. But whoever follows me and the river, will win untold riches. But whoever deserts…&#34;&#34;&#xA;  ### – Don Lope de Aguirre&#xA;&#xA;Conquistador Don Lope de Aguirre drives his men deep into the Peruvian jungle, to El Dorado/div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2025FilmChallenge #WorldProductivityDay #WernerHerzog #KlausKinski #HelenaRojo #DelNegro #RuyGuerra #PeterBerling #CeciliaRivera #PopolVuh #ThomasMauch #ElDorado #biography #adventure #drama #history #WestGermany #Mexico #Peru #1970s ★★★★☆/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="aguirre-der-zorn-gottes-aguirre-the-wrath-of-god-werner-herzog-1972-div" id="aguirre-der-zorn-gottes-aguirre-the-wrath-of-god-werner-herzog-1972-div">Aguirre, der Zorn Gottes [Aguirre, the Wrath of God] (Werner Herzog, 1972)</div></h4>

<p><div class="month"></p>

<h2 id="jun-div" id="jun-div">Jun</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="20-div" id="20-div">20</div></h1>

<p><div class="occasion"></p>

<h2 id="world-productivity-day-div" id="world-productivity-day-div">World Productivity Day</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/Hx98Zd05/0620-Aguirre-der-Zorn-Gottes-1972.jpg" alt="Aguirre, der Zorn Gottes (1972)"></div>
<div class="caption"></p>

<h6 id="don-lope-de-aguirre-kinski-his-eyes-focussed-dp-thomas-mauch-div" id="don-lope-de-aguirre-kinski-his-eyes-focussed-dp-thomas-mauch-div">Don Lope de Aguirre (Kinski), his eyes focussed. DP: Thomas Mauch.</div></h6>

<p><div class="txt"></p>

<h5 id="a-character-who-is-always-on-the-go-sic-for-world-productivity-day-https-www-forbes-com-sites-bryancollinseurope-2019-06-20-7-things-you-need-to-know-about-world-productivity-day" id="a-character-who-is-always-on-the-go-sic-for-world-productivity-day-https-www-forbes-com-sites-bryancollinseurope-2019-06-20-7-things-you-need-to-know-about-world-productivity-day">A character who is always on the GO [sic] for <a href="https://www.forbes.com/sites/bryancollinseurope/2019/06/20/7-things-you-need-to-know-about-world-productivity-day/" rel="nofollow">World Productivity Day</a></h5>

<blockquote><p>“I am the great traitor. There must be no other. Anyone who even thinks about deserting this mission will be cut up into 198 pieces. Those pieces will be stamped on until what is left can be used only to paint walls. Whoever takes one grain of corn or one drop of water… more than his ration, will be locked up for 155 years. If I, Aguirre, want the birds to drop dead from the trees… then the birds will drop dead from the trees. I am the wrath of God. The earth I pass will see me and tremble. But whoever follows me and the river, will win untold riches. But whoever deserts…””</p>

<h3 id="don-lope-de-aguirre" id="don-lope-de-aguirre">– Don Lope de Aguirre</h3>
</blockquote>

<h5 id="conquistador-don-lope-de-aguirre-drives-his-men-deep-into-the-peruvian-jungle-to-el-dorado-https-en-wikipedia-org-wiki-el-dorado-div" id="conquistador-don-lope-de-aguirre-drives-his-men-deep-into-the-peruvian-jungle-to-el-dorado-https-en-wikipedia-org-wiki-el-dorado-div">Conquistador Don Lope de Aguirre drives his men deep into the Peruvian jungle, to <a href="https://en.wikipedia.org/wiki/El_Dorado" rel="nofollow">El Dorado</a></div></h5>

<p><div class="tags"></p>

<h5 id="bales2025filmchallenge-worldproductivityday-wernerherzog-klauskinski-helenarojo-delnegro-ruyguerra-peterberling-ceciliarivera-popolvuh-thomasmauch-eldorado-biography-adventure-drama-history-westgermany-mexico-peru-1970s-div" id="bales2025filmchallenge-worldproductivityday-wernerherzog-klauskinski-helenarojo-delnegro-ruyguerra-peterberling-ceciliarivera-popolvuh-thomasmauch-eldorado-biography-adventure-drama-history-westgermany-mexico-peru-1970s-div"><a href="/settima/tag:Bales2025FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2025FilmChallenge</span></a> <a href="/settima/tag:WorldProductivityDay" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">WorldProductivityDay</span></a> <a href="/settima/tag:WernerHerzog" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">WernerHerzog</span></a> <a href="/settima/tag:KlausKinski" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">KlausKinski</span></a> <a href="/settima/tag:HelenaRojo" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">HelenaRojo</span></a> <a href="/settima/tag:DelNegro" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">DelNegro</span></a> <a href="/settima/tag:RuyGuerra" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">RuyGuerra</span></a> <a href="/settima/tag:PeterBerling" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">PeterBerling</span></a> <a href="/settima/tag:CeciliaRivera" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">CeciliaRivera</span></a> <a href="/settima/tag:PopolVuh" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">PopolVuh</span></a> <a href="/settima/tag:ThomasMauch" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ThomasMauch</span></a> <a href="/settima/tag:ElDorado" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ElDorado</span></a> <a href="/settima/tag:biography" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">biography</span></a> <a href="/settima/tag:adventure" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">adventure</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:history" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">history</span></a> <a href="/settima/tag:WestGermany" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">WestGermany</span></a> <a href="/settima/tag:Mexico" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Mexico</span></a> <a href="/settima/tag:Peru" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Peru</span></a> <a href="/settima/tag:1970s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1970s</span></a> ★★★★☆</div></h5>

<p></section></p>
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      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-3fyw</guid>
      <pubDate>Fri, 20 Jun 2025 21:00:00 +0200</pubDate>
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      <title>Jesus Christus Erlöser [Jesus Christ Saviour] (Peter Geyer, 1971/2008)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-c361</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Jesus Christus Erlöser [Jesus Christ Saviour] (Peter Geyer, 1971/2008)/div&#xA;div class=&#34;month&#34;&#xA;May/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;29/div&#xA;div class=&#34;occasion&#34;&#xA;Ascension Day/div&#xA;div class=&#34;img&#34;&#xA;Jesus Christus Erlöser (1971/2008)/div&#xA;div class=&#34;caption&#34;&#xA;Kinski speaking to (presumably) journalists as part of promoting his Jesus tour (via)/div&#xA;div class=&#34;txt&#34;&#xA;The birth, life, death or teachings of Jesus on Ascension Day&#xA;&#xA;  &#34;Ich bin nicht der offizielle Kirchenjesus, ich bin nicht euer Superstar.&#34;&#xA;  ### – Klaus Kinski&#xA;&#xA;It is November 20. The Jesus Christus Erlöser tour brings Klaus Kinski to Berlin&#39;s Deutschlandhalle. His monologue, spoken from Jesus the revolutionary&#39;s perspective, brings out the hecklers. It&#39;s 1971, the post-68 generation is not satisfied with words. It wants to debate, dissect, and devour their Saviour./div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2025FilmChallenge #AscensionDay #PeterGeyer #KlausKinski #FlorianKäppler #DanielRequardt #theatre #documentary #religion #politics #WestGermany #Germany #1970s #2000s/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="jesus-christus-erlöser-jesus-christ-saviour-peter-geyer-1971-2008-div" id="jesus-christus-erlöser-jesus-christ-saviour-peter-geyer-1971-2008-div">Jesus Christus Erlöser [Jesus Christ Saviour] (Peter Geyer, 1971/2008)</div></h4>

<p><div class="month"></p>

<h2 id="may-div" id="may-div">May</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="29-div" id="29-div">29</div></h1>

<p><div class="occasion"></p>

<h2 id="ascension-day-div" id="ascension-day-div">Ascension Day</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/CLR0fwvz/0529-Jesus-Christus-Erl-ser-2008.jpg" alt="Jesus Christus Erlöser (1971/2008)"></div>
<div class="caption"></p>

<h6 id="kinski-speaking-to-presumably-journalists-as-part-of-promoting-his-jesus-tour-via-http-www-klaus-kinski-de-veroef-rezi3-htm-div" id="kinski-speaking-to-presumably-journalists-as-part-of-promoting-his-jesus-tour-via-http-www-klaus-kinski-de-veroef-rezi3-htm-div">Kinski speaking to (presumably) journalists as part of promoting his <em>Jesus</em> tour (<a href="http://www.klaus-kinski.de/veroef/rezi3.htm" rel="nofollow">via</a>)</div></h6>

<p><div class="txt"></p>

<h5 id="the-birth-life-death-or-teachings-of-jesus-on-ascension-day-https-en-wikipedia-org-wiki-feast-of-the-ascension" id="the-birth-life-death-or-teachings-of-jesus-on-ascension-day-https-en-wikipedia-org-wiki-feast-of-the-ascension">The birth, life, death or teachings of Jesus on <a href="https://en.wikipedia.org/wiki/Feast_of_the_Ascension" rel="nofollow">Ascension Day</a></h5>

<blockquote><p>“Ich bin nicht der offizielle Kirchenjesus, ich bin nicht euer Superstar.”</p>

<h3 id="klaus-kinski" id="klaus-kinski">– Klaus Kinski</h3>
</blockquote>

<h5 id="it-is-november-20-the-jesus-christus-erlöser-tour-brings-klaus-kinski-to-berlin-s-deutschlandhalle-his-monologue-spoken-from-jesus-the-revolutionary-s-perspective-brings-out-the-hecklers-it-s-1971-the-post-68-generation-is-not-satisfied-with-words-it-wants-to-debate-dissect-and-devour-their-saviour-div" id="it-is-november-20-the-jesus-christus-erlöser-tour-brings-klaus-kinski-to-berlin-s-deutschlandhalle-his-monologue-spoken-from-jesus-the-revolutionary-s-perspective-brings-out-the-hecklers-it-s-1971-the-post-68-generation-is-not-satisfied-with-words-it-wants-to-debate-dissect-and-devour-their-saviour-div">It is November 20. The <em>Jesus Christus Erlöser</em> tour brings Klaus Kinski to Berlin&#39;s Deutschlandhalle. His monologue, spoken from Jesus the revolutionary&#39;s perspective, brings out the hecklers. It&#39;s 1971, the post-68 generation is not satisfied with words. It wants to debate, dissect, and devour their Saviour.</div></h5>

<p><div class="tags"></p>

<h5 id="bales2025filmchallenge-ascensionday-petergeyer-klauskinski-floriankäppler-danielrequardt-theatre-documentary-religion-politics-westgermany-germany-1970s-2000s-div" id="bales2025filmchallenge-ascensionday-petergeyer-klauskinski-floriankäppler-danielrequardt-theatre-documentary-religion-politics-westgermany-germany-1970s-2000s-div"><a href="/settima/tag:Bales2025FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2025FilmChallenge</span></a> <a href="/settima/tag:AscensionDay" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AscensionDay</span></a> <a href="/settima/tag:PeterGeyer" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">PeterGeyer</span></a> <a href="/settima/tag:KlausKinski" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">KlausKinski</span></a> <a href="/settima/tag:FlorianK%C3%A4ppler" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FlorianKäppler</span></a> <a href="/settima/tag:DanielRequardt" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">DanielRequardt</span></a> <a href="/settima/tag:theatre" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">theatre</span></a> <a href="/settima/tag:documentary" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">documentary</span></a> <a href="/settima/tag:religion" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">religion</span></a> <a href="/settima/tag:politics" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">politics</span></a> <a href="/settima/tag:WestGermany" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">WestGermany</span></a> <a href="/settima/tag:Germany" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Germany</span></a> <a href="/settima/tag:1970s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1970s</span></a> <a href="/settima/tag:2000s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">2000s</span></a></div></h5>

<p></section></p>
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      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-c361</guid>
      <pubDate>Thu, 29 May 2025 16:00:00 +0200</pubDate>
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      <title>Il grande silenzio [The Great Silence] (Sergio Corbucci, 1968)</title>
      <link>https://write.underworld.fr/settima/il-grande-silenzio-1968</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Il grande silenzio [The Great Silence] (Sergio Corbucci, 1968)/div&#xA;div class=&#34;month&#34;&#xA;Aug/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;26/div&#xA;div class=&#34;occasion&#34;&#xA;horse/div&#xA;div class=&#34;img&#34;&#xA;Il grande silenzio (1968)/div&#xA;div class=&#34;caption&#34;&#xA;A man in a heavy fur coat (Bruno Corazzari) is eating at a small table when Silenzio (Jean-Louis Trintignant) enters the small establishment. Outside the landscape is covered in snow. DP: Silvano Ippoliti./div&#xA;div class=&#34;txt&#34;&#xA;– What do you want?&#xA;    – We just want that horse of yours.&#xA;    – You want my horse, there&#39;s an awful lot of ya. What are you gonna do with just one horse, anyhow?&#xA;    – Eat it. We&#39;re gonna feed off that beast for at least a week.&#xA;  ### &#xA;&#xA;/div&#xA;div class=&#34;tags&#34;&#xA;##### #FilmDinner #SergioCorbucci #JeanLouisTrintignant #KlausKinski #BrunoCorazzari #EnnioMorricone #SilvanoIppoliti #drama #revenge #western #SpaghettiWestern #Italy #France #1960s ★★★★☆/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="il-grande-silenzio-the-great-silence-sergio-corbucci-1968-div" id="il-grande-silenzio-the-great-silence-sergio-corbucci-1968-div">Il grande silenzio [The Great Silence] (Sergio Corbucci, 1968)</div></h4>

<p><div class="month"></p>

<h2 id="aug-div" id="aug-div">Aug</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="26-div" id="26-div">26</div></h1>

<p><div class="occasion"></p>

<h2 id="horse-div" id="horse-div">horse</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/yxXVpsDM/230826-Grande-silenzio-1968.png" alt="Il grande silenzio (1968)"></div>
<div class="caption"></p>

<h6 id="a-man-in-a-heavy-fur-coat-bruno-corazzari-is-eating-at-a-small-table-when-silenzio-jean-louis-trintignant-enters-the-small-establishment-outside-the-landscape-is-covered-in-snow-dp-silvano-ippoliti-div" id="a-man-in-a-heavy-fur-coat-bruno-corazzari-is-eating-at-a-small-table-when-silenzio-jean-louis-trintignant-enters-the-small-establishment-outside-the-landscape-is-covered-in-snow-dp-silvano-ippoliti-div">A man in a heavy fur coat (Bruno Corazzari) is eating at a small table when Silenzio (Jean-Louis Trintignant) enters the small establishment. Outside the landscape is covered in snow. DP: Silvano Ippoliti.</div></h6>

<p><div class="txt"></p>

<blockquote><p>– What do you want?</p>

<p>– We just want that horse of yours.</p>

<p>– You want my horse, there&#39;s an awful lot of ya. What are you gonna do with just one horse, anyhow?</p>

<p>– Eat it. We&#39;re gonna feed off that beast for at least a week.</p></blockquote>

<h5 id="div" id="div"></div></h5>

<p><div class="tags"></p>

<h5 id="filmdinner-sergiocorbucci-jeanlouistrintignant-klauskinski-brunocorazzari-enniomorricone-silvanoippoliti-drama-revenge-western-spaghettiwestern-italy-france-1960s-div" id="filmdinner-sergiocorbucci-jeanlouistrintignant-klauskinski-brunocorazzari-enniomorricone-silvanoippoliti-drama-revenge-western-spaghettiwestern-italy-france-1960s-div"><a href="/settima/tag:FilmDinner" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FilmDinner</span></a> <a href="/settima/tag:SergioCorbucci" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SergioCorbucci</span></a> <a href="/settima/tag:JeanLouisTrintignant" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JeanLouisTrintignant</span></a> <a href="/settima/tag:KlausKinski" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">KlausKinski</span></a> <a href="/settima/tag:BrunoCorazzari" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BrunoCorazzari</span></a> <a href="/settima/tag:EnnioMorricone" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">EnnioMorricone</span></a> <a href="/settima/tag:SilvanoIppoliti" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SilvanoIppoliti</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:revenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">revenge</span></a> <a href="/settima/tag:western" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">western</span></a> <a href="/settima/tag:SpaghettiWestern" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SpaghettiWestern</span></a> <a href="/settima/tag:Italy" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Italy</span></a> <a href="/settima/tag:France" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">France</span></a> <a href="/settima/tag:1960s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1960s</span></a> ★★★★☆</div></h5>

<p></section></p>
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      <guid>https://write.underworld.fr/settima/il-grande-silenzio-1968</guid>
      <pubDate>Sat, 26 Aug 2023 15:40:28 +0200</pubDate>
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