settima

shortfilm

Rosalie et son phonographe [Rosalie and Her Phonograph] (Romeo Bosetti, 1911)

Mar

28

Something-on-a-Stick Day

Rosalie et son phonographe (1911)

Rosalie (Sarah Duhamel) dances to her new phonograph. Duhamel makes eye contact with the viewer throughout the film, and even formally introduces herself during the intro.

A laugh out loud scene for Something on a Stick Day (USA)

 

“Bonsoir. Je m'appelle Rosalie!”

Rosalie (the wonderful Sarah Duhamel) buys herself a phonograph and is delighted by the wonders it brings. Quick, the whole household should know!

 

Not only the obvious moments (no spoilers here), but the small, seemingly improvised bits is what makes Rosalie stand out above American productions of the time – with the exception of Roscoe Arbuckle's; his water bucket pun in His Wife's Mistakes (1916) still has me in stitches.

 

Duhamel makes great use of her physique, and doesn't shy away from looking inelegant, boorish even. Her hips are for pushing things and men out of her way, and her mighty paws easily toss any unwieldy piece of furniture out of the window.

 

Like Rosalie's irresistible gusto and her delightful ditties, the combination of Duhamel's physical comedy and (former #vaudeville-ian) Bosetti's Italian-flavoured slapstick, plus some of the best stop-motion trickery I've ever seen, is simply magical.

絵を描く子どもたち [E o kaku kodomotachi: jidōga o rikai suru tame ni / Children Who Draw] (Susumu Hani, 1956)

Mar

13

Youth Art Month

絵を描く子どもたち (1956)

A little girl painting. DP: Shizuo Komura.

An artistic child for Youth Art Month (USA)

 

Small children work with clay, paint, and other materials. Under the camera's watchful eye, we see their work come to life.

Le Songe Des Chevaux Sauvages [Dream of the Wild Horses] (Denys Colomb de Daunant, 1960)

Mar

10

ithrah69's birthday

Le Songe Des Chevaux Sauvages (1960)

Camargue horses galloping through a haze of water and dreams. DPs: Denys Colomb de Daunant & André Costey.

A film ithrah69 may like for their birthday.

 

Filmmaker and photographer Colomb de Daunant's spiritual sequel to Crin blanc : le cheval sauvage [White Mane] (1953) and Glamador (1958) follows the same wild Camargue horses in their dreams.

 

The accompanying music is performed on a Cristal Baschet, a glass instrument key to several avant-garde films. I refer to John Coulthart's writeup about Le Songe, which links through to an article about the Cristal Baschet.

สัตว์วิกาล [Sud Vikal / Vampire] (Apichatpong Weerasethakul, 2008)

Mar

2

Dr. Seuss' birthday

สัตว์วิกาล (2008)

Applying blood to attract the Nok Phii. It's cold. DP: Chaisiri Jiwarangsan.

Imaginary animals or food for Theodor “Dr.” Seuss Geisel's birthday (1904).

“I like the settings where the lights and desire cross path. The desire to communicate with the invisibles in the darkness, or in memory, or in the future. It's always related to cinema and we as insects that are drawn to lights.”

– Apichatpong Weerasethakul, via

Villagers in the north of Thailand reported a rare sighting of a male and female Nok Phii, an elusive species of bird that feeds on animals' blood. It is unknown if the sighting was reliable, and if this vampire does, or ever did, exist.

Have I Told You Lately That I Love You? (Stuart Hamisch, 1958)

Feb

24

technology

Have I Told You Lately That I Love You? (1958)

Straight after dinner, the child returns to his teevee while his mother stands silently in the doorway.

A film about technology on what would've been Steve Jobs' 70th birthday

“The most precious thing that we all have with us, is time.”

– Steve Jobs

A nuclear family goes about their machine-driven day while slowly forgetting to communicate.

Unsere Afrikareise [Our Trip to Africa] (Peter Kubelka, 1966)

Feb

22

National Wildlife Day

Unsere Afrikareise (1966)

A frame (source) shows a freshly killed zebra on its side. The film stock's perforations and sound track are visible. DP: Peter Kubelka.

Wild animals for this year's first National Wildlife Day (USA). A second one is on September 4.

“For me, Afrikareise is, in its own genre, the most intense sound film that exists. Sound and images are in synch like in nature (even if it isn’t about the natural sound of something). The sound becomes the acoustic portrait of the visual action.”

– Peter Kubelka, via

Commissioned to film a rich Austrian couple's hunting trip, Kubelka sat on the material for several years before editing it in something more than the sum of its parts.

War Machine (Duvet Brothers, 1984)

Jan

21

the passing of Orwell

War Machine (1984)

A repurposed TV still of a battle ship billowing thick black smoke with the text WAR MACHINE superimposed over it.

A scratch video from 1984 on the date George Orwell died (1950). Date of production is either 84 or 85.

All My Life (Bruce Baillie, 1966)

Jan

18

roses

All My Life (1966)

A still of a red rose bush next to a fence. Image via à pala de walsh. DP: Bruce Baillie.

Roses for the end of the Wars of the Roses (note: January 18 is when Henry VII married Elizabeth of York in 1486; the wars would continue until June 16 the following year).

“All my life, hold me close to your heart But all else above Hold my love, darling, just hold my love”

– Ella Fitzgerald, All My Life (Sidney D. Mitchell & Sammy Stept), 1936

In one continuous shot, the camera tracks a fence and rose bushes while Ella Fitzgerald's 1936 debut song All My Life is playing.

Egged On (Charles R. Bowers, Harold L. Muller + Ted Sears, 1926)

Jan

17

inventions

Egged On (1926)

Charley working his Rube Goldberger-esque egg-rubberizing contraption.

An invention for Benjamin Franklin's birthday. Inventor Charley (Charles R. Bowers) comes up with an ingenious method to make eggs break-proof for transport by rubberizing them.

“… as we enjoy great advantages from the inventions of others, we should be glad of an opportunity to serve others by any invention of ours; and this we should do freely and generously.”

– Benjamin Franklin in his autobiography

Bowers was an almost-forgotten silent era comedian, filmmaker, and animator. In more recent years, his groundbreaking stop-motion comedy has found a new, well-deserved, interest.

Escrime [Fencing] (Étienne-Jules Marey, 1890)

Jan

4

revolvers

Escrime (1890)
Escrime (1890)

Footage of Marey at work. Note the mobility of his invention. (via).

A revolver to commemorate Samuel Colt's sale of 1 000 revolvers to butcher Captain Samuel Walker in 1847.

“Art and science encounter each other when they seek exactitude.”

– Étienne-Jules Marey

However, where there is bloodshed, there can be art. Scientist Étienne-Jules Marey studied movement, and further adapted an existing revolver-style camera gun invented by astronomer Jules Janssen in 1874. The revolution in Marey's invention was not in the least in its mobility. Unlike Muybridge, whose locomotion experiments required a huge, cumbersome setup, Marey could strap on his “gun”, and shoot moving footage while following his target around. His chronophotograph Escrime can be considered Marey's first successfully captured moving footage.