settima

shortfilm

憂國 [Yūkoku / Patriotism or the Rite of Love and Death] (Yukio Mishima, 1966)

May

1

Loyalty Day

憂國 (1966)

Shinji Takeyama (Yukio Mishima) and Reiko (Yoshiko Tsuruoka). In a quiet framed still, Shinji lays on a tatami mat in full uniform. Reiko rests her head on his chest. Both have their eyes closed. DP: Kimio Watanabe.

Japanese author Yukio Mishima was, besides an aesthete, a fierce proponent of Japanese nationalism. In 憂國, based on his short 1960 story, Mishima plays palace guard Lt. Shinji Takeyama. Despite being one of the instigators of an ultra-nationalist coup, Takeyama decides he cannot overthrow the government as it would mean having to kill his friends and be disloyal to the Emperor. Returning home, he and his bride Reiko (Yoshiko Tsuruoka) perform #切腹 (#seppuku / #HaraKiri), as in line with Takeyama's #samurai heritage.

 

Yūkoku is a #SilentFilm that plays out like #Noh #theatre, with an extreme emphasis on the beauty and love of death and loyalty respectively.

 

After Mishima's own seppuku in 1970, his widow ordered all copies of Yūkoku to be destroyed. In 2005, in Mishima's house, a pristine copy was uncovered in a tea box.

La folie du Docteur Tube [The Madness of Dr. Tube] (Abel Gance, 1915)

Apr

23

World Laboratory Day

La folie du Docteur Tube (1915)

The professor's assistant is a young Black kid, maybe 10 years old. He's wearing a white lab apron over his dark outfit and glances at something off camera (I assume he's waiting for his cue from the director; this is the scene where the hallucinogenic powder is about to reach him and he has to act the part). In the background is Dr. Tube, cracking up under the influence of his own invention. DP: Léonce-Henri Burel.

Dr. Tube (Séverin-Mars) invents a powder that distorts reality and promptly tests it out on some oblivious test subjects, who quickly can no longer recognise the world around them. The brilliance of La folie du Docteur Tube is its use of practical in-camera effects that makes us, the viewer, experience the hallucinogen.

 

This little folly by the great Abel Gance features Albert Dieudonné in a small part, who later would again work with Gance in his Napoleon (1927), as Napoléon Bonaparte.

 

This is one of the few (French) comedies from the time that I'm aware of with a Black character who is not a horrible racist stereotype or a white person in blackface. If you have any idea of who the professor's assistant is, please reach out on Mastodon.

Jerry's Deli [Jerry] (Tom Palazzolo, 1974)

Apr

17

National Stress Awareness Month

Jerry's Deli (1974)

Jerry Meyer in his sandwich place, taking orders.

Stressed?‽ Who's got time to be stressed when there's a business to be run!!? Tom Palazzolo's Jerry’s Deli is a great character study of not only a character, but a whole time period inhabited by characters. The titular Jerry is Jerry Meyer, owner and proprietor of a Chicagoan deli that happened to be right next to Palazzolo's film lab. You wanna eat? Now, eat! Wanna order? Whaddaya waiting for?? Order!! Roast beef on rye please.

“On RYE!?!”

– Jerry Meyer

Red & Rosy (Frank Grow, 1989)

Apr

1

National Handmade Day

Red & Rosy (1989)

Big Red (Rico Martinez) high on adrenaline. DPs: Frank Grow, Ralph Hawkins & Rico Martinez.

All you need for a movie is a gun and a girl. Or a girl with a glue gun. Or skip the girl, get yourself a piece of cardboard, some foam latex, and a six pack of beer. Frank Grow's Red & Rosy is the embodiment of a special staple of #DIY culture that appears to be long-lost. Really kids, you don't need much of a budget. Or tomorrows latest equipment. The hottest Hollywood hotshot? Forget about it, ask your drunk uncle to yell at the camera for 10 minutes. You want authenticity? Tape some random medical footage straight from your teevee. Need a shot of adrenal juice?

 

Well, just watch this.

Paris qui dort [Paris Asleep / The Invisible Ray / At 3:25] (René Clair, 1925)

Mar

30

freebie: Eiffel Tower Day

Paris qui dort (1925)

Two bright young things in their fashionable suits cease their scuffle mid fight, high up on the Eiffel Tower. DPs: Maurice Desfassiaux & Alfred Guichard.

Science fiction may be one of those genres that's forever linked to the future and, depending on which side of 2000 you are at, either in a dystopian of utopian fashion.

 

An #Eiffel Tower watchman wakes up to find the world around him asleep. The few ones still awake – the bright, pretty, carefree things – explore, live and loot.

Multiple SIDosis (Sid Laverents, 1970)

Mar

27

National Acoustic Soul Day

Multiple SIDosis (1970)

Clockwise: Sid playing a ukulele, Sid whistling, Sid playing improvised chimes (metal pipes and one cymbal hanging from an overhead microphone stand), Sid blowing a tune on champagne bottles, one metronome. DP: Sid Laverents.

There's a handful of notable amateur films in the National Film Registry. One of them is the Zapruder film, another Sid Laverents' Multiple SIDosis.

“In terms of sheer entertainment value, I think that it demonstrated that one eccentric genius alone in his garage can rival the best of the Hollywood studios””

– Ross Lipman, UCLA Film & Television Archive restorationist

 

Catch it here.

Inauguration of the Pleasure Dome (Kenneth Anger, 1954) & The Wormwood Star (Curtis Harrington, 1956)

Mar

26

Purple Day

Inauguration of the Pleasure Dome (1954)
The Wormwood Star (1956)

1: The Scarlet Woman (Marjorie Cameron) wearing a fantastic peacock-like robe and crown. DP: Kenneth Anger.
2: Cameron as herself. Here too she wears references to the peacock Aiwass, who dictated The Book of the Law to Crowley.

Someone wears purple on Purple Day (International Epilepsy Day).

 

Both in The Wormwood Star (Curtis Harrington, 1956) and Inauguration of the Pleasure Dome (Kenneth Anger, 1954), Marjorie Cameron wears shades of purple. Professionally known as Cameron, she was a follower of #Thelema, the philosophical movement founded by occultist Aleister Crowley.

“Purple beyond purple: it is the light higher than eyesight”

– Aleister Crowley, Liber AL vel Legis sub figura CCXX (1904)

Peace, little girl (1964)

Peace, little girl (1964)

March 21: #countdown to #NationalCountdownDay

Peace, little girl [Daisy aka Daisy Girl] (Sidney Myers, 1964)

One… two… three… four… five… seven… six… six… eight… nine… nine…

It was the #PoliticalAd campaign to end all political ad campaigns. Peace, little girl opens innocently enough with a little blonde girl, picking the petals of an ox-eye #daisy while counting. When the final petal's gone, the tone changes completely.

This deceptively simple propaganda film was made in support of Lyndon B. Johnson's 1964 presidential campaign by ad agency #DBB and media consultant Tony Schwartz. It was so effective and bleak in is insinuations that the Johnson campaign was forced to pull it after only one screening.

What fascinates me is the similarity with one particular scene from James Whale's #Frankenstein (1931). The Monster (#Karloff) meets a little girl who sits on the shore of a lake, picking daisies. He approaches her, and the girl, knowing the creature is a good man at heart, invites him to play a game with her involving them tossing the daisies into the lake.

The Monster (Boris Karloff) and little Maria (Marilyn Harris) playing with daisies on a beautiful day at the lake. DPs: Arthur Edeson & Paul Ivano.

Frankenstein (1931)

Spoiler warning When they run out of daisies, the Monster picks up the girl who to him is as pretty and innocent as a flower, and tosses her into the water.

This scene was cut and considered lost until the 1980s. Could Tony Schwartz have been aware of that scene? He was at the right age to have seen the pre-code, pre-cut version.

#Bales2023FilmChallenge #SidneyMyers #LyndonBJohnson #ChrisSchenkel #MoniqueCorzilius #MoniqueCozy #RobertDryden #DrummondDrury #ShortFilm #war #peace #scaresploitation #flowers #propaganda #ColdWar #election #politics #USA #1960s ★★★★☆

#todo

Полустанок [Polustanok / The Halt] (Sergey Loznitsa, 2000)

Mar

17

World Sleep Day

Полустанок (2000)

People leaning back on the train station's benches, fast asleep. DP: Pavel Kostomarov.

In a small train station's waiting room, people #sleep. #Trains in the distance rumble along. #Snow covers footprints crossing nearby tracks and the wooden shed where travellers, strangers, huddle together in their shared fate. Pavel Kostomarov's cinematography and Sergey Loznitsa's direction capture the silence.

On the Marriage Broker Joke as Cited by Sigmund Freud in “WIT AND ITS RELATION TO THE UNCONSCIOUS” or Can the Avant-Garde Artist Be Wholed (Owen Land, 1977)

Mar

16

National Panda Day

ON THE MARRIAGE BROKER JOKE AS CITED BY SIGMUND FREUD IN “WIT AND ITS RELATION TO THE UNCONSCIOUS” OR CAN THE AVANT-GARDE ARTIST BE WHOLED? (1977)

Two fake pandas in a black-and-white room, seated on zebra-striped chairs. The floor has black-and-white square tiles and the walls black-and-white polkadots. Framed behind them, two black squares with white passe-partouts.

Owen Land explores meaning, wit, and #WordPlay, and manages to unite the #marketing of #umeboshi #plums in a wide variety of vessels, the brokering of #brides, and pandas discussing #Freud in all of the above contexts.

“My film is going to be introduced by a fake panda and it’s going to be about Japanese salted plums among other things.”

– FIRST PANDA