settima

shortfilm

Nosferato no Brasil [Nosferato in Brazil] (Ivan Cardoso, 1970)

Jun

21

International Surfing Day

Nosferato no Brasil (1970)

Nosferatu enjoys the breeze and fresh coconut water on the beaches of Rio. I could've posted a still of the surfers here but that would have been boring.

Someone surfing or skateboarding for either International Surfing Day or Go Skateboarding Day

 

José Mojica Marins' protégé Ivan Cardoso dabbled in short form horror movies. This one features a young hippie vampire who, after being defeated in beachy black-and-white Prague, hikes a ride to Super 8 Brazil. Can't help but notice a bit of (Charlie) Mansonsploitation going on, but that may be just me.

The Diary of an Unknown Soldier (Peter Watkins, 1959)

Jun

14

Army Day

The Diary of an Unknown Soldier (1959)

That glance. Any soldier at any time. DP: Peter Watkins.

“That’s how I will probably die, left like a poor old rag on the battlefield. When you know this is going to happen to you, your body suddenly becomes something terribly precious to you. This flesh, soft and warm is yours; a personal belonging not to be discarded like an awful piece of meat. You find yourself thinking about this, realizing what a wonderful thing your body is, and what an awful and wrong thing it is to maltreat it.”

Watkins takes the anonymous slaughter of the masses on the battlefield inside, into the body and mind of a young soldier.

Ёжик в тумане [Yózhik v tumáne / Hedgehog in the Fog] (Yuri Norstein, 1975)

Jun

9

Donald Duck – 1934

Ёжик в тумане (1975)

Fireflies in the fog. DP: Aleksandr Zhukovskiy.

A [favourite] animated character for Donald Duck Day (USA)

“In the evenings, the little Hedgehog went to the Bear Cub to count stars. They would sit on the log and sip tea, gazing at the starry sky. It hung on the roof, just behind the chimney. To the right of the chimney were the Bear Cub's stars and the stars to the left were the Hedgehog's”

– opening lines

On his way to visit his friend Bear Cub, Hedgehog finds himself in a dense mistbank. Strange sounds, and even stranger creatures, omit from it. And all he wanted was have strawberry jam and tea with his friend.

فلسطين في العين [Filastin fi al-ayn / Palestine in the Eye] (Mustafa Abu Ali, 1977)

May

28

Amnesty International Day

Filastin fi al-ayn (1977)

Palestinian freedom fighters.

Amnesty International Day: someone who fights for human rights

“Everyone has the right to life, liberty, and security of person”

– The Right to Live, the third of the Human Rights

Filmmaker #HaniJawharieh died while working for the #PLO Film Unit, an organisation fighting for the rights of the Palestinian people. His own death in 1976, which he caught on camera, is edited into this documentary.

Katar [Cold] (Hieronim Neumann, 1984)

May

6

Childhood Depression Awareness Day

Katar (1984)

One little girl sneeze even bursts the camera! A – psik (achoo)! DP: Zbigniew Kotecki.

A child with health struggles for Childhood Depression Awareness Day (USA)

“Spotkał katar Katarzynę – A – psik! Katarzyna pod pierzynę – A – psik!”

– Jan Brzechwa, Katar (via)

A little girl has the sniffles, sees the doctor, and so happily spreads the bug all over town. A quirky animated short based on a poem by Jan Brzechwa.

絵を描く子どもたち [E o kaku kodomotachi: jidōga o rikai suru tame ni / Children Who Draw] (Susumu Hani, 1956)

Mar

13

Youth Art Month

絵を描く子どもたち (1956)

A little girl painting. DP: Shizuo Komura.

An artistic child for Youth Art Month (USA)

 

Small children work with clay, paint, and other materials. Under the camera's watchful eye, we see their work come to life.

Le Songe Des Chevaux Sauvages [Dream of the Wild Horses] (Denys Colomb de Daunant, 1960)

Mar

10

ithrah69's birthday

Le Songe Des Chevaux Sauvages (1960)

Camargue horses galloping through a haze of water and dreams. DPs: Denys Colomb de Daunant & André Costey.

A film ithrah69 may like for their birthday.

 

Filmmaker and photographer Colomb de Daunant's spiritual sequel to Crin blanc : le cheval sauvage [White Mane] (1953) and Glamador (1958) follows the same wild Camargue horses in their dreams.

 

The accompanying music is performed on a Cristal Baschet, a glass instrument key to several avant-garde films. I refer to John Coulthart's writeup about Le Songe, which links through to an article about the Cristal Baschet.

สัตว์วิกาล [Sud Vikal / Vampire] (Apichatpong Weerasethakul, 2008)

Mar

2

Dr. Seuss' birthday

สัตว์วิกาล (2008)

Applying blood to attract the Nok Phii. It's cold. DP: Chaisiri Jiwarangsan.

Imaginary animals or food for Theodor “Dr.” Seuss Geisel's birthday (1904).

“I like the settings where the lights and desire cross path. The desire to communicate with the invisibles in the darkness, or in memory, or in the future. It's always related to cinema and we as insects that are drawn to lights.”

– Apichatpong Weerasethakul, via

Villagers in the north of Thailand reported a rare sighting of a male and female Nok Phii, an elusive species of bird that feeds on animals' blood. It is unknown if the sighting was reliable, and if this vampire does, or ever did, exist.

Have I Told You Lately That I Love You? (Stuart Hamisch, 1958)

Feb

24

technology

Have I Told You Lately That I Love You? (1958)

Straight after dinner, the child returns to his teevee while his mother stands silently in the doorway.

A film about technology on what would've been Steve Jobs' 70th birthday

“The most precious thing that we all have with us, is time.”

– Steve Jobs

A nuclear family goes about their machine-driven day while slowly forgetting to communicate.

Unsere Afrikareise [Our Trip to Africa] (Peter Kubelka, 1966)

Feb

22

National Wildlife Day

Unsere Afrikareise (1966)

A frame (source) shows a freshly killed zebra on its side. The film stock's perforations and sound track are visible. DP: Peter Kubelka.

Wild animals for this year's first National Wildlife Day (USA). A second one is on September 4.

“For me, Afrikareise is, in its own genre, the most intense sound film that exists. Sound and images are in synch like in nature (even if it isn’t about the natural sound of something). The sound becomes the acoustic portrait of the visual action.”

– Peter Kubelka, via

Commissioned to film a rich Austrian couple's hunting trip, Kubelka sat on the material for several years before editing it in something more than the sum of its parts.