<?xml version="1.0" encoding="UTF-8"?><rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/">
  <channel>
    <title>slowcinema &amp;mdash; settima</title>
    <link>https://write.underworld.fr/settima/tag:slowcinema</link>
    <description>@settima@zirk.us</description>
    <pubDate>Mon, 20 Apr 2026 13:17:34 +0200</pubDate>
    <item>
      <title>Gina [Stone Cold Revenge] (Denys Arcand, 1975)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-qh13</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Gina [Stone Cold Revenge] (Denys Arcand, 1975)/div&#xA;div class=&#34;month&#34;&#xA;Dec/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;11/div&#xA;div class=&#34;occasion&#34;&#xA;1952/div&#xA;div class=&#34;img&#34;&#xA;Gina (1975)/div&#xA;div class=&#34;caption&#34;&#xA;Gina (Céline Lomez) stripping in front of a silver tinsel curtain. The silhouette of a woman is visible in the foreground. DP: Alain Dostie./div&#xA;div class=&#34;txt&#34;&#xA;&#xA;/div&#xA;div class=&#34;tags&#34;&#xA;##### #FilmDuJour #December #DenysArcand #CélineLomez #ClaudeBlanchard #FrédériqueCollin #BennyBarbara #MichelPagliaro #AlainDostie #drama #revenge #rape #SlowCinema #Québec #Canada #1970s ★★★★☆/div&#xA;/section ]]&gt;</description>
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<h4 id="gina-stone-cold-revenge-denys-arcand-1975-div" id="gina-stone-cold-revenge-denys-arcand-1975-div">Gina [Stone Cold Revenge] (Denys Arcand, 1975)</div></h4>

<p><div class="month"></p>

<h2 id="dec-div" id="dec-div">Dec</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="11-div" id="11-div">11</div></h1>

<p><div class="occasion"></p>

<h2 id="1952-div" id="1952-div">1952</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/dtmtpV0f/1211-Gina-1975-2.png" alt="Gina (1975)"></div>
<div class="caption"></p>

<h6 id="gina-céline-lomez-stripping-in-front-of-a-silver-tinsel-curtain-the-silhouette-of-a-woman-is-visible-in-the-foreground-dp-alain-dostie-div" id="gina-céline-lomez-stripping-in-front-of-a-silver-tinsel-curtain-the-silhouette-of-a-woman-is-visible-in-the-foreground-dp-alain-dostie-div">Gina (Céline Lomez) stripping in front of a silver tinsel curtain. The silhouette of a woman is visible in the foreground. DP: Alain Dostie.</div></h6>

<p><div class="txt"></p>

<h5 id="div" id="div"></div></h5>

<p><div class="tags"></p>

<h5 id="filmdujour-december-denysarcand-célinelomez-claudeblanchard-frédériquecollin-bennybarbara-michelpagliaro-alaindostie-drama-revenge-rape-slowcinema-québec-canada-1970s-div" id="filmdujour-december-denysarcand-célinelomez-claudeblanchard-frédériquecollin-bennybarbara-michelpagliaro-alaindostie-drama-revenge-rape-slowcinema-québec-canada-1970s-div"><a href="/settima/tag:FilmDuJour" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FilmDuJour</span></a> <a href="/settima/tag:December" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">December</span></a> <a href="/settima/tag:DenysArcand" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">DenysArcand</span></a> <a href="/settima/tag:C%C3%A9lineLomez" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">CélineLomez</span></a> <a href="/settima/tag:ClaudeBlanchard" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ClaudeBlanchard</span></a> <a href="/settima/tag:Fr%C3%A9d%C3%A9riqueCollin" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FrédériqueCollin</span></a> <a href="/settima/tag:BennyBarbara" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BennyBarbara</span></a> <a href="/settima/tag:MichelPagliaro" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MichelPagliaro</span></a> <a href="/settima/tag:AlainDostie" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AlainDostie</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:revenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">revenge</span></a> <a href="/settima/tag:rape" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">rape</span></a> <a href="/settima/tag:SlowCinema" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SlowCinema</span></a> <a href="/settima/tag:Qu%C3%A9bec" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Québec</span></a> <a href="/settima/tag:Canada" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Canada</span></a> <a href="/settima/tag:1970s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1970s</span></a> ★★★★☆</div></h5>

<p></section></p>
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      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-qh13</guid>
      <pubDate>Thu, 11 Dec 2025 10:00:00 +0100</pubDate>
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    <item>
      <title>Na wylot [Through and Through] (Grzegorz Królikiewicz, 1972)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-h02l</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Na wylot [Through and Through] (Grzegorz Królikiewicz, 1972)/div&#xA;div class=&#34;month&#34;&#xA;Nov/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;4/div&#xA;div class=&#34;occasion&#34;&#xA;1933/div&#xA;div class=&#34;img&#34;&#xA;Na wylot (1972)/div&#xA;div class=&#34;caption&#34;&#xA;Maria (Anna Nieborowska) and Jan (Franciszek Trzeciak) in court. The film is based on the 1933 Jan and Maria Malisz’s Case. DP: Bogdan Dziworski./div&#xA;div class=&#34;txt&#34;&#xA;&#xA;/div&#xA;div class=&#34;tags&#34;&#xA;##### #FilmDuJour #November #GrzegorzKrólikiewicz #FranciszekTrzeciak #AnnaNieborowska #JanuszHajdun #HenrykKuźniak #BogdanDziworski #romance #SlowCinema #drama #crime #biography #Poland #1970s ★★★★½/div&#xA;/section ]]&gt;</description>
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<h4 id="na-wylot-through-and-through-grzegorz-królikiewicz-1972-div" id="na-wylot-through-and-through-grzegorz-królikiewicz-1972-div">Na wylot [Through and Through] (Grzegorz Królikiewicz, 1972)</div></h4>

<p><div class="month"></p>

<h2 id="nov-div" id="nov-div">Nov</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="4-div" id="4-div">4</div></h1>

<p><div class="occasion"></p>

<h2 id="1933-div" id="1933-div">1933</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/2yF0g2CK/1104-Na-wylot-1972.png" alt="Na wylot (1972)"></div>
<div class="caption"></p>

<h6 id="maria-anna-nieborowska-and-jan-franciszek-trzeciak-in-court-the-film-is-based-on-the-1933-jan-and-maria-malisz-s-case-https-www-semanticscholar-org-paper-changing-narratives-of-jan-and-maria-malisz-e2-80-99s-case-jaworska-biskup-peno-304cba4ccf2be4bb7058db286c45669bccef0327-dp-bogdan-dziworski-div" id="maria-anna-nieborowska-and-jan-franciszek-trzeciak-in-court-the-film-is-based-on-the-1933-jan-and-maria-malisz-s-case-https-www-semanticscholar-org-paper-changing-narratives-of-jan-and-maria-malisz-e2-80-99s-case-jaworska-biskup-peno-304cba4ccf2be4bb7058db286c45669bccef0327-dp-bogdan-dziworski-div">Maria (Anna Nieborowska) and Jan (Franciszek Trzeciak) in court. The film is based on the 1933 <a href="https://www.semanticscholar.org/paper/Changing-Narratives-of-Jan-and-Maria-Malisz%E2%80%99s-Case-Jaworska-Biskup-Peno/304cba4ccf2be4bb7058db286c45669bccef0327" rel="nofollow">Jan and Maria Malisz’s Case</a>. DP: Bogdan Dziworski.</div></h6>

<p><div class="txt"></p>

<h5 id="div" id="div"></div></h5>

<p><div class="tags"></p>

<h5 id="filmdujour-november-grzegorzkrólikiewicz-franciszektrzeciak-annanieborowska-januszhajdun-henrykkuźniak-bogdandziworski-romance-slowcinema-drama-crime-biography-poland-1970s-½-div" id="filmdujour-november-grzegorzkrólikiewicz-franciszektrzeciak-annanieborowska-januszhajdun-henrykkuźniak-bogdandziworski-romance-slowcinema-drama-crime-biography-poland-1970s-½-div"><a href="/settima/tag:FilmDuJour" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FilmDuJour</span></a> <a href="/settima/tag:November" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">November</span></a> <a href="/settima/tag:GrzegorzKr%C3%B3likiewicz" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">GrzegorzKrólikiewicz</span></a> <a href="/settima/tag:FranciszekTrzeciak" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FranciszekTrzeciak</span></a> <a href="/settima/tag:AnnaNieborowska" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AnnaNieborowska</span></a> <a href="/settima/tag:JanuszHajdun" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JanuszHajdun</span></a> <a href="/settima/tag:HenrykKu%C5%BAniak" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">HenrykKuźniak</span></a> <a href="/settima/tag:BogdanDziworski" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BogdanDziworski</span></a> <a href="/settima/tag:romance" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">romance</span></a> <a href="/settima/tag:SlowCinema" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SlowCinema</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:crime" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">crime</span></a> <a href="/settima/tag:biography" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">biography</span></a> <a href="/settima/tag:Poland" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Poland</span></a> <a href="/settima/tag:1970s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1970s</span></a> ★★★★½</div></h5>

<p></section></p>
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      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-h02l</guid>
      <pubDate>Tue, 04 Nov 2025 09:00:00 +0100</pubDate>
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      <title>Хлебный день [Khlebnyy den / Bread Day] (Sergei Dvortsevoy, 1998)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-4z22</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Хлебный день [Khlebnyy den / Bread Day] (Sergei Dvortsevoy, 1998)/div&#xA;div class=&#34;month&#34;&#xA;Aug/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;10/div&#xA;div class=&#34;occasion&#34;&#xA;green/div&#xA;div class=&#34;img&#34;&#xA;Хлебный день (1998)/div&#xA;div class=&#34;caption&#34;&#xA;The old folks pushing the cart past the hamlet&#39;s name sign. With thick brush strokes, almost too much for the small rectangle, it reads TOWNSHIP NR. 3. DP: Alisher Khamidkhodzhaev./div&#xA;div class=&#34;txt&#34;&#xA;Green: a building or structure&#xA;&#xA;  &#34;That&#39;s all the people we&#39;ve got now. We&#39;ll get there somehow.&#34;&#xA;  ### &#xA;&#xA;Where the old folks&#39; hands push the cart, the green&#39;s worn off. That doesn&#39;t change anything about its importance. A lifeline, bread, is delivered once a week and with delivered, it means that the carriage is left on the rails, several kilometers away from Zhikharevo, or Township Nr. 3, which in its turn is about 80 km away from Saint Petersburg. It takes the seniors about two hours to get the wagon to their hamlet. We get to witness ten minutes or so. It lasts a lifetime.&#xA;&amp;nbsp;&#xA;As of 2002, only three people lived in Zhikharevo. I wonder how the wain comes home now.&#xA;&amp;nbsp;&#xA;the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow./div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2025FilmChallenge #green #colours #SergeiDvortsevoy #AlisherKhamidkhodzhaev #bread #food #documentary #SlowCinema #Zhikharevo #VologdaOblast #Russia #1990s/div&#xA;/section ]]&gt;</description>
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<h4 id="хлебный-день-khlebnyy-den-bread-day-sergei-dvortsevoy-1998-div" id="хлебный-день-khlebnyy-den-bread-day-sergei-dvortsevoy-1998-div">Хлебный день [Khlebnyy den / Bread Day] (Sergei Dvortsevoy, 1998)</div></h4>

<p><div class="month"></p>

<h2 id="aug-div" id="aug-div">Aug</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="10-div" id="10-div">10</div></h1>

<p><div class="occasion"></p>

<h2 id="green-div" id="green-div">green</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/9QWQRDbf/0810-Khlebnyy-den-1998.jpg" alt="Хлебный день (1998)"></div>
<div class="caption"></p>

<h6 id="the-old-folks-pushing-the-cart-past-the-hamlet-s-name-sign-with-thick-brush-strokes-almost-too-much-for-the-small-rectangle-it-reads-township-nr-3-dp-alisher-khamidkhodzhaev-div" id="the-old-folks-pushing-the-cart-past-the-hamlet-s-name-sign-with-thick-brush-strokes-almost-too-much-for-the-small-rectangle-it-reads-township-nr-3-dp-alisher-khamidkhodzhaev-div">The old folks pushing the cart past the hamlet&#39;s name sign. With thick brush strokes, almost too much for the small rectangle, it reads TOWNSHIP NR. 3. DP: Alisher Khamidkhodzhaev.</div></h6>

<p><div class="txt"></p>

<h5 id="green-a-building-or-structure" id="green-a-building-or-structure">Green: a building or structure*</h5>

<blockquote><p>“That&#39;s all the people we&#39;ve got now. We&#39;ll get there somehow.”</p></blockquote>

<h5 id="where-the-old-folks-hands-push-the-cart-the-green-s-worn-off-that-doesn-t-change-anything-about-its-importance-a-lifeline-bread-is-delivered-once-a-week-and-with-delivered-it-means-that-the-carriage-is-left-on-the-rails-several-kilometers-away-from-zhikharevo-https-mapcarta-com-n281280533-or-township-nr-3-which-in-its-turn-is-about-80-km-away-from-saint-petersburg-it-takes-the-seniors-about-two-hours-to-get-the-wagon-to-their-hamlet-we-get-to-witness-ten-minutes-or-so-it-lasts-a-lifetime" id="where-the-old-folks-hands-push-the-cart-the-green-s-worn-off-that-doesn-t-change-anything-about-its-importance-a-lifeline-bread-is-delivered-once-a-week-and-with-delivered-it-means-that-the-carriage-is-left-on-the-rails-several-kilometers-away-from-zhikharevo-https-mapcarta-com-n281280533-or-township-nr-3-which-in-its-turn-is-about-80-km-away-from-saint-petersburg-it-takes-the-seniors-about-two-hours-to-get-the-wagon-to-their-hamlet-we-get-to-witness-ten-minutes-or-so-it-lasts-a-lifetime">Where the old folks&#39; hands push the cart, the green&#39;s worn off. That doesn&#39;t change anything about its importance. A lifeline, bread, is delivered once a week and with delivered, it means that the carriage is left on the rails, several kilometers away from <a href="https://mapcarta.com/N281280533" rel="nofollow">Zhikharevo</a>, or Township Nr. 3, which in its turn is about 80 km away from Saint Petersburg. It takes the seniors about two hours to get the wagon to their hamlet. We get to witness ten minutes or so. It lasts a lifetime.</h5>

<p> </p>

<h5 id="as-of-2002-only-three-people-lived-in-zhikharevo-i-wonder-how-the-wain-comes-home-now" id="as-of-2002-only-three-people-lived-in-zhikharevo-i-wonder-how-the-wain-comes-home-now">As of 2002, only three people lived in Zhikharevo. I wonder how the wain comes home now.</h5>

<p> </p>

<h6 id="the-bales-2025-film-challenge-for-august-is-not-date-related-but-lists-for-the-most-part-the-colours-of-the-rainbow-div" id="the-bales-2025-film-challenge-for-august-is-not-date-related-but-lists-for-the-most-part-the-colours-of-the-rainbow-div">* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.</div></h6>

<p><div class="tags"></p>

<h5 id="bales2025filmchallenge-green-colours-sergeidvortsevoy-alisherkhamidkhodzhaev-bread-food-documentary-slowcinema-zhikharevo-vologdaoblast-russia-1990s-div" id="bales2025filmchallenge-green-colours-sergeidvortsevoy-alisherkhamidkhodzhaev-bread-food-documentary-slowcinema-zhikharevo-vologdaoblast-russia-1990s-div"><a href="/settima/tag:Bales2025FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2025FilmChallenge</span></a> <a href="/settima/tag:green" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">green</span></a> <a href="/settima/tag:colours" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">colours</span></a> <a href="/settima/tag:SergeiDvortsevoy" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SergeiDvortsevoy</span></a> <a href="/settima/tag:AlisherKhamidkhodzhaev" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AlisherKhamidkhodzhaev</span></a> <a href="/settima/tag:bread" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">bread</span></a> <a href="/settima/tag:food" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">food</span></a> <a href="/settima/tag:documentary" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">documentary</span></a> <a href="/settima/tag:SlowCinema" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SlowCinema</span></a> <a href="/settima/tag:Zhikharevo" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Zhikharevo</span></a> <a href="/settima/tag:VologdaOblast" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">VologdaOblast</span></a> <a href="/settima/tag:Russia" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Russia</span></a> <a href="/settima/tag:1990s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1990s</span></a></div></h5>

<p></section></p>
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      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-4z22</guid>
      <pubDate>Sun, 10 Aug 2025 16:18:25 +0200</pubDate>
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      <title>สุดเสน่หา [Sud sanaeha / Blissfully Yours] (Apichatpong Weerasethakul, 2002)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-8jzr</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;สุดเสน่หา [Sud sanaeha / Blissfully Yours] (Apichatpong Weerasethakul, 2002)/div&#xA;div class=&#34;month&#34;&#xA;Jul/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;17/div&#xA;div class=&#34;X&#34;&#xA;/div&#xA;div class=&#34;img&#34;&#xA;Sud sanaeha (2002)/div&#xA;div class=&#34;caption&#34;&#xA;A hand picking skin in the water (via). DP: Sayombhu Mukdeeprom./div&#xA;div class=&#34;txt&#34;&#xA;Someone with sunburn, or a skin condition&#xA;&#xA;  &#34;I treasure some kinds of old Thai disaster movies. Many of such tell a forbidden love story between a man and a woman that the mother earth destroyed them. Similarly, Blissfully Yours contains innocent narrative and simple characters. The settings are open landscapes and the disaster plot is there, except that it is transformed into another kind of disaster.&#34;&#xA;  ### – A.W., via&#xA;&#xA;Min and Roong cherish their love among the uncertainty of his residence status. A old woman guards them, and soothes Min&#39;s blistered skin.&#xA;&amp;nbsp;&#xA;the Bales 2025 Film Challenge for July is, for unknown reasons, mostly not date-related and follows some sort of vacation narrative./div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2025FilmChallenge #ApichatpongWeerasethakul #KanokpornTongaram #MinOo #JenjiraPongpas #SaGnadChaiyapan #KanitpatPremkij #JaruwanTechasatiern #SayombhuMukdeeprom #SlowCinema #drama #romance #Thailand #France #2000s/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
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<h4 id="ส-ดเสน-หา-sud-sanaeha-blissfully-yours-apichatpong-weerasethakul-2002-div" id="ส-ดเสน-หา-sud-sanaeha-blissfully-yours-apichatpong-weerasethakul-2002-div">สุดเสน่หา [Sud sanaeha / Blissfully Yours] (Apichatpong Weerasethakul, 2002)</div></h4>

<p><div class="month"></p>

<h2 id="jul-div" id="jul-div">Jul</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="17-div" id="17-div">17</div></h1>

<p><div class="X"></p>

<h2 id="div" id="div"></div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/qM2BWb80/0717-Sud-sanaeha-2002-2.jpg" alt="Sud sanaeha (2002)"></div>
<div class="caption"></p>

<h6 id="a-hand-picking-skin-in-the-water-via-https-www-tumblr-com-365filmsbyauroranocte-tagged-blissfully-20yours-dp-sayombhu-mukdeeprom-https-mubi-com-en-notebook-posts-blissfully-gazing-an-encounter-with-sayombhu-mukdeeprom-div" id="a-hand-picking-skin-in-the-water-via-https-www-tumblr-com-365filmsbyauroranocte-tagged-blissfully-20yours-dp-sayombhu-mukdeeprom-https-mubi-com-en-notebook-posts-blissfully-gazing-an-encounter-with-sayombhu-mukdeeprom-div">A hand picking skin in the water (<a href="https://www.tumblr.com/365filmsbyauroranocte/tagged/Blissfully%20Yours" rel="nofollow">via</a>). DP: <a href="https://mubi.com/en/notebook/posts/blissfully-gazing-an-encounter-with-sayombhu-mukdeeprom" rel="nofollow">Sayombhu Mukdeeprom</a>.</div></h6>

<p><div class="txt"></p>

<h5 id="someone-with-sunburn-or-a-skin-condition" id="someone-with-sunburn-or-a-skin-condition">Someone with sunburn, or a skin condition*</h5>

<blockquote><p>“I treasure some kinds of old Thai disaster movies. Many of such tell a forbidden love story between a man and a woman that the mother earth destroyed them. Similarly, <em>Blissfully Yours</em> contains innocent narrative and simple characters. The settings are open landscapes and the disaster plot is there, except that it is transformed into another kind of disaster.”</p>

<h3 id="a-w-via-http-www-kickthemachine-com-page80-page24-page15-index-html" id="a-w-via-http-www-kickthemachine-com-page80-page24-page15-index-html">– A.W., <a href="http://www.kickthemachine.com/page80/page24/page15/index.html" rel="nofollow">via</a></h3>
</blockquote>

<h5 id="min-and-roong-cherish-their-love-among-the-uncertainty-of-his-residence-status-a-old-woman-guards-them-and-soothes-min-s-blistered-skin" id="min-and-roong-cherish-their-love-among-the-uncertainty-of-his-residence-status-a-old-woman-guards-them-and-soothes-min-s-blistered-skin">Min and Roong cherish their love among the uncertainty of his residence status. A old woman guards them, and soothes Min&#39;s blistered skin.</h5>

<p> </p>

<h6 id="the-bales-2025-film-challenge-for-july-is-for-unknown-reasons-mostly-not-date-related-and-follows-some-sort-of-vacation-narrative-div" id="the-bales-2025-film-challenge-for-july-is-for-unknown-reasons-mostly-not-date-related-and-follows-some-sort-of-vacation-narrative-div">* the Bales 2025 Film Challenge for July is, for unknown reasons, mostly not date-related and follows some sort of vacation narrative.</div></h6>

<p><div class="tags"></p>

<h5 id="bales2025filmchallenge-apichatpongweerasethakul-kanokporntongaram-minoo-jenjirapongpas-sagnadchaiyapan-kanitpatpremkij-jaruwantechasatiern-sayombhumukdeeprom-slowcinema-drama-romance-thailand-france-2000s-div" id="bales2025filmchallenge-apichatpongweerasethakul-kanokporntongaram-minoo-jenjirapongpas-sagnadchaiyapan-kanitpatpremkij-jaruwantechasatiern-sayombhumukdeeprom-slowcinema-drama-romance-thailand-france-2000s-div"><a href="/settima/tag:Bales2025FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2025FilmChallenge</span></a> <a href="/settima/tag:ApichatpongWeerasethakul" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ApichatpongWeerasethakul</span></a> <a href="/settima/tag:KanokpornTongaram" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">KanokpornTongaram</span></a> <a href="/settima/tag:MinOo" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MinOo</span></a> <a href="/settima/tag:JenjiraPongpas" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JenjiraPongpas</span></a> <a href="/settima/tag:SaGnadChaiyapan" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SaGnadChaiyapan</span></a> <a href="/settima/tag:KanitpatPremkij" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">KanitpatPremkij</span></a> <a href="/settima/tag:JaruwanTechasatiern" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JaruwanTechasatiern</span></a> <a href="/settima/tag:SayombhuMukdeeprom" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SayombhuMukdeeprom</span></a> <a href="/settima/tag:SlowCinema" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SlowCinema</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:romance" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">romance</span></a> <a href="/settima/tag:Thailand" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Thailand</span></a> <a href="/settima/tag:France" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">France</span></a> <a href="/settima/tag:2000s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">2000s</span></a></div></h5>

<p></section></p>
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      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-8jzr</guid>
      <pubDate>Thu, 17 Jul 2025 16:00:00 +0200</pubDate>
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      <title>News from Home (Chantal Akerman, 1976)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-vbmq</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;News from Home (Chantal Akerman, 1976)/div&#xA;div class=&#34;month&#34;&#xA;Apr/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;3/div&#xA;div class=&#34;occasion&#34;&#xA;Pony Express Day/div&#xA;div class=&#34;img&#34;&#xA;News from Home (1976)/div&#xA;div class=&#34;caption&#34;&#xA;New York, a street scene. Superimposed a quote from one Chantal Akerman&#39;s mother&#39;s letters. DPs: Jim Asbell &amp; Babette Mangolte./div&#xA;div class=&#34;txt&#34;&#xA;Mail or a mail carrier for Pony Express Day (USA).&#xA;&#xA;  &#34;Dear child,&#xA;&amp;nbsp;&#xA;  l received your letter and hope you will write often. l hope you won’t stay away too long and that you’ve found a job by now. If you’re doing well, we’re happy. Even though we do miss you. When will you be back? Everything is fine here, but Sylviane is home with the flu. My blood pressure is low. l’m on medication for it. Today is my birthday. l feel sad. lt’s quiet at the shop. Tonight we’re going out to dinner with friends. That’s all. Your birthday is coming up. l wish you all the best. Write to me soon about your work, about New York, about everything. Lots of love from the three of us.&#xA;  ### Your loving mother&#34; (quote via)&#xA;&#xA;Chantal Akerman reads out letters that her mother wrote to the former&#39;s stay in New York City between 1971 and 1973. The words slowly blend with the city./div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2025FilmChallenge #PonyExpressDay #ChantalAkerman #JimAsbell #BabetteMangolte #documentary #SlowCinema #NewYork #Belgium #France #WestGermany #1970s/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="news-from-home-chantal-akerman-1976-div" id="news-from-home-chantal-akerman-1976-div">News from Home (Chantal Akerman, 1976)</div></h4>

<p><div class="month"></p>

<h2 id="apr-div" id="apr-div">Apr</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="3-div" id="3-div">3</div></h1>

<p><div class="occasion"></p>

<h2 id="pony-express-day-div" id="pony-express-day-div">Pony Express Day</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/vHSdk174/0403-News-from-Home-1976.jpg" alt="News from Home (1976)"></div>
<div class="caption"></p>

<h6 id="new-york-a-street-scene-superimposed-a-quote-from-one-chantal-akerman-s-mother-s-letters-dps-jim-asbell-babette-mangolte-div" id="new-york-a-street-scene-superimposed-a-quote-from-one-chantal-akerman-s-mother-s-letters-dps-jim-asbell-babette-mangolte-div">New York, a street scene. Superimposed a quote from one Chantal Akerman&#39;s mother&#39;s letters. DPs: Jim Asbell &amp; Babette Mangolte.</div></h6>

<p><div class="txt"></p>

<h5 id="mail-or-a-mail-carrier-for-pony-express-day-https-nationaltoday-com-pony-express-day-usa" id="mail-or-a-mail-carrier-for-pony-express-day-https-nationaltoday-com-pony-express-day-usa">Mail or a mail carrier for <a href="https://nationaltoday.com/pony-express-day/" rel="nofollow">Pony Express Day</a> (USA).</h5>

<blockquote><p>“Dear child,
 
l received your letter and hope you will write often. l hope you won’t stay away too long and that you’ve found a job by now. If you’re doing well, we’re happy. Even though we do miss you. When will you be back? Everything is fine here, but Sylviane is home with the flu. My blood pressure is low. l’m on medication for it. Today is my birthday. l feel sad. lt’s quiet at the shop. Tonight we’re going out to dinner with friends. That’s all. Your birthday is coming up. l wish you all the best. Write to me soon about your work, about New York, about everything. Lots of love from the three of us.</p>

<h3 id="your-loving-mother-quote-via-https-www-sabzian-be-film-news-from-home" id="your-loving-mother-quote-via-https-www-sabzian-be-film-news-from-home">Your loving mother” (quote <a href="https://www.sabzian.be/film/news-from-home" rel="nofollow">via</a>)</h3>
</blockquote>

<h5 id="chantal-akerman-reads-out-letters-that-her-mother-wrote-to-the-former-s-stay-in-new-york-city-between-1971-and-1973-the-words-slowly-blend-with-the-city-div" id="chantal-akerman-reads-out-letters-that-her-mother-wrote-to-the-former-s-stay-in-new-york-city-between-1971-and-1973-the-words-slowly-blend-with-the-city-div">Chantal Akerman reads out letters that her mother wrote to the former&#39;s stay in New York City between 1971 and 1973. The words slowly blend with the city.</div></h5>

<p><div class="tags"></p>

<h5 id="bales2025filmchallenge-ponyexpressday-chantalakerman-jimasbell-babettemangolte-documentary-slowcinema-newyork-belgium-france-westgermany-1970s-div" id="bales2025filmchallenge-ponyexpressday-chantalakerman-jimasbell-babettemangolte-documentary-slowcinema-newyork-belgium-france-westgermany-1970s-div"><a href="/settima/tag:Bales2025FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2025FilmChallenge</span></a> <a href="/settima/tag:PonyExpressDay" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">PonyExpressDay</span></a> <a href="/settima/tag:ChantalAkerman" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ChantalAkerman</span></a> <a href="/settima/tag:JimAsbell" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JimAsbell</span></a> <a href="/settima/tag:BabetteMangolte" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BabetteMangolte</span></a> <a href="/settima/tag:documentary" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">documentary</span></a> <a href="/settima/tag:SlowCinema" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SlowCinema</span></a> <a href="/settima/tag:NewYork" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">NewYork</span></a> <a href="/settima/tag:Belgium" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Belgium</span></a> <a href="/settima/tag:France" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">France</span></a> <a href="/settima/tag:WestGermany" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">WestGermany</span></a> <a href="/settima/tag:1970s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1970s</span></a></div></h5>

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      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-vbmq</guid>
      <pubDate>Thu, 03 Apr 2025 12:00:00 +0200</pubDate>
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      <title>行者 [Jingang Jing / Walker] (Tsai Ming-liang, 2012)</title>
      <link>https://write.underworld.fr/settima/jingang-jing-2012</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;行者 [Jingang Jing / Walker] (Tsai Ming-liang, 2012)/div&#xA;div class=&#34;month&#34;&#xA;Dec/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;8/div&#xA;div class=&#34;occasion&#34;&#xA;बोधि/div&#xA;div class=&#34;img&#34;&#xA;行者 (2012)/div&#xA;div class=&#34;caption&#34;&#xA;The monk (Kang-sheng Lee) walking Hong Kong. DP: Tsai Ming-liang./div&#xA;div class=&#34;txt&#34;&#xA;A Buddhist theme for Bodhi Day.&#xA;&#xA;  &#34;The reason why I wanted to do something like the Walker series is rooted in my obsession with the idea of Xuanzang, and the characteristics of the times he lived. There was no car, no train, no airplane, and no cell phone. He just walked.&#34;&#xA;  ### – Tsai Ming-liang, via&#xA;&#xA;/div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2024FilmChallenge #Bodhi #TsaiMingLiang #KangShengLee #religion #Buddhism #ShortFilm #SlowCinema #HongKong #2010s/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="行者-jingang-jing-walker-tsai-ming-liang-2012-div" id="行者-jingang-jing-walker-tsai-ming-liang-2012-div">行者 [Jingang Jing / Walker] (Tsai Ming-liang, 2012)</div></h4>

<p><div class="month"></p>

<h2 id="dec-div" id="dec-div">Dec</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="8-div" id="8-div">8</div></h1>

<p><div class="occasion"></p>

<h2 id="ब-ध-div" id="ब-ध-div">बोधि</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/HkBqFyw8/1208-Jingang-Jing-2012.jpg" alt="行者 (2012)"></div>
<div class="caption"></p>

<h6 id="the-monk-kang-sheng-lee-walking-hong-kong-dp-tsai-ming-liang-div" id="the-monk-kang-sheng-lee-walking-hong-kong-dp-tsai-ming-liang-div">The monk (Kang-sheng Lee) walking Hong Kong. DP: Tsai Ming-liang.</div></h6>

<p><div class="txt"></p>

<h5 id="a-buddhist-theme-for-bodhi-day-https-en-wikipedia-org-wiki-bodhi-day" id="a-buddhist-theme-for-bodhi-day-https-en-wikipedia-org-wiki-bodhi-day">A Buddhist theme for <a href="https://en.wikipedia.org/wiki/Bodhi_Day" rel="nofollow">Bodhi Day</a>.</h5>

<blockquote><p>“The reason why I wanted to do something like the <em>Walker</em> series is rooted in my obsession with the idea of <a href="https://en.wikipedia.org/wiki/Xuanzang" rel="nofollow">Xuanzang</a>, and the characteristics of the times he lived. There was no car, no train, no airplane, and no cell phone. He just walked.”</p>

<h3 id="tsai-ming-liang-via-https-www-mdpi-com-2077-1444-9-7-200" id="tsai-ming-liang-via-https-www-mdpi-com-2077-1444-9-7-200">– Tsai Ming-liang, <a href="https://www.mdpi.com/2077-1444/9/7/200" rel="nofollow">via</a></h3>
</blockquote>

<h5 id="div" id="div"></div></h5>

<p><div class="tags"></p>

<h5 id="bales2024filmchallenge-bodhi-tsaimingliang-kangshenglee-religion-buddhism-shortfilm-slowcinema-hongkong-2010s-div" id="bales2024filmchallenge-bodhi-tsaimingliang-kangshenglee-religion-buddhism-shortfilm-slowcinema-hongkong-2010s-div"><a href="/settima/tag:Bales2024FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2024FilmChallenge</span></a> <a href="/settima/tag:Bodhi" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bodhi</span></a> <a href="/settima/tag:TsaiMingLiang" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">TsaiMingLiang</span></a> <a href="/settima/tag:KangShengLee" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">KangShengLee</span></a> <a href="/settima/tag:religion" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">religion</span></a> <a href="/settima/tag:Buddhism" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Buddhism</span></a> <a href="/settima/tag:ShortFilm" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ShortFilm</span></a> <a href="/settima/tag:SlowCinema" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SlowCinema</span></a> <a href="/settima/tag:HongKong" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">HongKong</span></a> <a href="/settima/tag:2010s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">2010s</span></a></div></h5>

<p></section></p>
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      <guid>https://write.underworld.fr/settima/jingang-jing-2012</guid>
      <pubDate>Sun, 08 Dec 2024 18:13:22 +0100</pubDate>
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      <title>Gina [Stone Cold Revenge] (Denys Arcand, 1975)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-lwsl</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Gina [Stone Cold Revenge] (Denys Arcand, 1975)/div&#xA;div class=&#34;month&#34;&#xA;Dec/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;5/div&#xA;div class=&#34;occasion&#34;&#xA;فَاطِمَة بِنْت مُحَمَّد/div&#xA;div class=&#34;img&#34;&#xA;Gina (1975)/div&#xA;div class=&#34;caption&#34;&#xA;Gina (Céline Lomez) waiting at an airport. DP: Alain Dostie./div&#xA;div class=&#34;txt&#34;&#xA;A triumphant woman in commemoration of the martyrdom of Sayyida Fatimah al-Zahra)&#xA;&amp;nbsp;&#xA;/div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2024FilmChallenge #MartyrdomOfFatima #DenysArcand #CélineLomez #ClaudeBlanchard #FrédériqueCollin #BennyBarbara #MichelPagliaro #AlainDostie #drama #revenge #rape #SlowCinema #Canada #1970s ★★★★☆/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="gina-stone-cold-revenge-denys-arcand-1975-div" id="gina-stone-cold-revenge-denys-arcand-1975-div">Gina [Stone Cold Revenge] (Denys Arcand, 1975)</div></h4>

<p><div class="month"></p>

<h2 id="dec-div" id="dec-div">Dec</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="5-div" id="5-div">5</div></h1>

<p><div class="occasion"></p>

<h2 id="ف-اط-م-ة-ب-ن-ت-م-ح-م-د-div" id="ف-اط-م-ة-ب-ن-ت-م-ح-م-د-div">فَاطِمَة بِنْت مُحَمَّد</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/Yq4hPHFK/1205-Gina-1975.png" alt="Gina (1975)"></div>
<div class="caption"></p>

<h6 id="gina-céline-lomez-waiting-at-an-airport-dp-alain-dostie-div" id="gina-céline-lomez-waiting-at-an-airport-dp-alain-dostie-div">Gina (Céline Lomez) waiting at an airport. DP: Alain Dostie.</div></h6>

<p><div class="txt"></p>

<h5 id="a-triumphant-woman-in-commemoration-of-the-martyrdom-of-sayyida-fatimah-al-zahra-https-en-wikishia-net-view-martyrdom-of-lady-fatima-al-zahra-a" id="a-triumphant-woman-in-commemoration-of-the-martyrdom-of-sayyida-fatimah-al-zahra-https-en-wikishia-net-view-martyrdom-of-lady-fatima-al-zahra-a">A triumphant woman in commemoration of <a href="https://en.wikishia.net/view/Martyrdom_of_Lady_Fatima_al-Zahra_(a)" rel="nofollow">the martyrdom of Sayyida Fatimah al-Zahra</a></h5>

<p> </p>

<h5 id="div" id="div"></div></h5>

<p><div class="tags"></p>

<h5 id="bales2024filmchallenge-martyrdomoffatima-denysarcand-célinelomez-claudeblanchard-frédériquecollin-bennybarbara-michelpagliaro-alaindostie-drama-revenge-rape-slowcinema-canada-1970s-div" id="bales2024filmchallenge-martyrdomoffatima-denysarcand-célinelomez-claudeblanchard-frédériquecollin-bennybarbara-michelpagliaro-alaindostie-drama-revenge-rape-slowcinema-canada-1970s-div"><a href="/settima/tag:Bales2024FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2024FilmChallenge</span></a> <a href="/settima/tag:MartyrdomOfFatima" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MartyrdomOfFatima</span></a> <a href="/settima/tag:DenysArcand" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">DenysArcand</span></a> <a href="/settima/tag:C%C3%A9lineLomez" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">CélineLomez</span></a> <a href="/settima/tag:ClaudeBlanchard" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ClaudeBlanchard</span></a> <a href="/settima/tag:Fr%C3%A9d%C3%A9riqueCollin" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FrédériqueCollin</span></a> <a href="/settima/tag:BennyBarbara" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BennyBarbara</span></a> <a href="/settima/tag:MichelPagliaro" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MichelPagliaro</span></a> <a href="/settima/tag:AlainDostie" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AlainDostie</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:revenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">revenge</span></a> <a href="/settima/tag:rape" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">rape</span></a> <a href="/settima/tag:SlowCinema" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SlowCinema</span></a> <a href="/settima/tag:Canada" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Canada</span></a> <a href="/settima/tag:1970s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1970s</span></a> ★★★★☆</div></h5>

<p></section></p>
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      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-lwsl</guid>
      <pubDate>Thu, 05 Dec 2024 17:17:59 +0100</pubDate>
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      <title>The Animal (Walter Ungerer, 1976)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-qv68</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;The Animal (Walter Ungerer, 1976)/div&#xA;div class=&#34;month&#34;&#xA;Sep/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;22/div&#xA;div class=&#34;X&#34;&#xA;/div&#xA;div class=&#34;img&#34;&#xA;The Animal (1976)/div&#xA;div class=&#34;caption&#34;&#xA;A man (Paul Ickovic) by himself at a table. The table setting suggests another person present. DP: Walter Ungerer./div&#xA;div class=&#34;txt&#34;&#xA;&#xA;/div&#xA;div class=&#34;tags&#34;&#xA;##### #FilmDinner #WalterUngerer #PaulIckovic #JoMoore #SlowCinema #Hooptober #drama #romance #mystery #ghosts #Hooptober #USA #1970s ★★★★☆/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="the-animal-walter-ungerer-1976-div" id="the-animal-walter-ungerer-1976-div">The Animal (Walter Ungerer, 1976)</div></h4>

<p><div class="month"></p>

<h2 id="sep-div" id="sep-div">Sep</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="22-div" id="22-div">22</div></h1>

<p><div class="X"></p>

<h2 id="div" id="div"></div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/DywGtSSB/240922-Animal-1976.png" alt="The Animal (1976)"></div>
<div class="caption"></p>

<h6 id="a-man-paul-ickovic-by-himself-at-a-table-the-table-setting-suggests-another-person-present-dp-walter-ungerer-div" id="a-man-paul-ickovic-by-himself-at-a-table-the-table-setting-suggests-another-person-present-dp-walter-ungerer-div">A man (Paul Ickovic) by himself at a table. The table setting suggests another person present. DP: Walter Ungerer.</div></h6>

<p><div class="txt"></p>

<h5 id="div-1" id="div-1"></div></h5>

<p><div class="tags"></p>

<h5 id="filmdinner-walterungerer-paulickovic-jomoore-slowcinema-hooptober-drama-romance-mystery-ghosts-hooptober-usa-1970s-div" id="filmdinner-walterungerer-paulickovic-jomoore-slowcinema-hooptober-drama-romance-mystery-ghosts-hooptober-usa-1970s-div"><a href="/settima/tag:FilmDinner" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FilmDinner</span></a> <a href="/settima/tag:WalterUngerer" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">WalterUngerer</span></a> <a href="/settima/tag:PaulIckovic" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">PaulIckovic</span></a> <a href="/settima/tag:JoMoore" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JoMoore</span></a> <a href="/settima/tag:SlowCinema" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SlowCinema</span></a> <a href="/settima/tag:Hooptober" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Hooptober</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:romance" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">romance</span></a> <a href="/settima/tag:mystery" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">mystery</span></a> <a href="/settima/tag:ghosts" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ghosts</span></a> <a href="/settima/tag:Hooptober" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Hooptober</span></a> <a href="/settima/tag:USA" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">USA</span></a> <a href="/settima/tag:1970s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1970s</span></a> ★★★★☆</div></h5>

<p></section></p>
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      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-qv68</guid>
      <pubDate>Sun, 22 Sep 2024 16:23:10 +0200</pubDate>
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    <item>
      <title>Na wylot [Through and Through] (Grzegorz Królikiewicz, 1972)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-vys0</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Na wylot [Through and Through] (Grzegorz Królikiewicz, 1972)/div&#xA;div class=&#34;month&#34;&#xA;Jul/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;15/div&#xA;div class=&#34;occasion&#34;&#xA;sandwiches/div&#xA;div class=&#34;img&#34;&#xA;Na wylot (1972)/div&#xA;div class=&#34;caption&#34;&#xA;Jan (Franciszek Trzeciak) and Maria (Anna Nieborowska) share lunch on a bench. DP: Bogdan Dziworski./div&#xA;div class=&#34;txt&#34;&#xA;&#xA;/div&#xA;div class=&#34;tags&#34;&#xA;##### #FilmDinner #sandwiches #bread #GrzegorzKrólikiewicz #FranciszekTrzeciak #AnnaNieborowska #JanuszHajdun #HenrykKuźniak #BogdanDziworski #romance #SlowCinema #drama #crime #biography #Poland #1970s ★★★★½/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="na-wylot-through-and-through-grzegorz-królikiewicz-1972-div" id="na-wylot-through-and-through-grzegorz-królikiewicz-1972-div">Na wylot [Through and Through] (Grzegorz Królikiewicz, 1972)</div></h4>

<p><div class="month"></p>

<h2 id="jul-div" id="jul-div">Jul</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="15-div" id="15-div">15</div></h1>

<p><div class="occasion"></p>

<h2 id="sandwiches-div" id="sandwiches-div">sandwiches</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/DfrD0PLy/240715-Na-wylot-1972.png" alt="Na wylot (1972)"></div>
<div class="caption"></p>

<h6 id="jan-franciszek-trzeciak-and-maria-anna-nieborowska-share-lunch-on-a-bench-dp-bogdan-dziworski-div" id="jan-franciszek-trzeciak-and-maria-anna-nieborowska-share-lunch-on-a-bench-dp-bogdan-dziworski-div">Jan (Franciszek Trzeciak) and Maria (Anna Nieborowska) share lunch on a bench. DP: Bogdan Dziworski.</div></h6>

<p><div class="txt"></p>

<h5 id="div" id="div"></div></h5>

<p><div class="tags"></p>

<h5 id="filmdinner-sandwiches-bread-grzegorzkrólikiewicz-franciszektrzeciak-annanieborowska-januszhajdun-henrykkuźniak-bogdandziworski-romance-slowcinema-drama-crime-biography-poland-1970s-½-div" id="filmdinner-sandwiches-bread-grzegorzkrólikiewicz-franciszektrzeciak-annanieborowska-januszhajdun-henrykkuźniak-bogdandziworski-romance-slowcinema-drama-crime-biography-poland-1970s-½-div"><a href="/settima/tag:FilmDinner" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FilmDinner</span></a> <a href="/settima/tag:sandwiches" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">sandwiches</span></a> <a href="/settima/tag:bread" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">bread</span></a> <a href="/settima/tag:GrzegorzKr%C3%B3likiewicz" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">GrzegorzKrólikiewicz</span></a> <a href="/settima/tag:FranciszekTrzeciak" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FranciszekTrzeciak</span></a> <a href="/settima/tag:AnnaNieborowska" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AnnaNieborowska</span></a> <a href="/settima/tag:JanuszHajdun" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JanuszHajdun</span></a> <a href="/settima/tag:HenrykKu%C5%BAniak" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">HenrykKuźniak</span></a> <a href="/settima/tag:BogdanDziworski" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">BogdanDziworski</span></a> <a href="/settima/tag:romance" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">romance</span></a> <a href="/settima/tag:SlowCinema" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SlowCinema</span></a> <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:crime" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">crime</span></a> <a href="/settima/tag:biography" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">biography</span></a> <a href="/settima/tag:Poland" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Poland</span></a> <a href="/settima/tag:1970s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1970s</span></a> ★★★★½</div></h5>

<p></section></p>
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      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-vys0</guid>
      <pubDate>Mon, 15 Jul 2024 23:50:12 +0200</pubDate>
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      <title>Simone Barbès ou la vertu (Marie-Claude Treilhou, 1980)</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-8mxf</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Simone Barbès ou la vertu (Marie-Claude Treilhou, 1980)/div&#xA;div class=&#34;month&#34;&#xA;Jun/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;19/div&#xA;div class=&#34;occasion&#34;&#xA;pâté/div&#xA;div class=&#34;img&#34;&#xA;Simone Barbès ou la vertu (1980)/div&#xA;div class=&#34;caption&#34;&#xA;Two female porn theatre ushers (Ingrid Bourgoin and Martine Simonet) looking bored. They sit under two large eye-shaped neon lights. Between them a small table with various half-consumed items, including part of a baguette with pâté. DP: Jean-Yves Escoffier./div&#xA;div class=&#34;txt&#34;&#xA;– Ah, regarde, c&#39;est Tati !&#xA;  – Tati qui?&#xA;  – Tati, comme Mon Oncle.&#xA;  ### &#xA;&#xA;/div&#xA;div class=&#34;tags&#34;&#xA;##### #FilmDinner #pâté #MarieClaudeTreilhou #IngridBourgoin #MartineSimonet #MichelDelahaye #RolandVincent #JeanYves Escoffier #drama #SlowCinema #LGBT #Paris #France #1980s ★★★★½/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
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<h4 id="simone-barbès-ou-la-vertu-marie-claude-treilhou-1980-div" id="simone-barbès-ou-la-vertu-marie-claude-treilhou-1980-div">Simone Barbès ou la vertu (Marie-Claude Treilhou, 1980)</div></h4>

<p><div class="month"></p>

<h2 id="jun-div" id="jun-div">Jun</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="19-div" id="19-div">19</div></h1>

<p><div class="occasion"></p>

<h2 id="pâté-div" id="pâté-div">pâté</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/bwy1FRhF/240619-Simone-Barb-s-ou-la-vertu-1980.png" alt="Simone Barbès ou la vertu (1980)"></div>
<div class="caption"></p>

<h6 id="two-female-porn-theatre-ushers-ingrid-bourgoin-and-martine-simonet-looking-bored-they-sit-under-two-large-eye-shaped-neon-lights-between-them-a-small-table-with-various-half-consumed-items-including-part-of-a-baguette-with-pâté-https-en-wikipedia-org-wiki-p-c3-a2t-c3-a9-dp-jean-yves-escoffier-div" id="two-female-porn-theatre-ushers-ingrid-bourgoin-and-martine-simonet-looking-bored-they-sit-under-two-large-eye-shaped-neon-lights-between-them-a-small-table-with-various-half-consumed-items-including-part-of-a-baguette-with-pâté-https-en-wikipedia-org-wiki-p-c3-a2t-c3-a9-dp-jean-yves-escoffier-div">Two female porn theatre ushers (Ingrid Bourgoin and Martine Simonet) looking bored. They sit under two large eye-shaped neon lights. Between them a small table with various half-consumed items, including part of a baguette with <a href="https://en.wikipedia.org/wiki/P%C3%A2t%C3%A9" rel="nofollow">pâté</a>. DP: Jean-Yves Escoffier.</div></h6>

<p><div class="txt"></p>

<blockquote><p>– Ah, regarde, c&#39;est Tati !
– Tati qui?
– Tati, comme <a href="https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-5jwk" rel="nofollow">Mon Oncle</a>.</p></blockquote>

<h5 id="div" id="div"></div></h5>

<p><div class="tags"></p>

<h5 id="filmdinner-pâté-marieclaudetreilhou-ingridbourgoin-martinesimonet-micheldelahaye-rolandvincent-jeanyves-escoffier-drama-slowcinema-lgbt-paris-france-1980s-½-div" id="filmdinner-pâté-marieclaudetreilhou-ingridbourgoin-martinesimonet-micheldelahaye-rolandvincent-jeanyves-escoffier-drama-slowcinema-lgbt-paris-france-1980s-½-div"><a href="/settima/tag:FilmDinner" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FilmDinner</span></a> <a href="/settima/tag:p%C3%A2t%C3%A9" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">pâté</span></a> <a href="/settima/tag:MarieClaudeTreilhou" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MarieClaudeTreilhou</span></a> <a href="/settima/tag:IngridBourgoin" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">IngridBourgoin</span></a> <a href="/settima/tag:MartineSimonet" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MartineSimonet</span></a> <a href="/settima/tag:MichelDelahaye" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MichelDelahaye</span></a> <a href="/settima/tag:RolandVincent" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">RolandVincent</span></a> <a href="/settima/tag:JeanYves" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JeanYves</span></a> Escoffier <a href="/settima/tag:drama" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">drama</span></a> <a href="/settima/tag:SlowCinema" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SlowCinema</span></a> <a href="/settima/tag:LGBT" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">LGBT</span></a> <a href="/settima/tag:Paris" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Paris</span></a> <a href="/settima/tag:France" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">France</span></a> <a href="/settima/tag:1980s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1980s</span></a> ★★★★½</div></h5>

<p></section></p>
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      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-8mxf</guid>
      <pubDate>Wed, 19 Jun 2024 21:26:14 +0200</pubDate>
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