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The Kentucky Fried Movie (John Landis, 1977)
Apr
9
11:42 A.M.
Scratched-up film stock showing an arid landscape with ISLE OF LUCY APRIL 9, 11:42 A.M. in bold red letters superimposed over it. DP: Stephen M. Katz.
“Moscow in flames, missiles headed toward New York. Film at eleven.”
– newscaster
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Ко то тамо пева? [Ko to tamo peva / Who's Singin' Over There?] (Slobodan Šijan, 1980)
Apr
5
1941
A singing man plays the accordion, accompanied by a child smoking a cigarette. DP: Božidar 'Bota' Nikolić.
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みな殺しの霊歌 [Minagoroshi no reika / I, the Executioner] (Tai Katō, 1968)
Apr
3
1968
A newspaper headline for April 3, 1968: “COMPANY DIRECTOR'S WIFE NEWEST VICTIM”. DP: Keiji Maruyama.
“With bar hostesses, there's a type who are likely to be murdered.”
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Les yeux cernés [Marked Eyes] (Robert Hossein, 1964)
Apr
2
1964
A typed request on official stationary dated April 2, requesting to show up at the police precinct on April 4, 1964. DP: Jean Boffety.
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Moment of Impact (Julia Loktev, 1998)
Apr
1
1989
A person holds Leonid Loktev's head from behind, while someone else cups his left eye with one hand. DP: Julia Loktev.
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1. April 2000 [April 1, 2000] (Wolfgang Liebeneiner, 1952)
Apr
1
2000
The President of the Global Union (Hilde Krahl) stepping out of her spaceship. DPs: Sepp Ketterer, Karl Löb & Fritz Arno Wagner.
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野獣死すべし [Yajū shisubeshi / The Beast Shall Die] (Eizō Sugawa, 1959)
Mar
30
7 p.m.
Kunihiko Date (Tatsuya Nakadai) driving along at night. DP: Fukuzō Koizumi.
“He’s not a beast. No, he’s a robot. A machine created by a modern, twisted society.”
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Supermarkt [Die Stadt, Jane Love / Supermarket] (Roland Klick, 1974)
Mar
30
Willi Hansen (Charly Wierzejewski) in a phone booth. Filmed from the outside in, his face is partially obscured by neon lights. DP: Jost Vacano.
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The Gruesome Twosome (Herschell Gordon Lewis, 1967)
Mar
27
1967
The March 27, 1967 newspaper headlining CAMPUS PUZZLED! and GIRLS VANISH and FATE STILL A MYSTERY. It's Monday. DP: Roy Collodi.
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Sisters [Blood Sisters] (Brian De Palma, 1972)
Mar
27
Danielle and Dominique Blanchion (Margot Kidder) – one beaming one gloomy – wearing bathing suits. In the background, Emil Breton (William Finley) in a therapy pool – fully clothed – with a woman and small child. DP: Gregory Sandor.
“Did you know that the germs can come through the wires? I never call and I never answer. It's a good way to get sick. Very, very sick… That's how I got so sick! SOMEONE CALLED ME ON THE TELEPHONE!”
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