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妖怪百物語 [Yōkai hyakumonogatari / Yokai Monsters: 100 Monsters] (Kimiyoshi Yasuda, 1968)
Oct
4
[A favourite] horror movie with more than one bad guy*
A shrine must give way to a brothel, and a game of supernatural storytelling follows. At the end of the spooky tales, the landowner neglects to complete the all-important purification ceremony resulting in one-hundred yōkai – one for each story – coming out to haunt the rich man and his cronies.
* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.
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Vargtimmen [Hour of the Wolf] (Ingmar Bergman, 1968)
Oct
4
aquavit
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Digestifs served with glass peepers Skål! DP: Sven Nykvist.
“This is my supper, you see. Lindhorst, who knows the world, says that old harlots have a morbid desire to satisfy their mouths and stomachs.”
– Gamla Fru von Merkens
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Spectres of the Spectrum (Craig Baldwin, 1999)
Oct
4
A scene from the TV series Science in Action (1950—1966) showing Chuck Yeager, the first man to break the sound barrier. DP: Bill Daniel.
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The Sniper (Edward Dmytryk, 1952)
Oct
4
Man's hands, one bandaged, holding a rifle. DP: Burnett Guffey.
“I'm gonna be happy for a change.”
– Edward Miller
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拳精 [Quan jing / Spiritual Kung Fu] (Wei Lo, 1978)
Oct
3
Jackie Chan balances three bowls and a small bench Jackie Chan style. DP: Jung-Shu Chen.
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Soy leyenda (Mario Gómez Martín, 1967)
Oct
3
zombies
Robert Neville (Moisés Menéndez) looking out over an empty rooftop. DP: Jesús Ocaña.
(A favourite) zombie movie*
Now, settima. Of all the zombie movies in the world you had to pick a vampire story? Why yes. Yes I did.
“Again he shook his head. The world's gone mad, he thought. The dead walk about and I think nothing of it. The return of corpses has become trivial in import. How quickly one accepts the incredible if only one sees it enough!”
– Richard Matheson, I Am Legend (1954)
Just like my actual favourite zombie film, that one from 1968, Soy leyenda is based on Richard Matheson's post-apocalyptic horror novel I Am Legend (1954). The story describes a world where the living have become undead vampire-like creatures. A lone man tries to rationalise that new world through reason and science, and legend.
In the man's mind, the undead become the familiar, the vampire. In our mind, watching this, we believe to see the foreshadowing of the popculture zombie. The abandoned well-known landscapes, the ceaseless repetition of what the old life had instilled, the normalcy of the grotesque. Oh how familiar they have become.
* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.
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Le boucher [The Butcher] (Claude Chabrol, 1970)
Oct
3
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Vampyros Lesbos (Jesús Franco, 1971)
Oct
2
Dracula

A favourite Dracula movie. As my very most favourite Dracula movie has been claimed, I go with its nearest competitor that somehow also features my favourite Jesus*
Linda (Ewa Strömberg) has been summoned by Countess Nadine Carody (Soledad Miranda) to handle a real estate inheritance from a certain Count Dracula. Spellbound, she finds herself on a small island, and helpless in the Countess' embrace.
“You are one of us now. The Queen of the Night will bear you up on her black wings.”
– Countess Nadine Carody
A film that can easily hold up against Jean Rollins' dreamy vampire erotica, this love letter to Soledad Miranda's brooding torment is a delight to watch and a pinnacle in Jess Franco's filmography. Its influence on neo-Giallo Amer and Dario Argento – particularly his Suspiria – is evident, and that in itself should give you enough clues of how much of an essential chapter Vampyros Lesbos is in adult European filmmaking.
* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.
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Medium (Jacek Koprowicz, 1985)
Oct
2
A man in an impeccable, light-colored suit. His nose is bleeding. DPs: Jerzy Zieliński & Wit Dąbal.
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Gothic (Ken Russel, 1986)
Oct
1
Frankenstein
Percy Shelley (Gabriel Byrne), Mary Shelley (Natasha Richardson) and Dr Polidori (a deliriously delicious Timothy Spall). DP: Mike Southon.
A [favourite] Frankenstein film.
One wet, ungenial summer in 1816, lovers Mary Godwin and Percy Shelley, and Mary's stepsister Claire Clairmont, visited a dear friend at Villa Diodati. That friend was Lord Byron, exiled and residing in the Swiss villa with his physician Dr John Polidori
“There are no ghosts in daylight. You'll get used to our nights at Diodati. A little indulgence to heighten our existence on this miserable Earth. Nights of the mind, the imagination. Nothing more.”
– Lord Byron
Forced indoors, over the cause of three days they turned to the occult, to laudanum, to stories from the Fantasmagoriana, and the horrors of their own. That summer, Frankenstein saw the light of day.