settima

@settima@zirk.us

In the Heat of the Night (Norman Jewison, 1967)

Sep

13

In the Heat of the Night (1967)

Det. Virgil Tibbs (Sidney Poitier) and Chief Bill Gillespie (Rod Steiger) at the train station. The timetable is written by hand on a blackboard. DP: Haskell Wexler.

“They call me MISTER TIBBS.”

– Det. Virgil Tibbs

De komst van Joachim Stiller [The Arrival of Joachim Stiller] (Harry Kümel, 1976)

Sep

11

1919

De komst van Joachim Stiller (1976)

The mysterious letter postmarked September 11, 1919 that one day landed on Freek Groenevelt's (Hugo Metsers) doormat. DP: Eduard van der Enden.

“Tot dusver had ik mij steeds vrij tevreden met het leven gevoeld, zonder er wonderen van te verwachten. Die morgen geloofde ik, dat het voor een mens niet onmogelijk is gelukkig te zijn, kortstondig gelukkig misschien, maar gelukkig onmiskenbaar.”

– Hubert Lampo, De komst van Joachim Stiller (1960)

A História do Olho [The Story of the Eye] (Ivan Cardoso, 1977)

Sep

10

leite

A História do Olho (1977)

Simone (Claudia Ohana) about to dip her derrière in a bowl with milk. DP: Eduardo Viveiros.

Maléfices [Sorcery / Where the Truth Lies] (Henri Decoin, 1962)

Sep

10

Maléfices (1962)

Myriam Heller (Juliette Gréco) sharing a bed with Nyète, her cheetah. DP: Marcel Grignon.

The Black Cat (Harold Hoffman, 1966)

Sep

9

The Black Cat (1966)

A sad blonde (Robyn Baker) with her perfectly coiffured head on a perfectly set table. DP: Walter Schenk.

Friendship's Death (Peter Wollen, 1987)

Sep

9

1970

Friendship's Death (1987)

Bill Paterson and Tilda Swinton as Sullivan and Friendship. DP: Witold Stok.

“What will happen when your machines become intelligent? When they become autonomous? When they have private thoughts? You humans look down on your machines because they're man-made. They're a product of your skills and labour. They weren't even domesticated like animals were. You see them simply as extensions of yourself, of your own will. I can't accept that. I can't accept subhuman status simply because I'm a machine based on silicon rather than carbon, electronics rather than biology. If I sound fanatical, it's because I've been trapped in a time warp. In a world where the full potential of machines hasn't been guessed at. A world where I have to wear a human disguise to be accepted? I came here too late. It will all end before the computers that already control the fate of the world have reached the point where they wanted to survive.”

– Friendship

И дойде денят [I doyde denyat / And the Day Came] (Georgi Djulgerov, 1973)

Sep

9

1944

И дойде денят (1973)

Mustafa (Plamen Maslarov) running. DP: Radoslav Spassov.

Night of the Cobra Woman [Movini's Venom] (Andrew Meyer, 1972)

Sep

7

cereal

Night of the Cobra Woman (1972)

A blonde, mud-covered, boyish woman with shoulder-length dead hair (Joy Bang) in a grey kitchen eats Cheerios straight from the box. One of her shoes is on the kitchen counter. DP: Nonong Rasca.

আকালের সন্ধানে [Akaler Sandhane / In Search of Famine] (Mrinal Sen, 1982)

Sep

7

আকালের সন্ধানে (1982)

A clapperboard in the jungle. DP: K.K. Mahajan.

“Past. Presence. And future.”

More (Barbet Schroeder, 1969)

Sep

7

More (1969)

Estelle (Mimsy Farmer) and Stefan (Klaus Grünberg) tripping in Ibiza. DP: Néstor Almendros.

“I had imagined this journey as a quest. I finished my studies in math. I wanted to live. I wanted to burn all the bridges, all the formulas, and if I got burned, that was okay, too. I wanted to be warm. I wanted the sun and I went after it.”

– Stefan