settima

@settima@zirk.us

Lights (Marie Menken, 1966)

Dec

1

National Christmas Lights Day

Lights (1966)

A display of what appear to be red, yellow, green and blue bell-shaped Christmas lights among silhouetted tree branches. DP: Marie Menken.

Christmas lights for National Christmas Lights Day (USA)

 

It took experimental filmmaker Marie Menken three years to shoot Lights. From midnight until 1 AM, she filmed New York's window displays during the holiday season, using her camera, motion, colour, and available light sources as her paintbrush.

“There is no why for my making films. I just liked the twitters of the machine, and since it was an extension of painting for me, I tried it and loved it. In painting I never liked the staid and static, always looked for what would change the source of light and stance, using glitters, glass beads, luminous paint, so the camera was a natural for me to try—but how expensive!”

– Marie Menken, c. 1966

Filming at night helped to avoid unwanted interruptions of people and cars, but turned out to be problematic for her hand-cranked #Bolex, which kept stalling in NYC's icy winter nights.

Em bé Hà Nội [The Little Girl of Hanoi] (Hải Ninh, 1974)

Nov

30

Day of Remembrance for All Victims of Chemical Warfare

Em bé Hà Nội (1974)

The titular little girl walking past a wall covered in bullet holes. DP: The Dan Tran.

War crimes on the Day of Remembrance for All Victims of Chemical Warfare

 

Operation Linebacker II, sometimes euphemistically referred to as the #Christmas bombings, was the outcome of a 1972 agreement between US war criminal and future Nobel Prize winner Henry #Kissinger and Vietnamese general Lê Đức Thọ. During an 11 day period, a staggering 20000 tons of shells were dropped on the cities of Hà Nội [#Hanoi] and Hải Phòng [#Haiphong], killing at least 1624 civilians.

“Peace is at hand.”

– Kissinger in 1972, commenting on Operation Linebacker II

Film as you may know it approaches the #Vietnam war from one of two perspectives. There is your heroic propaganda, reducing the Vietnamese to cruel vermin to be rooted out by brave Americans. That list is endless and I'm tired. Then on the other hand there's levity, song and dance and a swish of sentiment with Hair and the unforgivable Good Morning, Vietnam; the, see it wasn't too bad we brought “them” rock 'n' roll and bubblegum-approach. And only once upon a time there was The Deer Hunter. However none of these see the Vietnamese, regardless of North or South, as people. A backdrop perhaps, as exotic as foliage.

 

Showing what happened on the ground, other than the faith of Phan Thị Kim Phúc or Nguyễn Văn Lém, something beyond the fetishisation of helpless victimhood, is essential to put a face on things. And a voice in people's mouths.

 

Today, I use my voice to proclaim my wordless joy for the end of an era. And will spare it for the harrowing future to come.

Angst vor der Angst [Fear of Fear] (Rainer Werner Fassbinder, 1975)

Nov

29

freebie: Housewife Day

Angst vor der Angst (1975)

Margot (Margit Carstensen) seeing herself reflected twice in a triple mirror. We see her from the back, which blocks out the third reflection. DP: Jürgen Jürges.

November 3 redux

“I'm calm. I'm completely calm. You can leave me alone now”

– Margot

Si muero antes de despertar [If I Should Die Before I Wake] (Carlos Hugo Christensen, 1952)

Nov

28

soup

Si muero antes de despertar (1952)

Lucio (Néstor Zavarce) having dinner with his mother (Blanca del Prado) and strict father. DP: Pablo Tabernero.

La Belle et la Bête [Beauty and the Beast] (Jean Cocteau + René Clément, 1946)

Nov

28

Giving Tuesday

La Belle et la Bête (1946)

The most beautiful flower, a rose, in La Bête's enchanted garden. DP: Henri Alekan.

Someone is given something special for Giving Tuesday (USA)

 

Just before leaving home for a business trip, a father asks his three daughters what he can bring them as a return gift. The eldest two ask for silly, extravagant things. A monkey! A parrot! The youngest simply wishes the most beautiful flower which the father finds in an enchanted garden, guarded by a terrible beast. And will pay for with his life unless he gives his youngest away to the beast, to die in his place.

– Can such miracles really happen? – You and I are living proof.

#Cocteau and Clément's La Belle et la Bête is of course based on Gabrielle-Suzanne Barbot de Villeneuve's fairy-tale, which on its turn was based on the classic myth of Cupid and Psyche.

1999 A.D. (Lee Madden, 1967)

Nov

27

Cyber Monday

1999 A.D. (1967)

Mother Karen (Marj Dusay) taking a break from online food planning by shopping for a new wardrobe for everyone but herself. DP: Vilmos Zsigmond.

Shopping online on Cyber Monday

 

In the soul crushing future of 1999, one heroic nuclear family bravely fulfils their gender-specific duties. While Father Mike works in his computer-aided office, Son Jamie fails at computer homeschool and Mother Karen slavishly shops, cooks, and cleans as if the 70s never happened.

 

Thankfully, the future turned out to be even bleaker.

Picnic at Hanging Rock (Peter Weir, 1975)

Nov

26

Valentine's cake – alfresco

Picnic at Hanging Rock (1975)

A piece of cake. With teeny tiny ants crawling all over it. Awww! DP: Russell Boyd.

“This we do for pleasure, so that we may shortly be at the mercy of venomous snakes and poisonous ants. How foolish can human creatures be.”

– Miss McCraw

Picnic at Hanging Rock (Peter Weir, 1975)

Nov

26

World Lewis Day

Picnic at Hanging Rock (1975)

A koala high up in a tree, observing one of the rescue operations. DP: Russell Boyd.

A koala for World Lewis Day

 

It's not possible to be in nature, one can only be absorbed by it.

“The vicinity is reknowned for its venomous snakes and poisonous ants of various species. It is, however, a geological marvel.”

– Mrs. Appleyard

隠し砦の三悪人 [Kakushi-toride no san-akunin / The Hidden Fortress] (Akira Kurosawa, 1958)

Nov

25

White Ribbon Day

隠し砦の三悪人 (1958)

General Makabe (Toshirō Mifune) facing us with Princess Yuki (Misa Uehara) seemingly standing high above him on the fortress' wall, facing away. DP: Kazuo Yamazaki.

Someone protects a woman on White Ribbon Day

 

“I don't know what to do with her Highness. Say right and she'll go left, say left and she'll go right. And though she is a girl, she has never shown me a tear.”

– old lady-in-waiting

In Kurosawa's 隠し砦の三悪人, a couple of greedy peasants escort a man and woman across enemy lines after the man has promised them a share of the gold they're carrying. Unknowingly, the fools not only protect their bounty, but a general and princess trying to escape an enemy clan so they can rebuild their kingdom. And also unbeknownst to the tricksters, Makabe and Yuki are not as helpless as they may seem.

Weihnacht (Roland Klick, 1963)

Nov

24

Black Friday

Weihnacht (1963)

The miracle of Christmas, as seen in a fancy shop window. A dress shirt is on display among Sputnik-style decorations and an entranced toddler is reflected in a gilded mirror. From across the street, “Woolworth's” in neon text bounces off the window pane. DPs: Jochen Cerhak & Roland Klick.

Holiday shopping on Black Friday (once just the USA, now this pest is everywhere)

 

A little boy takes in the magic of pre-Christmas, while the adults rush and worry about all that must to be bought.