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A Zed & Two Noughts [Z+00 / ZOO] (Peter Greenaway, 1985)
Dec
27
Visit The Zoo Day
A zebra in a cage with the word ZOO in large blue lit capitals in the background. In the background a man. All but the lettering is black-and-white. DP: Sacha Vierny.
“In the land of the legless, the one-legged woman is queen.”
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飼育 [Shiiku / The Catch] (Nagisa Ōshima, 1961)
Dec
26
offerings
An altar with two rotund, smiling stone statues – possibly Jizō, a bowl of rice with chopsticks stuck into it, and a Japanese soldier's photograph. The position of the chopsticks tells us that the soldier has died. DP: Yoshitsugu Tonegawa.
viewРождество обитателей леса (ca 1912)
Various beetles and a grasshopper rejoice around the Christmas tree materialised by Old Man Frost.
December 25: a Santa for #Christmas
Pождество обитателей леса [Rozhdestvo obitateley lesa / The Insects' Christmas] (Wladyslaw Starewicz, ca 1912)
Father Christmas makes a Christmas tree for the people of the forest.
Дед Мороз (Ded Moroz, or Old Man Frost) is the Slavic version of Saint Nicholas or Santa Claus. An ornament depicting the old grey climbs down a child's (or doll's) Christmas tree and sets off to the forest where he plants his magic staff to create a Christmas feast for the woodland animals.
The word “animation” means “a bestowing of life“. Like his ancestor in the arts Bernard Palissy and the ancient winter solstice celebration of the return of light that long ago spawned Christmas, Wladyslaw Starewicz's Insects' Christmas breathes life into real but inanimate beetles, dragonflies, and frogs. The illusion is complete as you effortlessly forget they are painstakingly animated.
From me to you, a little Christmas treat
Director Wladyslaw Starewicz and his daughter Irina (Irene), surrounded by several of his tiny actors. Irina, writer and director in her own right, starred in her father's WW1 short “Liliya Belgii” [“The Lily of Belgium”] (1915).
#Bales2023FilmChallenge #WladyslawStarewicz #Russia #fantasy #animation #ShortFilm #Christmas #holidays #StopMotion #insects #animals #1910s ★★★★☆
#todo
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Празник [Praznik / The Feast] (Đorđe Kadijević, 1967)
Dec
25
Christmas dinner
Soldiers eating bread at a set table. DP: Aleksandar Petković.
viewColloque de chiens (1977)
Monique (Silke Humel, R) spending Christmas Eve in a bar, looking for a way out. She's speaking to an elderly man in an expensive tuxedo. Is this it? DP: Denis Lenoir; still photographer Patrice Morere.
December 24: the night before Christmas (Christmas Eve)
Colloque de chiens (Raúl Ruiz, 1977)
“Nobody knows why Monique, the cold and dry voiced whore, bears in her eyes the sadness and tiredness of her past.”
Filmed during an actors' strike, Raúl Ruiz's Colloque de chiens consists for the most part of still photographs with mixed in stolen moving footage of unsuspecting bystanders and stray dogs. Told in fotonovela format, we follow the pitiful account of Monique, who as a young girl, learns that her mother is not who she thinks she is. Rejected, she throws herself into a life of vice until she meets Henri, a handsome young television repairman. Together they buy a small café, and are happy for once. But the cyclical nature of life determines her faith.
Raúl Ruiz's work is, like Henri's modus operandi, determined by maps and patterns. Even in the short comically melodramatic breathe of Colloque de chiens, the map has been laid out for Ruiz's later, much more complex narrative.
Colloque opens in a barren landscape. There are the skeletal towers of a nearby city, and the endless barks of abandoned dogs. Obscured by tall reeds, a blown-up photograph of a young man. The face, soft and familiar, a distant memory.
“He wanted to be returned to the world of his childhood and to this woman who was perhaps waiting for him” –Chris Marker, dialogue from La Jetée (1962)
Amongst bare winter bushes a large photo of a friendly, young, familiar looking man. In the background against a grey sky multiple white apartment buildings.
#Bales2023FilmChallenge #RaúlRuiz #SilkeHumel #EvaSimonet #RobertDarmel #JorgeArriagada #DenisLenoir #PatriceMorere #drama #crime #melodrama #ShortFilm #photography #animals #gender #prostitution #France #1970s ★★★★☆
#todo
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شكاوى الفلاح الفصيح [El-Fallâh el-fasîh / The Eloquent Peasant] (Chadi Abdel Salam, 1970)
Dec
23
National Farmers Day – India
The peasant (Ahmed Marei) in a stone temple, flanked by scribes. DP: Mustafa Imam.
4000 years ago, Egypt, Middle Kingdom. A peasant, leading his mules past a stream of water, is tricked. With his animals gone, he pleads to the Pharaoh to restore Maʽat, harmony.
“He's a peasant. Without looking into his situation, words are all he has.”
Chadi Abdel Salam is not only this film's director, but also a trained architect, later set and costume designer. His eye wordlessly speaks the passing of time in the smallest of details. The withering of ferns, desert sand staining linen, the Sun merging with skin. At once, the universal presence of the gods becomes visible.
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La baie des anges [Bay of Angels] (Jacques Demy, 1963)
Dec
23
pears
A blonde Moreau at a restaurant table with a man seen from the back. There are several semi-empty wine glasses and pears sliced lengthwise on a plate, covered with a napkin. Jeanne's character Jackie Demaistre is holding a small sheet of paper with a schematic drawing of a roulette wheel while throwing the man a sceptical glance. DP: Jean Rabier.
“We'll go back to Nice tomorrow. The Bay of Angels brings us luck.”
– Jean Fournier
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Mahagonny [Number 18] (Harry Smith, 1980)
Dec
22
राष्ट्रिय गणित दिवस
A kaleidoscopic New York street scene. Mahagonny was “made to be displayed with four separate 16 mm projectors onto a single screen or onto two billiard tables suspended over a boxing ring” (Kevin Arrow, see link below).
Mahagonny is filmmaker, artist, musicologist, and alchemist Harry Smith's mathematical analysis of Marcel Duchamp's masterpiece La mariée mise à nu par ses célibataires, même [The Bride Stripped Bare by Her Bachelors, Even], aka Le Grand Verre [The Large Glass], which was completed in 1923. It is set to Brecht and Weill's opera Aufstieg und Fall der Stadt Mahagonny [Rise and Fall of the City of Mahagonny] from 1930, which was an opera Smith was obsessed with while living in New York's Chelsea Hotel.
“My cinematic excreta is of four varieties:–batiked abstractions made directly on film between 1939 and 1946; optically printed non-objective studies composed around 1950; semi-realistic animated collages made as part of my alchemical labors of 1957 to 1962; and chronologically superimposed photographs of actualities formed since the latter year. All these works have been organized in specific patterns derived from the interlocking beats of the respiration, the heart and the EEG Alpha component and they should be observed together in order, or not at all, for they are valuable works, works that will live forever—they made me gray.”
– Harry Smith, via
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Angel, Angel, Down We Go [Cult of the Damned (Robert Thom, 1969)
Dec
22
A chubby, piggy pink-dressed debutante (Joan Calhoun) flanked by her uppity-class parents (Charles Aidman and Jennifer Jones) in a fancy restaurant. The kid gives her mother the side eye. Other eaters look on in shock. DP: John F. Warren.
“We say hip, hooray,
Hip, hip hooray,
For fat!”
– Barry Mann & Cynthia Weil, The Fat Song
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Sunset Boulevard (Billy Wilder, 1950)
Dec
21
Short Girl Appreciation Day
Norma Desmond (Gloria Swanson) descending an ornate staircase. The size of the set gives you an approximate idea of her height. Even when several steps above him, Swanson's dwarfed by the photographer in the dark suit and glasses. DP: John F. Seitz.
The main character is a “short girl” [I do not agree with the infantilizing wording] on Short Girl Appreciation Day (USA)
“I am big. It's the pictures that got small.”
– Norma Desmond
Also starring, Buster Keaton, who was 5'5” / 1,65 m.
