settima

@settima@zirk.us

Jaanipäev [St. John's Day] (Andres Sööt, 1978)

Nov

5

Bonfire Night

Jaanipäev (1978)

The neatly stacked pyre on jaanipäev with Tallinn's dreary socialist Plattenbau on the horizon. DP: Andres Sööt.

As long as they can remember, jaaniõhtu is when Estonians gather to celebrate midsummer. It started, they'll tell you, 4000 years ago when Kaali appeared. Ever since, come rain or shine, come socialism or capitalism, the people gather and light bonfires in its remembrance. Some sing the songs of the elders, memory willing. Others see this as their moment to shine. As a great musician perhaps. A faithful worker. Or a lover, for jaanipäev; #midsummer night.

“Come, this party is for hard-working people!”

Matinée (Jaime Humberto Hermosillo, 1977)

Nov

4

National Easy Bake Oven Day

Matinée (1977)

Friends Aarón (Rodolfo Chávez Martínez) and Jorge (Armando Martín) having a grownup discussion about the situation. DP: Jorge Stahl Jr..

Two boys skip class to catch a movie – Alexander Mackendrick's thematically similar A High Wind in Jamaica (1965) – and end up as members of a violent gang instead. While Matinée has elements of a typical 70s #ComingOfAge movie, the more fascinating element is the role reversal of the two children and the robbers. As the kids are forced to grow up, fast, the criminals live out their childhood fantasy of never having to listen to anyone ever again. And bicker over comics.

 

Robert Rodriguez stated that the fearsome criminals in his El Mariachi (1992) never outgrew their childhood nicknames. I start to suspect that once upon a time, a little boy named Robertiño skipped class and went to the matinee.

O něčem jiném [Something Different] (Věra Chytilová, 1963)

Nov

3

Housewife Day

O něčem jiném (1963)

Věra (Věra Chytilová) looks out of a window. Everything is grey. DP: Jan Čuřík.

A housewife for (National) Housewife Day (USA)

 

In Věra Chytilová's O něčem jiném, parallel storylines, one filmed as a documentary the other as a fictional drama, of two women are shown.

“So where do we go from here?”

– Eva

Olympic gymnast Eva (Eva Bosáková) undergoes a gruelling training regime. Housewife Věra (Věra Uzelacová) feels neglected by her husband. Both ruminate on a different life.

Fall 2 (Bas Jan Ader, 1970)

Nov

2

Look for Circles Day

Fall 2 (1970)

Ader plunging into an Amsterdam canal. A bridge and its reflection in the water form an imperfect circle (source).

“All is falling”

– Bas Jan Ader

Mondo Hollywood: Hollywood Laid Bare! [Mondo Hollywood] (Robert Carl Cohen, 1967)

Nov

1

World Vegan Day

Mondo Hollywood: Hollywood Laid Bare! (1967)

Lobby card. Proto-hippie Gypsy Boots (Robert Bootzin), here going ape over a banana, outshocks polite society with his vegan (or is this vegetarian?) mindset. In the background what appears to be a bed of nails. DP: Robert Carl Cohen.

Opens with Nature Boy and #garlic propagandist Gypsy Boots.

瘋癲老人日記 [Fūten rōjin nikki / Diary of a Mad Old Man] (Keigo Kimura, 1962)

Oct

29

World Stroke Day

瘋癲老人日記 (1962)

Utsugi (Sō Yamamura) lusting after his daughter-in-law Sachiko's (Ayako Wakao) feet while she takes a shower. DP: Nobuo Munekawa.

みな殺しの霊歌 [Minagoroshi no reika / I, the Executioner] (Tai Katō, 1968)

Oct

26

みな殺しの霊歌 (1968)

A claustrophobically framed black-and-white shot of a man (Makoto Satō) handling chopsticks close to his face. DP: Keiji Maruyama.

X the Unknown (Leslie Norman + Joseph Losey, 1956)

Oct

24

scoff

X the Unknown (1956)

Two soldiers on nightshift ready to eat. One of them hands a mess tin with grub to the other when there's a sound. DP: Gerald Gibbs.

– What's that? – Tea.

Hellzapoppin' (H.C. Potter, 1941)

Oct

24

National Crazy Day

Hellzapoppin' (1941)

Olsen and Johnson break all the walls. DP: Elwood Bredell.

“Any resemblance between HELLZAPOPPIN’ and a motion picture is purely coincidental”

– tagline

Die schwarze Spinne [The Black Spider] (Mark M. Rissi, 1983)

Oct

20

Die schwarze Spinne (1983)

Christine (Beatrice Kessler) and her junkie friends eating the old man's food. DP: Edwin Horak.

“Nur ein leichtfertig Knechtlein, dem es gleichgültig war, regne oder sonnenscheine es in der Ernte, wenn nur das Jahr umging und der Lohn kam und zu jeder Essenszeit das Essen auf den Tisch, griff zum Löffel und berichtete Christine, daß noch keine Buche gepflanzet sei und alles gehe, als ob sie verhext wären.”

– Jeremias Gotthelf, Die schwarze Spinne (1842)