settima

1970s

Sebastiane (Paul Humfress + Derek Jarman, 1976)

Feb

18

Pluto Day

Sebastiane (1976)

Sebastian (Leonardo Treviglio) sits on a rock in a barren landscape. Two men in the distance, and a sheep, all have their backs turned to him. DP: Peter Middleton.

Someone is snubbed or rejected on Pluto [Discovery] Day*.

“His body is golden like molten gold. This hand of his… will smooth away these wounds. Justin, he is as beautiful as the sun. This sun which caresses me… is his burning desire. He is Phoebus Apollo. The sun… is his… burning kiss.”

– Sebastian

Sebastian, member of the Emperor's personal guard, is exiled after an incident. He finds himself on a rocky outpost, and the object of the other men's lust. One of them – a centurion rejected by the Christian boy – subjects Sebastian to torture and eventually lifts him up martyrdom.

 

* Pluto Demoted Day is on August 24

Le charme discret de la bourgeoisie [The Discreet Charm of the Bourgeoisie] (Luis Buñuel, 1972)

Feb

16

No One Eats Alone Day

Le charme discret de la bourgeoisie (1972)

The diners at a long table. DP: Edmond Richard.

People eat dinner together on No One Eats Alone Day*

“My God. What am I doing in this place?”

– Henri Sénéchal

The bourgeoisie meet for dinner in various settings, but never consume.

 

* this event takes place on the Friday of the second full week in February, which makes the 2025 date February 14.

Picnic at Hanging Rock (Peter Weir, 1975)

Feb

14

Valentine's Day

Picnic at Hanging Rock (1975)

A delicate, pink frosted Valentine's cake topped with a yellow marzipan rose. The cake, which bears the words St. Valentine in crude writing, has a deep straight cut right through the middle and a scorched dark spot on its side. On the right a rusty knife. DP: Russell Boyd.

“On Saturday 14th February 1900, a party of schoolgirls from Appleyard College picnicked at Hanging Rock near Mt. Macedon in the state of Victoria. During the afternoon, several members of the party disappeared without trace.”

Amerikai anzix [American Torso] (Gábor Bódy, 1975)

Feb

12

Lincoln born

Amerikai anzix (1975)

A soldier on a swing set, high up a tree. Other soldiers and civilians look on. Screenshot (and more information) via. DP: István Lugossy.

Yet another [American] Civil War, for Abraham Lincoln's birthday (1809).

 

Shot as fainted fragments* based on an Ambrose Bierce story, and outtakes from Karl Marx's diary, Amerikai anzix (litt. American Postcards) follows Hungarian-American cartographer Fiala, one of many of his countrymen fighting in the American Civil War.

 

*Using a technique described by Bódy as “light editing”, the footage looks worn and grimy.

3 Women (Robert Altman, 1977)

Feb

7

1970

3 Women (1977)

Millie Lammoreaux's Social Security card, issued on February 7, 1970. DP: Charles Rosher Jr.

“Got a lot to write about today. You.”

– Millie Lammoreaux

L'udienza [The Audience] (Marco Ferreri, 1972)

Feb

2

L'udienza (1972)

Aiche (Claudia Cardinale) washing Principe Donati's (Vittorio Gassman) feet. DP: Mario Vulpiani.

Little Malcolm and His Struggle Against the Eunuchs (Stuart Cooper, 1974)

Scrawdyke

2

Little Malcolm and His Struggle Against the Eunuchs (1974)

Malcolm Scrawdyke (John Hurt), disgruntled art student. DP: John Alcott.

“So, this month becomes the month of Scrawdyke.”

– Malcolm Scrawdyke

Die bitteren Tränen der Petra von Kant [The Bitter Tears of Petra von Kant] (Rainer Werner Fassbinder, 1972)

Jan

31

freebie: high fashion

Die bitteren Tränen der Petra von Kant (1972)

Fashion designer Petra von Kant (Margit Carstensen) – pouting in her emerald-green dress – is kneeled on a large, sheepskin carpet in front of a huge Baroque painting (Nicolas Poussin's Midas und Bacchus, ca. 1624). In front of her a small bottle of gin and a phone. DP: Michael Ballhaus.

A freebie for someone's birthday, with bonus points for high fashion. Petra von Kant is a fashion designer who, during a particularly icy birthday party, tells the world that her new lover is a woman. Then, one day, said lover returns home to her husband.

– You have a good figure. You could use it to your advantage. Get in touch with me some time. – I'd love to.

With its exuberant costumes and set design, a Greek chorus of mannequins, and Sirk-ish larger- than-life melodrama, Fassbinder's Die bitteren Tränen der Petra von Kant delves deep into the absurdities of love and fancy.

Beaubourg, centre d'art et de culture Georges Pompidou [Beaubourg] (Roberto Rossellini, 1977)

Jan

31

1977

Beaubourg, centre d'art et de culture Georges Pompidou (1977)

Rossellini on site. DPs: Néstor Almendros, Jean Chiabaut & Emmanuel Machuel.

Případ pro začínajícího kata [Case for a Rookie Hangman] (Pavel Juráček, 1970)

Jan

30

doors

Případ pro začínajícího kata (1970)

In a completely dark room, a large silhouette of a man can be seen rushing through a brightly lit doorway. Other, impossible doors at odd heights show several people observing the man. Still via DVDBeaver. DP: Jan Kališ.

A gateway or door for Janus, god of beginnings, gates, transitions, time, duality, doorways, passages, frames, and ending

 

A man named Gulliver (Lubomír Kostelka) accidentally runs over a rabbit, who is dressed to the nines and carries a pocket watch. Slowly, the man finds himself in a sort of Wonderland.