settima

Bales2025FilmChallenge

Adieu Philippine [Farewell, Philippine] (Jacques Rozier, 1962)

Feb

11

friendship

Adieu Philippine (1962)

Juliette and Liliane (Stefania Sabatini and Yveline Céry) walk along a promenade in a beautiful, vérité tracking shot. DP: René Mathelin.

A film about friendship for Jennifer Anniston's birthday (1969).

 

1960. Michel is due to leave for Algeria to serve in the Algerian War. Juliette and Liliane are best friends as inseparable as “Filipino almonds”(?). When they meet, the girls decide to join Michel on his final vacation, on Corsica.

Ole dole doff [Eeny Meeny Miny Moe / Who Saw Him Die?] (Jan Troell, 1968)

Feb

10

Scholastica

Ole dole doff (1968)

A reaction shot shows the pupils' faces. While the girls show some sort of remorse, the boys are deadpan. DP: Jan Troell .

A film about teaching on the day of Saint Scholastica, patron saint of Benedictine nuns, education, and convulsive children.

 

Companion piece to Vilgot Sjöman's 491 (1964). An anti-authoritarian teacher who is plagued by nightmares, slowly unravels.

L'oro di Napoli [The Gold of Naples] (Vittorio De Sica, 1954)

Feb

9

National Pizza Day

L'oro di Napoli (1954)

Sophia Loren as herself, handing out fresh pizza fritta at Cucina del Toro to promote L'oro di Napoli (part of this description comes from Pinterest; I have no guarantee it is correct). DP of the movie: Carlo Montuori.

Someone eats pizza on National Pizza Day (USA)

 

In the segment Pizze a credito (“Pizza on credit”), unfaithful pizza baker Sofia (Sophia Loren) loses her wedding band in the dough, then accidentally deep-fries it into a pizza fritta Napoletana.

“Buon giorno, donna Sofia! Dateme 'na pizza! Cominciamo la giornata di…”

– pizza customer

As you may know, Sophia Loren wrote several cookbooks in her life and of course, there's a recipe for pizza. This one is Pizza Alla Napoletana and it goes like this: recipe.

Lord of the Flies (Peter Brook, 1963)

Feb

8

Boy Scouts of America

Lord of the Flies (1963)

Using Piggy's glasses, the boys light their first signal fire. DP: Tom Hollyman.

Someone prepares something for the founding of the Boy Scouts of America on February 8, 1910.

“His specs — use them as burning glasses!”

William Golding, Lord of the Flies (1954)

The boys collectively gather firewood to light a beacon, then come up with the idea to light the fire with the help of one of the kid's glasses.

La notte [The Night] (Michelangelo Antonioni, 1961)

Feb

7

Falò delle vanità – 1497

La notte (1961)

Author Giovanni Pontano (Marcello Mastroianni) pondering next to a full bookcase. DP: Gianni Di Venanzo.

Books, or art, in commemoration of Savonarola's 1497 Florentine falò delle vanità (bonfire of the vanities).

“I used to spend afternoons reading in bed. Tommaso would call and find me there. He could have kissed me. I wouldn't have resisted, out of boredom. But he was satisfied to watch me as I read. All those purposeless books.”

– Lidia

A lavish #CocktailParty in celebration of the launch of a novel is bookended by tragedy, in the loss of a befriended writer and the unraveling of another writer and his wife's marriage.

Тіні забутих предків [Shadows of Forgotten Ancestors] (Sergei Parajanov, 1965)

Feb

6

St. Dorothea of Caesarea

Тіні забутих предків (1965)

The childhood lovers to be newlyweds. During the wedding ceremony, the bride suddenly breaks out in smile. DPs: Yuri Ilyenko & Viktor Bestayev.

A wedding on the day of Dorothea of Caesarea, patron saint of horticulture, brewers, brides, florists, gardeners, midwives, newlyweds, and love.

Madam Satan (Cecil B. DeMille, 1930)

Feb

4

Charles Lindbergh's born

Madam Satan (1930)

You're cordially invited to Mr. James Wade's “Masquerade”, aboard the Zeppelin – CB – P – 55. Do wear a mask. DP: Harold Rosson.

A movie about aviation for that eugenicist Charles Lindbergh's birthday.

“I don't want your husband. I want a parachute!”

– Trixie

Homunculus, 4. Teil – Die Rache des Homunculus (Otto Rippert, 1917)

Feb

3

finance

Homunculus, 4. Teil - Die Rache des Homunculus (1917)

Richard Ortmann, the homunculus (Olaf Fønss). DP: Carl Hoffmann.

A film about finance because “the Commonwealth of Massachusetts issues the first paper money on February 3, 1690”. The oldest surviving paper bill in what is now the United States bears the date February 3, 1690. The first documented paper money was issued during the Tang and Song dynasties in China, starting in the vulgar year 618. Who would have thought those new colonies were not the center of world history… sigh…

 

In the fourth instalment of the Homunculus saga, the artificial man callously heads the nation's financial powerhouse while secretly goading the workers in revolt against the ruling class. Soulless and unable to love, he aims for the annihilation of mankind.

 

Some claim that Die Rache des Homunculus, “The Wrath of the Homunculus”, foreshadows Hitler. I say, beware of businessmen enthralling the working classes.

America America (Elia Kazan, 1963)

Feb

2

New Amsterdam

America America (1963)

Stavros (Stathis Giallelis) and other passengers on the ship. Their faces are reflected in a glass pane, showing dozens waiting at what appears to be Ellis Island. DP: Haskell Wexler.

A film about New York to commemorate the incorporation of New Amsterdam. The official Bales' rule states the year 1624, but that is the year of settlement, and even that is one year off. To cut a long story short, New Amsterdam was incorporated as a city on February 2, 1653.

“My name is Elia Kazan. I am a Greek by blood, a Turk by birth and an American because my uncle made a journey.”

– Elia Kazan, voice-over

America America tells the story of director Kazan's grandfather through the life of the Greek Stavros Topouzoglou (Stathis Giallelis), who was adamant to start anew, in New York.

Symbiopsychotaxiplasm: Take One (William Greaves, 1968)

Feb

1

Filmmaking

Symbiopsychotaxiplasm: Take One (1968)

Don Fellows – testing as “Freddy” – and Patricia Ree Gilbert – testing as “Alice” –, the director (William Greaves), and a camera assistant holding up a light meter. Everyone is eyeing everyone and it's not clear who is playing what part. DPs: Stevan Larner & Terence Macartney-Filgate.

A film about filmmaking, or Hollywood, to celebrate the opening of Edison's Black Maria in 1893.

“You and I are going to be filming the actors. The two of us, see, are going to be filming the actors – continuously – and you will be filming me and the actors. I'm going to be filming the actors and Terry is going to be in charge of filming the whole thing. You see?”

– William Greaves – Director

During a screentest for a documentary in a documentary in a film, director William Greaves attempts to cast the leads for his upcoming piece Over the Cliff, while a documentary crew records their progress.