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Nuits rouges [L'homme sans visage / Shadowman] (Georges Franju, 1974)
Sep
6
A faceless man in black wearing a red balaclava (Jacques Champreux) holds his right wrist, which is bleeding profusely. DP: Guido Bertoni.
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Pickpocket (Robert Bresson, 1959)
Sep
6
Sun
The newspaper of Sunday, September 6, announcing a derby. DP: Léonce-Henri Burel.
“The pickings were poor and not worth the risk.”
– Michel
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Le vampire de Düsseldorf [The Vampire of Dusseldorf] (Robert Hossein, 1965)
Sep
5
Robert Hossein as Peter Kuerten [sic]. DP: Alain Levent.
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La horse [Horse] (Pierre Granier-Deferre, 1970)
Aug
23
baguette
Auguste Maroilleur (Jean Gabin) at the head of a long table, covered in Good Things (wine, butter, coffee, and fresh milk). He cuts a baguette with his pocketknife. DP: Walter Wottitz.
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Simone Barbès ou la vertu (Marie-Claude Treilhou, 1980)
Jun
19
pâté
Two female porn theatre ushers (Ingrid Bourgoin and Martine Simonet) looking bored. They sit under two large eye-shaped neon lights. Between them a small table with various half-consumed items, including part of a baguette with pâté. DP: Jean-Yves Escoffier.
– Ah, regarde, c'est Tati !
– Tati qui?
– Tati, comme Mon Oncle.
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Plein soleil [Purple Noon] (René Clément, 1960)
Jun
15
croissants
Tom Ripley (Alain Delon) going though his passport over breakfast. Multiple passport photos, a fountain pen, and a magnifying glass take precedence over his fresh croissants. DP: Henri Decaë.
“Why bother having money when you can spend other people's?”
– Philippe Greenleaf
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Série noire (Alain Corneau, 1979)
Apr
9
canned pilchards
Franck Poupart (Patrick Dewaere) about to dig into a can of pilchards. A pile of French women's magazine “marie claire” is next to him on an otherwise bare coffee table. DP: Pierre-William Glenn.
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Io la conoscevo bene [I Knew Her Well] (Antonio Pietrangeli, 1965)
Apr
2
cocktails
A lone Roberto (Enrico Maria Salerno) at a lively cocktail party in Rome's hypermodern EUR district. DP: Armando Nannuzzi.
“Trouble is, she likes everything. She's always happy. She desires nothing, envies no one, is curious about nothing. You can't surprise her. She doesn't notice the humiliations, though they happen to her every day. It all rolls off her back like some waterproof material. Zero ambition. No moral code. Not even a whore's love of money.”
– the writer
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Max et les ferrailleurs [Max and the Junkmen] (Claude Sautet, 1971)
Mar
16
Lily (Schneider) and Max (Piccoli) at a small table decked with good food, good wine, and quite a few wads of cash. DP: René Mathelin.
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Pickpocket (Robert Bresson, 1959)
Mar
12
Michel (Martin LaSalle) in a busy café, observing. An emptied water glass next to the thief should make him look like a paying guest. DP: Léonce-Henri Burel.
“Can we not admit that certain skilled men, gifted with intelligence, talent or even genius, and thus indispensable to society, rather than stagnate, should be free to disobey laws in certain cases?”
– Michel
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