– What's that? – Tea.

“Information is like a bank. Some of us are rich. Some of us are poor, with information. All of us can be rich. Our job, your job, is to rob the bank. To kill the guard. To go out there to destroy everybody who keeps, and hides, the whole information. Simple. Special. Information. Power.”

– The High Priest

Arnold Laven's The Monster That Challenged the World is one of the earliest, if not thé earliest, example of this peculiar movie and television trope: the coroner's lunch break.

– You boys care for a sandwich? Got tuna fish and minced ham on rye.

– No, thanks.

– It's nice and cold.

Having some cold cuts over some cold cuts never gets old. Or appetising.

A little boy and his dog are invited over by the Man in the Moon himself. The trip to the Moon is a big adventure for the drowsy duo and they meet peculiar flora, fauna and men along the way, lifted straight from the Great Moon Hoax.

“You and I may dream of gold or grocery bills — but when a child slaps Morpheus on the back and says 'Hello, old man' — well it's a different story.”

– opening title card

Post-McCay's serial Little Nemo in Slumberland (1905) and pre-Fleming & Cukor's The Wizard of Oz (1939), William A. O'Connor is heavily indebted to both. Which doesn't make his short Art Deco-styled science fiction fantasy any less magical.

Both anticapitalist and pre-Stanley space odyssey. Based on Stanislaw Lem's Obłok Magellana [The Magellanic Cloud] (1955).

“Yes, I'm afraid of death… but for a humble secret agent that's a fact of life, like whisky. And I've drunk that all my life.”

– Lemmy Caution

Science fiction, of course, doesn't have to be driven by grandes effects, by superstar names and monumental backdrops. It can be cool, dry, colourless even. The hero, in trenchcoat and fedora, traverses a lightless city. There are few others at this time of night. The familiar landmarks of the City of Light become the voice of 𝛼-60, an artificial intelligence that presides over Alphaville.

𝛼-60: “Do you know what illuminates the night?”

Lemmy Caution: “Poetry.”

– 𝛼-60 playing the imitation game with Lemmy Caution

Based on a poem by Paul Éluard, #Godard's Alphaville bears similarities with Jean #Cocteau's Orphée (1950), transported to a mirror world of sorts. It also foreshadows not only our time, but also M. Hulot's, whose #Tativille could be the simulacra of 𝛼-60's simulated, dehumanised world.