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สัตว์วิกาล [Sud Vikal / Vampire] (Apichatpong Weerasethakul, 2008)
Mar
2
Dr. Seuss' birthday
Applying blood to attract the Nok Phii. It's cold. DP: Chaisiri Jiwarangsan.
Imaginary animals or food for Theodor “Dr.” Seuss Geisel's birthday (1904).
“I like the settings where the lights and desire cross path. The desire to communicate with the invisibles in the darkness, or in memory, or in the future. It's always related to cinema and we as insects that are drawn to lights.”
– Apichatpong Weerasethakul, via
Villagers in the north of Thailand reported a rare sighting of a male and female Nok Phii, an elusive species of bird that feeds on animals' blood. It is unknown if the sighting was reliable, and if this vampire does, or ever did, exist.
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Even: As You and I (Roger Barlow, Harry Hay + LeRoy Robbins, 1937)
Feb
27
A film editor struggling with a long strip of celluloid. DP: Hy Hirsh.
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憂國 [Yūkoku / Patriotism or the Rite of Love and Death] (Yukio Mishima, 1966)
Feb
26
1936
Reiko (Yoshiko Tsuruoka) walking through her lover's blood, her kimono drenched. DP: Kimio Watanabe.
Covers February 26–28, 1936.
”'I know how you feel,' Reiko says quietly. 'And I will follow you wherever you go.'”
– intertitles
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Have I Told You Lately That I Love You? (Stuart Hamisch, 1958)
Feb
24
technology
Straight after dinner, the child returns to his teevee while his mother stands silently in the doorway.
A film about technology on what would've been Steve Jobs' 70th birthday
“The most precious thing that we all have with us, is time.”
– Steve Jobs
A nuclear family goes about their machine-driven day while slowly forgetting to communicate.
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Unsere Afrikareise [Our Trip to Africa] (Peter Kubelka, 1966)
Feb
22
National Wildlife Day
Wild animals for this year's first National Wildlife Day (USA). A second one is on September 4.
“For me, Afrikareise is, in its own genre, the most intense sound film that exists. Sound and images are in synch like in nature (even if it isn’t about the natural sound of something). The sound becomes the acoustic portrait of the visual action.”
– Peter Kubelka, via
Commissioned to film a rich Austrian couple's hunting trip, Kubelka sat on the material for several years before editing it in something more than the sum of its parts.
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War Machine (Duvet Brothers, 1984)
Jan
21
the passing of Orwell
A repurposed TV still of a battle ship billowing thick black smoke with the text WAR MACHINE superimposed over it.
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All My Life (Bruce Baillie, 1966)
Jan
18
roses
Roses for the end of the Wars of the Roses (note: January 18 is when Henry VII married Elizabeth of York in 1486; the wars would continue until June 16 the following year).
“All my life, hold me close to your heart
But all else above
Hold my love, darling, just hold my love”
– Ella Fitzgerald, All My Life (Sidney D. Mitchell & Sammy Stept), 1936
In one continuous shot, the camera tracks a fence and rose bushes while Ella Fitzgerald's 1936 debut song All My Life is playing.
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Egged On (Charles R. Bowers, Harold L. Muller + Ted Sears, 1926)
Jan
17
inventions
An invention for Benjamin Franklin's birthday. Inventor Charley (Charles R. Bowers) comes up with an ingenious method to make eggs break-proof for transport by rubberizing them.
“… as we enjoy great advantages from the inventions of others, we should be glad of an opportunity to serve others by any invention of ours; and this we should do freely and generously.”
– Benjamin Franklin in his autobiography
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Escrime [Fencing] (Étienne-Jules Marey, 1890)
Jan
4
revolvers
A revolver to commemorate Samuel Colt's sale of 1 000 revolvers to butcher Captain Samuel Walker in 1847.
“Art and science encounter each other when they seek exactitude.”
– Étienne-Jules Marey
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À propos de Nice – point de vue documenté [À propos de Nice] (Boris Kaufman + Jean Vigo, 1930)
Jan
1
New Year's Day
Exuberant prostitutes, Jean Vigo (5th from the left), and some who appear to be men in drag, dance on a landing with confetti all around them. In the moving footage they can be seen high-kicking with increased vulgarity, the camera posed below them. DP: Boris Kaufman.
Confetti for New Year's Day.
“In this film, by showing certain basic aspects of a city, a way of life is put on trial… the last gasps of a society so lost in its escapism that it sickens you and makes you sympathetic to a revolutionary solution.”