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The Incredible Shrinking Man (Jack Arnold, 1957)
Mar
5
National Scott Day
Scott Carey (Grant Williams) standing in a palm of someone's hand, his arms outstretched as if pleading. DP: Ellis W. Carter.
Despite its sensationalist pulpy title and #ColdWar premise, Jack Arnold's adaptation of the Richard Matheson's The Shrinking Man (1956) is an existentialist treatise.
“A strange calm possessed me. I thought more clearly than I had ever thought before – as if my mind were bathed in a brilliant light.”
– Scott Carey
The Incredible Shrinking Man plays with the understanding of what it means to be acknowledged as a human, and one's place in the world. The story is told through the eyes of the titular Shrinking Man – Scott Carey – who after being exposed to strange fog, finds himself increasingly lost in this world.
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Malá morská víla [The Little Mermaid] (Karel Kachyňa, 1976)
Mar
3
National Dress In Blue Day
The little mermaid (Miroslava Safránková) in her wonderful sea-blue dress, puts a coral-red rose in her blue hair. DP: Jaroslav Kučera.
Miroslava Safránková plays Hans Christian Andersen's doomed little mermaid – Malá morská víla in Czech – who falls in love with a mortal and gives up her beautiful voice to be with him. Sadly, the mortal, a prince, doesn't recognize his mute saviour and doesn't return his love.
“The other day I got caught in some fishermen's net. Of course, I had to drown them. I couldn't allow them to touch me, could I?”
– the little mermaid
The wonderful soundtrack is by Zdeněk Liška who also composed music for Ikarie XB 1 (Jindřich Polák, 1963) and Spalovač mrtvol (Juraj Herz, 1969).
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Het Leesplankje [The Reading Lesson] (Johan van der Keuken, 1973)
Mar
2
National Read Across America Day
Reading board tiles laid out on a newspaper. Half a headline – 7.000 ARRESTANTEN (“7000 DETAINEES”) – can be read. A photograph of a shellshocked, very young soldier in front of a fleeing crowd illustrates the article. DP: Johan van der Keuken.
Amsterdam schoolchildren recite the words from a reading board while the traditional teaching method's pictures are interspersed with news photos of then-current events and children's drawings.
“Aaaaap”
“Nooot”
“Miiieees”
This short, and life, is haunting and violent; schools should be safe for all. Even if only to escape in a book.
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Transition de phase dans les cristaux liquides [Liquid Crystals] (Jean Painlevé, 1978)
Feb
28
National Science Day – India
A scene that foreshadows computer-generated imagery. DP: Jean Painlevé.
Filmmaker, photographer and honorary surrealist Jean Painlevé made science films that verge on experimental art cinema. With custom-built camera setups, he explored the world above and below the water surface, and with that exposed human traits.
It's almost impossible to select one film from a filmography as vast as #Painlevé's. In honour of C.V. #Raman, lets go with his Transition de phase dans les cristaux liquides.
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Dirty Little Billy (Stan Dragoti, 1972)
Feb
25
National Billy Day
Michael J. Pollard as Billy the Kid. He looks rather unwashed. DP: Ralph Woolsey.
– All right, Billy. All right. You still haven't answered my question. What do you want to do?
– Nothin'.
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American Dreams: Lost and Found (James Benning, 1984)
Feb
24
National Trading Card Day
A Hank Aaron trading card from director James Benning's personal collection. Below it a scrolling text quoting from Arthur Bremer's diary.
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The Whole Shootin' Match (Eagle Pennell, 1978)
Feb
23
Diesel Engine Day
Frank (Sonny Carl Davis) and Loyd (Lou Perryman) attempt to fix the diesel motor that keeps their polyurethane business afloat. DP: Eagle Pennell.
“Now this is a real good one Loyd, you want me to get in a business I can't even pronounce the name of? Poly-whatcha-doodle-all-day?”
– Frank
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The Queen of Spades (Thorold Dickinson, 1949)
Feb
22
Play More Cards Day
Someone's playing cards.
“Why, you might end up by gaining a fortune… or losing your precious soul.”
– bookseller
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I fidanzati [The Fiancés / The Engagement] (Ermanno Olmi, 1963)
Feb
21
Brazilian Carnival
Revellers at the Sicilian carnival parade with confetti all around them. Centred Giovanni (Carlo Cabrini), eyes shut. DP: Lamberto Caimi.
A carnival-like parade.
“Do you still go dancing at night? I've stopped going. There are no dance halls here. But that's not the only reason. I was used to dancing with you. I'm not comfortable with other girls.”
– Giovanni in a letter to Liliana