settima

comedy

Mon oncle (Jacques Tati, 1958) / Koolhaas Houselife (Ila Bêka + Louise Lemoine, 2008)

Aug

29

grey

Mon oncle (1958)
Koolhaas Houselife (2008)

A delivery man in front of the gates of Villa Arpel (via), and custodian Guadalupe Acedo working the lift in Maison à Bordeaux. DP of Mon Oncle: Jean Bourgoin.

[A favourite] colour: grey*

 

Approaching the 60s, Mr Hulot finally switches from black-and-white to colour. Suddenly, we see that his suit is a beigeish grey and so is the Arpels' house, that modernist masterpiece designed by Tati. The beloved luddite struggles with hypermodern people and their hypermodern constructs, much alike the future Hulot from Playtime (1967).

– A house like yours must be such a job! – Oh, a leaf! Ah, yes it's a chore. – Admit it, you love it.

In similar absurd fashion, Guadalupe Acedo, cleaning lady, works her way through Rem Koolhaas' Maison à Bordeaux (1998) in Bêka and Lemoine's Koolhaas Houselife (2008). Too steep are the stairs, too leaky everything else. Levelheaded, she does her thing; a small beacon of romantic practicality in a world of absurd efficiency.

 

Il sorpasso [The Easy Life] (Dino Risi, 1962)

Jul

26

a boys' night out

Il sorpasso (1962)

Bruno (Gassman) and Roberto (Trintignant) driving along Italy in their sports car (via). DP: Alfio Contini.

A boys' night out: men having fun on their own*

“Bruno, I've spent the best two days of my life with you… I mean it!”

– Roberto Mariani

Serious law student Roberto (Jean-Louis Trintignant) goes on an accidental road trip with bon vivant Bruno (Vittorio Gassman).

 

Sedmikrásky [Daisies] (Věra Chytilová, 1966)

Jul

25

a girls' night out

Sedmikrásky (1966)

Marie I and Marie II (Jitka Cerhová and Ivana Karbanová respectively) having a heck of a time. DP: Jaroslav Kučera.

A girls' night out: women having fun on their own[???]*

Marie II: “But I'm happy.” Marie I: “I'm so happy, too.”

Two young women called Marie pull destructive, anarchist pranks.

 

簪​ [Kanzashi / Ornamental Hairpin] (Hiroshi Shimizu, 1941)

Jul

24

relaxation

簪 (1941)

Men relaxing at a roten-buro, an outdoor onsen. DP: Suketarō Inokai.

Someone goes to a spa, beach, or retreat*

“There’s something almost poetic about finding a hairpin in the bath. It’s like the sole of my foot has been pierced by poetry.”

– Nanmura, via

Relaxing at an onsen, a young man steps on the titular kanzashi. Now injured with too much time on his hands, he and his fellow nosy patrons start speculating about its owner. Then a telegram announces her arrival.

 

Il boom [The Boom] (Vittorio De Sica, 1963)

Jul

13

espresso

Il boom (1963)

A glum looking man holds a teeny espresso cup-and-saucer. DP: Armando Nannuzzi.

 

L'ingorgo [Traffic Jam] (Luigi Comencini, 1979)

Jul

12

L'ingorgo (1979)

Two middle-aged men in a car, each very much enjoying a small meal. We see them through the windshield with behind them numerous other cars stuck in traffic. DP: Ennio Guarnieri.

 

Les vacances de Monsieur Hulot [Monsieur Hulot's Holiday] (Jacques Tati, 1953)

Jul

7

Les vacances de Monsieur Hulot (1953)

Mr Hulot's view from his hotel room. DPs: Jacques Mercanton & Jean Mousselle.

A film with people at, or taking place in, a hotel*

“Mr. Hulot is off for a week by the sea. Take a seat behind his camera, and you can spend it with him. Don't look for a plot, for a holiday is meant purely for fun, and if you look for it, you will find more fun in ordinary life than in fiction.”

– opening lines

Located in the real-world Hôtel de la Plage in Saint-Marc-sur-Mer, Mr Hulot lovingly bumbles his way into your heart.

 

Poslední trik pana Schwarcewalldea a pana Edgara [The Last Trick of Mr. Schwarcewallde and Mr. Edgar] (Jan Švankmajer, 1964)

Jun

26

National Handshake Day

Poslední trik pana Schwarcewalldea a pana Edgara (1964)

Mr Schwarcewallde and Mr Edgar on stage. Both are puppeteers in Edwardian costumes and oversized papier-mâché heads. DP: Svatopluk Malý.

Characters shake hands on National Handshake Day (USA)

 

Two illusionists compete with increasingly incredible tricks, sealed with a hefty handshake.

Nosferato no Brasil [Nosferato in Brazil] (Ivan Cardoso, 1970)

Jun

21

International Surfing Day

Nosferato no Brasil (1970)

Nosferatu enjoys the breeze and fresh coconut water on the beaches of Rio. I could've posted a still of the surfers here but that would have been boring.

Someone surfing or skateboarding for either International Surfing Day or Go Skateboarding Day

 

José Mojica Marins' protégé Ivan Cardoso dabbled in short form horror movies. This one features a young hippie vampire who, after being defeated in beachy black-and-white Prague, hikes a ride to Super 8 Brazil. Can't help but notice a bit of (Charlie) Mansonsploitation going on, but that may be just me.

ビリィ★ザ★キッドの新しい夜明け [Birī za kiddo no atarashii yoake / The New Morning of Billy the Kid] (Naoto Yamakawa, 1986)

May

31

National Utah Day

Birī za kiddo no atarashii yoake (1986)

Director Naoto Yamakawa directing Billy the Kid (Hiroshi Mikami) on site in Utah (via) DP: Kenji Takama.

An actor, director or character from Utah – National Utah Day (USA)

 

Billy the Kid steps out of a huge poster of Monument Valley right into a Tokyo bar and becomes its bar keeper. Together with a samurai, a WW2 G.I, Marx-Engels (not a typo), the Japanese weather service number 177 and others, he keeps the tavern safe from various thugs roaming the streets.