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Taxi zum Klo (Frank Ripploh, 1980)
Sep
2
Christa McAuliffe 1948 – 1986
Frank (Frank Ripploh) teaching kids about the human body on an anatomy dummy. DP: Horst Schier.
A teacher for what would have been Christa McAuliffe's birthday.
“Ich mag Männer, bin 30 Jahre alt, von Beruf Lehrer.”
– Frank Ripploh
Frank Ripploh is a sexual ethics and biology teacher by day, and hedonistic gay man and aspiring pornographer by night. When Frank Ripploh, the man, publicly came out in 1978 in the tabloid Stern, he lost his teaching job and did become that filmmaker. Taxi zum Klo – litt. taxi to the john/loo – is his story. A frank pre-AIDS pre-Internet pre-victimhood depiction of male gay culture in West Germany. Maybe raw, possibly misogynist, definitely true to life.
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Happy End (Oldřich Lipský, 1967)
Sep
1
1889
Butcher Bedřich Frydrych (Oldřich Lipský), born September 1, 1889 in Trumberk. DP: Vladimír Novotný.
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Mon oncle (Jacques Tati, 1958)
Aug
29
Mr Hulot and three women enjoy an outdoor lunch in Villa Arpel's concrete backyard. A woman in furs laughs heartily, head thrown back, with Hulot looking into her open mouth, halting a woman reaching for a carafe mid-movement. The third woman, in an avant-garde Eastmancolor-red poncho, calmly smokes through her cigarette holder. DP: Jean Bourgoin.
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Mon oncle (Jacques Tati, 1958) / Koolhaas Houselife (Ila Bêka + Louise Lemoine, 2008)
Aug
29
grey
A delivery man in front of the gates of Villa Arpel (via), and custodian Guadalupe Acedo working the lift in Maison à Bordeaux. DP of Mon Oncle: Jean Bourgoin.
[A favourite] colour: grey*
Approaching the 60s, Mr Hulot finally switches from black-and-white to colour. Suddenly, we see that his suit is a beigeish grey and so is the Arpels' house, that modernist masterpiece designed by Tati. The beloved luddite struggles with hypermodern people and their hypermodern constructs, much alike the future Hulot from Playtime (1967).
– A house like yours must be such a job!
– Oh, a leaf! Ah, yes it's a chore.
– Admit it, you love it.
In similar absurd fashion, Guadalupe Acedo, cleaning lady, works her way through Rem Koolhaas' Maison à Bordeaux (1998) in Bêka and Lemoine's Koolhaas Houselife (2008). Too steep are the stairs, too leaky everything else. Levelheaded, she does her thing; a small beacon of romantic practicality in a world of absurd efficiency.
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Il sorpasso [The Easy Life] (Dino Risi, 1962)
Jul
26
a boys' night out
Bruno (Gassman) and Roberto (Trintignant) driving along Italy in their sports car (via). DP: Alfio Contini.
A boys' night out: men having fun on their own*
“Bruno, I've spent the best two days of my life with you… I mean it!”
– Roberto Mariani
Serious law student Roberto (Jean-Louis Trintignant) goes on an accidental road trip with bon vivant Bruno (Vittorio Gassman).
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Sedmikrásky [Daisies] (Věra Chytilová, 1966)
Jul
25
a girls' night out
Marie I and Marie II (Jitka Cerhová and Ivana Karbanová respectively) having a heck of a time. DP: Jaroslav Kučera.
A girls' night out: women having fun on their own[???]*
Marie II: “But I'm happy.”
Marie I: “I'm so happy, too.”
Two young women called Marie pull destructive, anarchist pranks.
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簪 [Kanzashi / Ornamental Hairpin] (Hiroshi Shimizu, 1941)
Jul
24
relaxation
Men relaxing at a roten-buro, an outdoor onsen. DP: Suketarō Inokai.
Someone goes to a spa, beach, or retreat*
“There’s something almost poetic about finding a hairpin in the bath. It’s like the sole of my foot has been pierced by poetry.”
Relaxing at an onsen, a young man steps on the titular kanzashi. Now injured with too much time on his hands, he and his fellow nosy patrons start speculating about its owner. Then a telegram announces her arrival.
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Il boom [The Boom] (Vittorio De Sica, 1963)
Jul
13
espresso
A glum looking man holds a teeny espresso cup-and-saucer. DP: Armando Nannuzzi.
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L'ingorgo [Traffic Jam] (Luigi Comencini, 1979)
Jul
12
Two middle-aged men in a car, each very much enjoying a small meal. We see them through the windshield with behind them numerous other cars stuck in traffic. DP: Ennio Guarnieri.
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Les vacances de Monsieur Hulot [Monsieur Hulot's Holiday] (Jacques Tati, 1953)
Jul
7
Mr Hulot's view from his hotel room. DPs: Jacques Mercanton & Jean Mousselle.
A film with people at, or taking place in, a hotel*
“Mr. Hulot is off for a week by the sea. Take a seat behind his camera, and you can spend it with him. Don't look for a plot, for a holiday is meant purely for fun, and if you look for it, you will find more fun in ordinary life than in fiction.”
– opening lines