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Bunny Lake Is Missing (Otto Preminger, 1965)
Aug
4
junket
Two women – one young (Carol Lynley), one older (Lucie Mannheim) – in a school's kitchen. The older woman handling the food says “But when it looks like junket, it is junket.“. DP: Denys N. Coop.
”'Junket is junket,' I said, and 'no matter what you do with it, it still tastes like swill and swallows like slime.'”
– school cook
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La maudite galette [Dirty Money] (Denys Arcand, 1972)
Aug
2
At a depressing, fluorescent-lit bar, men gathered at small round tables smoke and drink. A single man in a brightly lit phone booth places a call. DP: Alain Dostie.
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Wieczne pretensje [Permanent Objections] (Grzegorz Królikiewicz, 1975)
Jul
29
kotlet mielony
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On the Waterfront (Elia Kazan, 1954)
Jul
28
liquor
“You know this city's full of hawks? That's a fact. They hang around on the top of the big hotels. And they spot a pigeon in the park. Right down on him.”
– Terry Malloy
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Na wylot [Through and Through] (Grzegorz Królikiewicz, 1972)
Jul
15
sandwiches
Jan (Franciszek Trzeciak) and Maria (Anna Nieborowska) share lunch on a bench. DP: Bogdan Dziworski.
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Jul
13
lollipops
One of the gang members, immaculately dressed in all-black and small like a child, walks along a seedy street holding an oversized rainbow lollipop. DP: Yoshio Nakajima.
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The Big Combo (Joseph H. Lewis, 1955)
Jun
24
spaghetti
A man in a bathrobe (Ted de Corsia) lifts undrained, slightly overcooked spaghetti from a white enamel pan onto a plate. The overcookedness may be caused by this movie's horrible horrible AI “restoration”. DP: John Alton.
“I couldn't swallow any more salami.”
– Mingo
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Caged (John Cromwell, 1950)
Jun
20
prison chow
The girls eating their grub. It'd be Marie Allen's (Eleanor Parker) first of many. DP: Carl E. Guthrie.
“What I'd give for a sink full of dirty dish.”
– Millie
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Die Konsequenz [The Consequence] (Wolfgang Petersen, 1977)
Jun
17
prison grub
Thomas (Ernst Hannawald), the warden's son, and convicted homosexual Martin (Jürgen Prochnow) sharing a mug, a meal, a cell. DP: Jörg-Michael Baldenius.
“I think it's really rotten of them to lock you up like this for making love to a boy.”
– Thomas Manzoni
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Plein soleil [Purple Noon] (René Clément, 1960)
Jun
15
croissants
Tom Ripley (Alain Delon) going though his passport over breakfast. Multiple passport photos, a fountain pen, and a magnifying glass take precedence over his fresh croissants. DP: Henri Decaë.
“Why bother having money when you can spend other people's?”
– Philippe Greenleaf
