La maudite galette [Dirty Money] (Denys Arcand, 1972)
Jun
1
Oscar the Grouch Day

Rolland (René Caron) and Berthe (Luce Guilbeault). She's had it with these money troubles. DP: Alain Dostie.
A character who's a grouch for Oscar the Grouch Day (USA)
La maudite galette [Dirty Money] (Denys Arcand, 1972)
Jun
1
Oscar the Grouch Day

Rolland (René Caron) and Berthe (Luce Guilbeault). She's had it with these money troubles. DP: Alain Dostie.
A character who's a grouch for Oscar the Grouch Day (USA)
ビリィ★ザ★キッドの新しい夜明け [Birī za kiddo no atarashii yoake / The New Morning of Billy the Kid] (Naoto Yamakawa, 1986)
May
31
National Utah Day

Director Naoto Yamakawa directing Billy the Kid (Hiroshi Mikami) on site in Utah (via) DP: Kenji Takama.
An actor, director or character from Utah – National Utah Day (USA)
Billy the Kid steps out of a huge poster of Monument Valley right into a Tokyo bar and becomes its bar keeper. Together with a samurai, a WW2 G.I, Marx-Engels (not a typo), the Japanese weather service number 177 and others, he keeps the tavern safe from various thugs roaming the streets.
“The fear in her eyes and the knife in the chest. That's my last memory of my mother. That's why I had to go to prison for four years, even though she survived.”Angst [Fear] (Gerald Kargl, 1983)
May
23
National Title Track Day


1: K. Out. Out. DP: Zbigniew Rybczynski.
2: Klaus Schulze at work in 1983 (via)
A killer title track for National Title Track Day (USA)
– opening lines
What stabs you harder in the chest than Klaus Schulze's synth-driven killing spree?
“Ja sam vaša budućnost”Mlad i zdrav kao ruža [Young and Healthy As a Rose] (Jovan Jovanović, 1971)
May
21
Employee Health and Fitness Day

Stiv (Dragoslav 'Dragan' Nikolić) working out. DPs: Petar Lalović & Petar Dositej Aranđelović.
A character who works out on Employee Health and Fitness Day (USA)
– Stiv
“Hélène Picard, born in Lyon, May 20, 1943. A child in care, she is reported as a runaway, a thief and unstable.”La Femme Bourreau [A Woman Kills] (Jean-Denis Bonan, 1968)
May
20
1943

A dark-haired woman lounging on a bed. DP: Gérard de Battista.
“Murder's nothing. It's just a simple experience. Murder and rape? Do you know what beauty there is in evil?”Compulsion (Richard Fleischer, 1959)
May
16

Straus (Bradford Dillman) with Steiner (Dean Stockwell) behind the wheel. They're beaming. DP: William C. Mellor.
Anayurt Oteli [Motherland Hotel] (Ömer Kavur, 1987)
May
14
Receptionist Day

Receptionist Zebercet. DP: Orhan Oğuz.
A receptionist or secretary for Receptionist Day
The proprietor and receptionist of a small hotel welcomes a new guest. The woman, her name she doesn't tell, stays for only one night with the promise to return the following week. The receptionist waits.
Les félins [Joy House / The Love Cage] (René Clément, 1964)
May
14

Barbara Hill (Lola Albright) going through Marc Borel's (Alain Delon) passport, which states Marc's date of birth as May 14. On Barbara's desk several curiosities, including a shrunken head in a glass case. DP: Henri Decaë.
Παραγγελιά! [Parangelia! / Request for a Song] (Pavlos Tasios, 1980)
May
13
Top Gun Day

A man dances the Zeibekiko, with another close to him. DPs: Sakis Maniatis & Kostas Papagiannakis.
Testosterone! for Top Gun Day (USA)
The Ζεϊμπέκικο (Zeibekiko) is a Greek dance, improvised by one man, alone. It's a dance that shows the performer's manliness, both his pride and his sorrows. Out of respect for the dancer, the others sit down, watch, and relate to him.
When the police enters the establishment – and this is 1973, the colonels ruled the naton – and interrupt the dancer, his older brother steps in.
Yngsjömordet [Woman of Darkness] (Arne Mattsson, 1966)
May
11
Mother's Day
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Anna Månsdotter (Gunnel Lindblom). DP: Lasse Björne.
A good or bad mother for Mother's Day.
Arranged by his widowed mother, Per Nilsson marries the wealthy judge's daughter Hanna. The wedlock remains unfulfilled as son and mother find satisfaction in each other. Hanna suspects something.
Based on the Yngsjö murder case, which at the time was considered more noteworthy for the mother/son relationship than the resulting tragedy.