“Un gâteau.”La boulangère de Monceau [The Bakery Girl of Monceau] (Éric Rohmer, 1963)
Jul
28
un gâteau
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A young woman in an apron grabs a French cookie. DPs: Bruno Barbey & Jean-Michel Meurice.
– young man
“Un gâteau.”La boulangère de Monceau [The Bakery Girl of Monceau] (Éric Rohmer, 1963)
Jul
28
un gâteau
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A young woman in an apron grabs a French cookie. DPs: Bruno Barbey & Jean-Michel Meurice.
– young man
“Don't know why
There's no sun up in the sky
Stormy weather
Since my man and I ain't together
Keeps raining all of the time Oh, yeah
Life is bad
Gloom and misery everywhere
Stormy weather, stormy weather
And I just can get my poor self together
Oh, I'm weary all of the time
The time, so weary all of the time When he went away
The blues walked in and met me
Oh, yeah if he stays away
Old rocking chair's gonna get me
All I do is pray
The Lord will let me
Walk in the sun once more Oh, I can't go on, can't go on, can't go on
Everything I have is gone
Stormy weather, stormy weather
Since my man and I, me and my daddy ain't together
Keeps raining all of the time
Oh, oh, keeps raining all of the time
Oh, yeah, yeah, yeah raining all of the time
Stormy stormy
Stormy weather
Yeah” The Tempest (Derek Jarman, 1979)
Jul
28

Sailors dancing in a room wildly decorated with guirlandes and flowers (via). DP: Peter Middleton.
Local nightlife: people dancing or at a show*
– Elisabeth Welch, Stormy Weather (Harold Arlen & Ted Koehler, 1933)
A radiant Goddess (Elisabeth Welch) performs the torch song Stormy Weather. Enchanted sailors dance.
* the Bales 2025 Film Challenge for July is, for unknown reasons, mostly not date-related and follows some sort of vacation narrative.
“I guess we like each other a lot, huh?”Sommaren med Monika [Summer with Monika] (Ingmar Bergman, 1953)
Jul
27

Monika (Harriet Andersson) and Harry (Lars Ekborg) rest in each other's arms. DP: Gunnar Fischer, still photography by Louis Huch.
Someone naps or sleeps*
– Monika Eriksson
* the Bales 2025 Film Challenge for July is, for unknown reasons, mostly not date-related and follows some sort of vacation narrative.
“Bruno, I've spent the best two days of my life with you… I mean it!” Il sorpasso [The Easy Life] (Dino Risi, 1962)
Jul
26
a boys' night out

Bruno (Gassman) and Roberto (Trintignant) driving along Italy in their sports car (via). DP: Alfio Contini.
A boys' night out: men having fun on their own*
– Roberto Mariani
Serious law student Roberto (Jean-Louis Trintignant) goes on an accidental road trip with bon vivant Bruno (Vittorio Gassman).
* the Bales 2025 Film Challenge for July is, for unknown reasons, mostly not date-related and follows some sort of vacation narrative.
La vérité [The Truth] (Henri-Georges Clouzot, 1960)
Jul
25
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Bardot and two men in a café. She has her head on Sami Frey's shoulder while the other man kisses her arm. The table in front of them holds a full ashtray and small coffee cups. DP: Armand Thirard.
“It calls back a time when there were flowers all over the Earth… and there were valleys. And there were plains of tall green grass that you could lie down in – you could go to sleep in. And there were blue skies, and there was fresh air… and there were things growing all over the place, not just in some domed enclosures blasted some millions of miles out in to space.”Silent Running (Douglas Trumbull, 1972)
Jul
24
cantaloupe
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Bruce Dern as peace-loving Freeman Lowell aggressively eating a cantaloupe in space. DP: Charles F. Wheeler.
– Freeman Lowell
“There’s something almost poetic about finding a hairpin in the bath. It’s like the sole of my foot has been pierced by poetry.” 簪 [Kanzashi / Ornamental Hairpin] (Hiroshi Shimizu, 1941)
Jul
24
relaxation

Men relaxing at a roten-buro, an outdoor onsen. DP: Suketarō Inokai.
Someone goes to a spa, beach, or retreat*
– Nanmura, via
Relaxing at an onsen, a young man steps on the titular kanzashi. Now injured with too much time on his hands, he and his fellow nosy patrons start speculating about its owner. Then a telegram announces her arrival.
* the Bales 2025 Film Challenge for July is, for unknown reasons, mostly not date-related and follows some sort of vacation narrative.
“We still remember our high wall. Even the day we first climbed it, filled with curiosity. The sadness of the discoveries of those years seemed devastating to us. Then we wondered how we could have forgotten it so suddenly.” Vysoká zeď [The High Wall] (Karel Kachyňa, 1964)
Jul
23

The young man (Vít Olmer) rests in the sun with Jitka (Radka Dulíková) observing him. DP: Josef Vaniš.
Someone is in an ambulance or hospital*
– prologue
It's summer in Prague. Jitka, a girl on the cusp of womanhood, follows a stray cat and finds a tall hospital wall. Behind it, a young man in a wheelchair rests. The girl and the man connect.
* the Bales 2025 Film Challenge for July is, for unknown reasons, mostly not date-related and follows some sort of vacation narrative.
L'argent [Money] (Robert Bresson, 1983)
Jul
22

A man at an ATM holds on to a Visa credit card with tweezers. DPs: Pasqualino De Santis & Emmanuel Machuel.
Everything's expensive: someone is a at bank or ATM*
* the Bales 2025 Film Challenge for July is, for unknown reasons, mostly not date-related and follows some sort of vacation narrative.
“The most revolting film I have ever seen” La grande bouffe (Marco Ferreri, 1973)
Jul
21

Andréa Ferréol in a promotional photo. Food styling by actor/food writer Giuseppe Maffioli, DP: Mario Vulpiani.
A character pigging out*
– Mary Whitehouse, via
Four hedonistic gourmands throw a party of the flesh, of meat, of lust, and death.
* the Bales 2025 Film Challenge for July is, for unknown reasons, mostly not date-related and follows some sort of vacation narrative.