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Götter der Pest [Gods of the Plague] (Rainer Werner Fassbinder, 1970)
Jul
16
Someone complains about costs or prices*
– We'll go to an island and live from fishing and hunting. And the sun will shine and it will never rain. And we'll eat lobster and drink wine.
– …
– Why not?
– Because it's too expensive.
– Why too expensive?
– It's just too expensive.
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Bildnis einer Trinkerin – Aller jamais retour [Portrait of a Female Drunkard. Ticket of No Return] (Ulrike Ottinger, 1979)
Jul
15
Sie, German for “she/her”, hungover in her fabulous yellow nappa leather outfit (via). DP: Ulrike Ottinger.
Someone is hungover*
“Ein Psychogramm zweier ungewöhnlicher, aber auch extrem unterschiedlicher Frauen. Die eine, reich, exzentrisch, ihre Gefühle maskenhaft verbergend, trinkt sich bewusst zu Tode. Sie ist der Fall, der in der Statistik nicht erscheint, weil entweder zu Hause unter Valium gehalten oder unter Verschluss in einer Privatklinik. Die andere ist arm und trinkt sich unbewusst zu Tode. Sie erscheint in der normalen Statistik als Typ der haltlosen Trinkerin”
– U.O., via
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野良犬 [Nora inu / Stray Dog] (Akira Kurosawa, 1949)
Jul
14
Someone enjoys a drink or beverage*
“On the bus, the air was so thick, he felt woozy. A wailing infant shook with tears and the woman beside him reeked with the stink of cheap perfume.”
– narrator
On a sweltering summer day, Detective's Murakami's Colt gets stolen on a crowded bus. He must delve deep into the sticky sweaty seedy underbelly of Tokyo to retrieve it.
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L'ingorgo [Traffic Jam] (Luigi Comencini, 1979)
Jul
12
Two middle-aged men in a car, each very much enjoying a small meal. We see them through the windshield with behind them numerous other cars stuck in traffic. DP: Ennio Guarnieri.
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Horoskop [Horoscope] (Boro Drašković, 1969)
Jul
11
The impromptu café awaiting tourists, for now occupied by lounging men. DP: Ognjen Miličević.
Someone at a coffee shop or café*
There's not much next to the railroad tracks. A group of young men spend their summer days there, waiting for the train bringing tourists to the Adriatic coast. Suddenly, the place comes to life with waiters frantically unfolding parasols. And there's a pretty blonde, she stays, and brings her newspaper stand along. The men place a bet…
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Soy Cuba [I Am Cuba] (Mikhail Kalatozov, 1964)
Jul
10
The rich and beautiful spend a lazy day at a grand rooftop pool. DP: Sergey Urusevskiy.
Someone in poolside vacation clothing*
“I am Cuba. Why are you running away? You came here to have fun? Go ahead, have fun! Is this a happy picture? Don't avert your eyes. Look! I am Cuba. For you, I am the casino, the bar, the hotels. But the hands of these children and old people, are also me.”
– the voice of Cuba
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Басейнът [Baseynat / The Swimming Pool] (Binka Zhelyazkova, 1977)
Jul
9
Bella (Yanina Kasheva) at the pool, holding a passport. DP: Ivaylo Trenchev.
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باب الحديد [Bab el-Hadid / Cairo Station / The Iron Gate] (Youssef Chahine, 1958)
Jul
8
Abu-Sri (Farid Shawqi) with Hannumah (Hind Rostom) perched on top of a large wooden crate. DP: Alevise Orfanelli.
Luggage, a trunk, or a suitcase*
“My job allows me to read about strange incidents, but what I see here is often even stranger. And the strangest thing of all happened one day after midday prayer.”
– Madbouli, newspaper salesman
Among the hustle and bustle of Cairo's travellers, there are those making a living. The pitiful Qenawi (Youssef Chahine) peddles newspapers, unioniser Abu-Sri moves said travellers' luggage, and Hannumah (Hind Rostom), all hips and bosom and Abu-Sri's, sells cold drinks. Qenawi wants her.
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Die endlose Nacht [The Endless Night] (Will Tremper, 1963)
Jul
6
The bold and the beautiful stuck at Tempelhof. And yes, one could smoke there. DP: Hans Jura.
(People at) an airport*
It's foggy at Flughafen Berlin-Tempelhof, the Allies' airbridge to the West, and all the planes into and out of West Berlin are grounded. In any other metropolis this could mean taking a train, enjoy the city's nightlife or maybe just a bed for the night. In post-Wall bureaucracy-happy West Berlin, this means endless waits with strangers. And so, with nowhere to go, a Polish jazz band mingles with British spouses, a lonely South African farmer, a model and her beau.
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Il mare [The Sea] (Giuseppe Patroni Griffi, 1962)
Jul
1
The actor (Umberto Orsini) looking out over the island. The claustrophobic framing of the hotel windows contrasts sharply with the openness of the sea. DP: Ennio Guarnieri.
My ideal vacation spot, country, city, town, or resort*
An island, in this case Capri (granted I've never been there), off-season, in a space and time lost in the mists. It'll occasionally rain and it's cold enough to dress up.