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Simone Barbès ou la vertu (Marie-Claude Treilhou, 1980)
Jun
19
pâté
Two female porn theatre ushers (Ingrid Bourgoin and Martine Simonet) looking bored. They sit under two large eye-shaped neon lights. Between them a small table with various half-consumed items, including part of a baguette with pâté. DP: Jean-Yves Escoffier.
– Ah, regarde, c'est Tati !
– Tati qui?
– Tati, comme Mon Oncle.
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Die Konsequenz [The Consequence] (Wolfgang Petersen, 1977)
Jun
17
prison grub
Thomas (Ernst Hannawald), the warden's son, and convicted homosexual Martin (Jürgen Prochnow) sharing a mug, a meal, a cell. DP: Jörg-Michael Baldenius.
“I think it's really rotten of them to lock you up like this for making love to a boy.”
– Thomas Manzoni
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The Leather Boys (Sidney J. Furie, 1964)
Jun
12
wedding buffet
Newlyweds Dot and Reggie and friends and family about to dig into the wedding buffet. DP: Gerald Gibbs.
“I'll be eating frankfurters and onions. Plenty of tomato ketchup. Chips with lots of vinegar. Few cockles and muscles. Jellied eels, Coca-Cola, beer, the old jukebox, lollipops, all the lot.”
– Pete
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Rope (Alfred Hitchcock, 1948)
Jun
9
A man in a dark suit has his clenched hand on top of a stack of fancy gilded dinner plates. He's holding a piece of rope, just an ordinary household article. DPs: William V. Skall & Joseph A. Valentine.
“Mr. Cadell got a bad leg in the war for his courage. And you've got your sleeve in the celery, Mr. Phillip.”
– Mrs. Wilson
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Suddenly, Last Summer (Joseph L. Mankiewicz, 1959)
Jun
7
Catherine (Elizabeth Taylor) and a man in white, seen from the back, eating alfresco near a beach. DP: Jack Hildyard.
“My son – Sebastian – and I constructed our days. Each day we would carve each day like a piece of sculpture, leaving behind us a trail of days like a gallery of sculpture until suddenly, last summer.”
– Mrs Vi Venable
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Kontrakt [The Contract] (Krzysztof Zanussi, 1980)
Jun
4
Coca-Cola
Two middle-aged men in discussion with a woman, semi off-screen, holding a drink. There's food covered with a napkin and a wineglass in front of the men. Behind the men, the maid – a tense woman cradling many small Coca-Cola bottles – looks on. DP: Slawomir Idziak.
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鴎よ、きらめく海を見たか めぐり逢い [Kamome-yo, kirameku umi o mitaka/meguri ai / Oh Seagull, Have You Seen the Sparkling Ocean? An Encounter] (Kenji Yoshida, 1975)
May
30
Pokkī
A young woman in a red-and-white striped sweater (Yōko Takahashi) leafs through fashion magazines strewn out before her on a grass-green carpeted floor while chewing a Pokkī. On a small stove close to her a fire truck red coffee pot. DP: Kōshirō Ōtsu.
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Doktor Glas [Doctor Glas] (Mai Zetterling, 1968)
May
27
akvavit
A man (Per Oscarsson) raises a glass and peers though its ribs and liquids. DP: Rune Ericson.
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Françoise Durocher, Waitress (André Brassard, 1972)
May
21
lunch break
Waitress Françoise Durocher, this may be Luce Guilbeault, on her lunch break. DP: Thomas Vámos.
“One grilled cheese, two slices of toast, two coffees. One pepper steak no chili and a plate of spaghetti and meatballs. Two glasses of milk. One plate of spare ribs. A chicken in a basket with three cups of honey. One lean smoked meat sandwich with pickles and mustard. One two-cream coffee and two club sandwiches. Two clubs.”
– Françoise Durocher
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Strangers on a Train (Alfred Hitchcock, 1951)
May
16
doubles
“I still think it would be wonderful to have a man love you so much he'd kill for you.”