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Ο Δράκος [O Drakos / The Ogre of Athens / The Ogre / The Vampire] (Nikos Koundouros, 1956)
Dec
31
New Year's Eve
Men in identical white shirts and dark slacks dancing in the club during after hours. Their upper bodies seem top-heavy, tending to lunge towards the ground. DP: Kostas Theodoridis.
New Year's Eve celebrations.
A mousy bank clerk (Dinos Iliopoulos), who bears an uncanny resemblance to a criminal on the run, finds himself hiding in a shady cabaret on New Year's Eve instead of spending a quiet evening alone. During his forced stay at the nightclub, he comes to enjoy and identify more and more with his newfound persona and assumes the role of the notorious “Drago”.
An initial box office dud, it is now considered one of the top ten all-time best Greek films.
Happy new year, everyone! On to many more cinematic discoveries!
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Kick That Habit (Peter Liechti, 1989)
Nov
16
National Andy Day
Everything is noise. Everything is light. Everything is dark. Everything is motion. Everything is static. Everything is energy. Everything is lethargy. Everything is rhythm. Everything is chaos. Everything is silent
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Mahler (Ken Russell, 1974)
Nov
12
World Pneumonia Day
Gustav (Robert Powell) and Alma (Georgina Hale), both in a three piece suit with top hats. She's in a shadows, wearing a tight, black veil that completely conceals her features. DP: Dick Bush.
A sickly #GustavMahler (Robert Powell) and his wife Alma (Georgina Hale) dwell on their shared lives while travelling to Vienna by train. Storylines – circular like a journey, rondo like #Mahler's compositions – drift from the ordinary to the grotesque.
“I don't want to imitate nature. I want to capture its very essence. As if all the birds and the beasts die tomorrow and the world became a desert, when people heard my music – they would still know, feel, what nature was.”
– Gustav Mahler
This would be the composer's final tour. A train took him to a Vienna sanatorium where not much later he'd succumb to #pneumonia.
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Decoder (Muscha, 1984)
Sep
28
International Right To Know Day
“Information is like a bank. Some of us are rich. Some of us are poor, with information. All of us can be rich. Our job, your job, is to rob the bank. To kill the guard. To go out there to destroy everybody who keeps, and hides, the whole information. Simple. Special. Information. Power.”
– The High Priest
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Gimme Shelter (Albert + David Maysles, Charlotte Zwerin, 1970)
Sep
13
Uncle Sam Day
Mick Jagger seen from the back wearing an Uncle Sam top hat, in front of an unseen crowd. DPs: Albert Maysles, David Maysles & Gary Weis.
It's December 6, 1969 and just like that, the 60s were over. It started out great, the West Coast edition of Woodstock. Santana, Jefferson Airplane, The Flying Burrito Brothers, Crosby, Stills, Nash & Young, a 300.000 strong crowd and, of course, The Rolling Stones on the final leg of their US tour. And, of course too, Hells Angels armed with motorcycle chains, sawed-off pool cues and $500 worth of beer, hired to stop fans from climbing the stage. And not in the least due to its proximity to Frisco, lots of bad drugs mixing with that crowd.
“Well, The Rolling Stones tour of the United States is over. It wounded up with a free concert at the Altamont Speedway for more than 300,000 people. There were four births, four deaths and an awful lot of scuffles reported.”
– Stefan Ponek, KSN Radio
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Big Fun in the Big Town (Bram van Splunteren, 1986)
Aug
11
Hip Hop Day
Run-DMC sitting on a limo with a NYC license plate. We only see their Adidas (and Nikes). Under the car a half-eaten apple.
There's something really peculiarly narrow-minded about the Dutch called “verzuiling”, “pillarisation”; society is split into vertical columns and depending on your background you join certain circles. You play soccer, join a trade union, or listen to the radio in a Catholic, Protestant, or social-democratic context. Deeply socialist, (for you American-styled liberals rather extremely) leftist, and seasoned with a generous dash of subversive underground ánd highbrow culture, Dutch radio and TV broadcaster VPRO belongs to the latter.
When VPRO radiomaker Bram van Splunteren came across Beastie Boys' rock/rap crossover 12” She's On It (from the 1985 #HipHop movie Krush Groove), he knew he was onto something and he would play the Beasties and other rappers on his De Wilde Wereld alongside Oingo Boingo and The Fall.
“Some people don't know rock 'n' roll came out the same way rap came out. People would say: No, it will never last.”
– Schoolly D
Despite the VPRO boasting about their leftie open-mindedness, Van Splunteren's embrace of such lowbrow, poor people culture (not the right kind of frugal-by-choice types but the low-cultured tracksuit wearing ones) didn't sit well with the broadcaster. Minorities boasting about their accomplishments, their cars, girls, gold? That's got no place in this social-democratic-Lutheran column!
Over time, this obscure 1986 Dutch TV documentary Big Fun in the Big Town has become an essential snapshot of hip hop culture. It captures an optimism and fire elemental to survive Reagan's America and highlights the urge to continue the Black struggle that the Panthers and others set in motion.
Happy birthday, hip hop. To many more powerful years to come.
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Festival panafricain d'Alger [The Panafrican Festival in Algiers] (William Klein, 1969)
Jul
26
One Voice Day
Black hands holding each other. In translation the caption reads “Down with colonialism! Down with imperialism!”. DP: William Klein et al.
In typical Western fashion the credits for William Klein's Festival panafricain d'Alger focusses on the French and American participants. After Algeria regained its independence in 1962, it became Africa's – and the #AfricanDiaspora's – centre for postcolonial and liberation moments.
“À bas le colonialisme ! À bas l'imperialisme !”
The 12-day Festival panafricain attracted 5000 people from all over the African continent, as well as liberation fighters from the United States.
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Head (Bob Rafelson, 1968)
Jul
10
Bahamas Independence Day
After Micky (Micky Dolenz, R) jumps of a bridge, the picture becomes pseudo-solarized and to the sweet tunes of Gerry Goffin and Carole King's Porpoise Song, he meets a siren (actress unknown, L). DP: Michel Hugo.
“Clicks, clacks, riding the backs of giraffes for laughs,
S'alright for a while,
The ego sings of castles and kings,
And things that go with a life of style,
Wanting to feel, to know what is real,
Living is a, is a lie”
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Decoder (Muscha, 1984)
Jul
7
Milky Ways
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Lisztomania (Ken Russell, 1975)
Jun
16
National Richard Day
“No, Wagner! Stay in Hell where you belong!”
– Franz Liszt