settima

paris

Trois couleurs: Bleu [Three Colors: Blue] (Krzysztof Kieślowski, 1993)

Aug

15

cerulean

Trois couleurs: Bleu (1993)

Julie (Juliette Binoche) in a blue wallpapered room, observes blue beads suspended in front of a window with a cerulean sky and ocean behind it. Throughout the story, her clothing changes from white, to black, to the darkest charcoal blue, to Prussian blue. DP: Slawomir Idziak.

Cerulean, or blue: in food or fashion*

“I'm just fine. I have everything here. I have the TV. You can see the whole world”

– the mother

How could I not pick at least one instalment of Kieślowski's Trois couleurs trilogy. Here's blue, the liberté of the tricolor. Blue occurs as the sky to fall through, the room without life, and the cloth that binds.

 

La carrière de Suzanne [Suzanne's Career] (Éric Rohmer, 1963)

Aug

13

thé

La carrière de Suzanne (1963)

A woman reaches for a silver teapot. We only see her hand. DP: Daniel Lacambre.

“I know. I know you. I know you very well.”

– Suzanne

La boulangère de Monceau [The Bakery Girl of Monceau] (Éric Rohmer, 1963)

Jul

28

un gâteau

La boulangère de Monceau (1963)

“Un gâteau.”

– young man

La vérité [The Truth] (Henri-Georges Clouzot, 1960)

Jul

25

La vérité (1960)

Bardot and two men in a café. She has her head on Sami Frey's shoulder while the other man kisses her arm. The table in front of them holds a full ashtray and small coffee cups. DP: Armand Thirard.

 

La grande bouffe (Marco Ferreri, 1973)

Jul

21

La grande bouffe (1973)

Andréa Ferréol in a promotional photo. Food styling by actor/food writer Giuseppe Maffioli, DP: Mario Vulpiani.

A character pigging out*

“The most revolting film I have ever seen”

– Mary Whitehouse, via

Four hedonistic gourmands throw a party of the flesh, of meat, of lust, and death.

 

Ascenseur pour l'échafaud [Elevator to the Gallows] (Louis Malle, 1958)

Jun

18

International Panic Day

Ascenseur pour l'échafaud (1958)

M Tavernier (Maurice Ronet) seated in an elevator, calmly smoking. Around him several items speak of less calm moments. DP: Henri Decaë.

A character in panic mode on International Panic Day

“Have you seen Mr Tavernier tonight?”

Julien Tavernier has a plan about how to run off with his boss' wife. There's just this one snag. No time to panic, c'est cool c'est cool.

Bob le flambeur [Bob the Gambler] (Jean-Pierre Melville, 1956)

Jun

13

frites

Bob le flambeur (1956)

Anne (Isabelle Corey), a cute blonde with a beret, eats a fry (French, obviously) while giving us a side glance. It's all very proto-Vague. DP: Henri Decaë.

– I saw you the other morning, eating frites.

– I like frites.

Bob le flambeur [Bob the Gambler] (Jean-Pierre Melville, 1956)

Jun

13

Friday

Bob le flambeur (1956)

Bob (Roger Duchesne) at the tables, gambling. DP: Henri Decaë.

An unlucky character on Friday the 13th

“I'd even lose at hopscotch these days.”

– Bob Montagné

Bob gambles, and always wins. But then he starts losing. And not just games.

La Chinoise, ou plutôt à la Chinoise: un film en train de se faire [La chinoise] (Jean-Luc Godard, 1967)

Mar

19

Howard University Protest

La chinoise (1967)

Yvonne (Juliet Berto) holed up behind piles of Mao's Little Red Book, wielding a machine gun. DP: Raoul Coutard.

Student activism to commemorate the March 19 1968 Howard University Protest

“One must confront vague ideas with clear images”

– slogan on a wall

Five Maoist students theorise, then practice a radical overthrow via terrorism.

 

Loosely based on Dostoyevsky's Бѣсы [The Possessed] (1871–72).

Touche pas à la femme blanche [Don't Touch the White Woman!] (Marco Ferreri, 1974)

Nov

23

potato chips

Touche pas à la femme blanche (1974)

Two white Frenchmen – in a University of Columbia and a CIA sweatshirt respectively – comment on the “period piece” they're in. CIA man (Paolo Villaggio) stuffs his face with potato chips. DP: Étienne Becker.

“Whoever dies for the country hasn't lived in vain. I, on the contrary, will live for the country because I'm not that stupid.”

– George A. Custer