“Life has its tricks. Its oddities.”La baie des anges [Bay of Angels] (Jacques Demy, 1963)
Aug
6
mercredi

The bank where Jean Fournier (Claude Mann) works. A wall calendar, slightly tilted, reads Août 6 Mercredi. DP: Jean Rabier.
– Jackie Demaistre
“Life has its tricks. Its oddities.”La baie des anges [Bay of Angels] (Jacques Demy, 1963)
Aug
6
mercredi

The bank where Jean Fournier (Claude Mann) works. A wall calendar, slightly tilted, reads Août 6 Mercredi. DP: Jean Rabier.
– Jackie Demaistre
“Today is the first day of a life of sacrifice.” 地獄門 [Jigokumon / Gate of Hell] (Teinosuke Kinugasa, 1953)
Aug
4
orange

The shrine's torii as seen in the film. Vermilion contains mercury, which not only acts as a preservative but is also believed to ward off evil. DP: Kōhei Sugiyama.
Orange: a building or structure*
– Moritoo Endō
Partially filmed near the 厳島神社 (Itsukushima Shrine) with its striking vermilion torii.
Shot on Eastmancolor, relatively cheap and globally available, and influenced by Hollywood colour melodramas of the time, in particularly Rudolph Maté's Mississippi Gambler (1953) (source), and in its turn greatly influenced the implementation of colour in global cinema to come.
Jigokumon won two Academy Awards in 1955, for Best Costume Design and Best Foreign Language Film.
* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.
黒蜥蜴 [Kurotokage / Kuro tokage / Black Lizard] (Kinji Fukasaku, 1968)
Aug
4

The Black Lizard (Akihiro Miwa) in embrace with Detective Akechi (Isao Kimura). DP: Hiroshi Dōwaki.
“She looked at the red shoes, for she thought there was no harm in looking. She put them on, for she thought there was no harm in that either. But then she went to the ball and began dancing. When she tried to turn to the right, the shoes turned to the left. When she wanted to dance up the ballroom, her shoes danced down. They danced down the stairs, into the street, and out through the gate of the town. Dance she did, and dance she must, straight into the dark woods.” The Red Shoes (Michael Powell + Emeric Pressburger, 1948)
Aug
3
red

A ballerina's lower body in focus. She wears a long tulle off-white dress, slightly sheer, with her white stockings showing through slightly. Part of her right lower arm is visible, the hand clutched, a turquoise bracelet on the wrist. What stands out most are her ruby red ballet shoes that appear to move away from her. The backdrop is a dull, washed out carpet. DP: Jack Cardiff.
Red: best use of red in food or fashion*
– Hans Christian Andersen, De røde Skoe (1845, tranl. Jean Hersholt, 1949), via
Another one of The Archers' #Technicolor extravaganzas. This time, not to wow the worn-down post-war black-and-white audience, but as an an active storytelling instrument.
Built around Hans Christian Andersen's haunting tale De røde Skoe (1845).
* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.
Το κορίτσι με τα μαύρα [To koritsi me ta mavra / A Girl in Black] (Mihalis Kakogiannis, 1956)
Jul
30

Marina (Ellie Lambeti) in the port of Hydra. DP: Walter Lassally.
Someone is sad, or cries*
A wealthy Athenian writer on holiday on Hydra falls for the morose Marina (Ellie Lambeti), one of the daughters of his widowed innkeeper, causing disruption in the close-knit island community.
* the Bales 2025 Film Challenge for July is, for unknown reasons, mostly not date-related and follows some sort of vacation narrative.
“It's a lot of work, ya know, just staying alive.”Gli intoccabili [Machine Gun McCain] (Giuliano Montaldo, 1969)
Jul
30
1968

Man's hands hold up the July 30, 1968 San Francisco Chronicle. The headline reads GANGLAND FEUD EXPLODES: TWO CUT DOWN BY MACHINE GUN. It's a Tuesday. DP: Erico Menczer.
– Rosemary Scott
“I guess we like each other a lot, huh?”Sommaren med Monika [Summer with Monika] (Ingmar Bergman, 1953)
Jul
27

Monika (Harriet Andersson) and Harry (Lars Ekborg) rest in each other's arms. DP: Gunnar Fischer, still photography by Louis Huch.
Someone naps or sleeps*
– Monika Eriksson
* the Bales 2025 Film Challenge for July is, for unknown reasons, mostly not date-related and follows some sort of vacation narrative.
Estate violenta [Violent Summer] (Valerio Zurlini, 1959)
Jul
25
1943

A large radio on a small pedestal. A perpetual wall calendar next to it reads DOMENICA 25 LUGLIO. DP: Tino Santoni.
“We still remember our high wall. Even the day we first climbed it, filled with curiosity. The sadness of the discoveries of those years seemed devastating to us. Then we wondered how we could have forgotten it so suddenly.” Vysoká zeď [The High Wall] (Karel Kachyňa, 1964)
Jul
23

The young man (Vít Olmer) rests in the sun with Jitka (Radka Dulíková) observing him. DP: Josef Vaniš.
Someone is in an ambulance or hospital*
– prologue
It's summer in Prague. Jitka, a girl on the cusp of womanhood, follows a stray cat and finds a tall hospital wall. Behind it, a young man in a wheelchair rests. The girl and the man connect.
* the Bales 2025 Film Challenge for July is, for unknown reasons, mostly not date-related and follows some sort of vacation narrative.
“I thought you'd be hungry, maybe.” La piscine [The Swimming Pool] (Jacques Deray, 1969)
Jul
20

Marianne (Romy Schneider) and Harry (Maurice Ronet) shopping. Note the plethora of atypical-for-France ingredients, and how the packaging hasn't changed up to today. DP: Jean-Jacques Tarbès.
Shopping for food*
Schneider and Ronet's characters go get their groceries in a tiny, surprisingly well-stocked-with-Asian-food-items French corner shop, ánd manage to find all the ingredients needed. One rookie mistake: Uncle Ben's. Of all the rice in the world…
* the Bales 2025 Film Challenge for July is, for unknown reasons, mostly not date-related and follows some sort of vacation narrative.