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하녀 [Hanyeo / The Housemaid] (Kim Ki-young, 1960)
Nov
13
Adding one more ingredient. DP: Deok-jin Kim.
A memorable kitchen or cooking scene*
“Look at us. We're almost totally dependent on our maid. She cooks and washes for us, and is the first person to greet me when I come home from work. She is entirely at our service.”
– Dong-sik Kim
A housemaid works her way into a middle-class household and takes over the wife's tasks – cleaning, cooking, child rearing.
* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.
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Jules et Jim (François Truffaut, 1962)
Nov
4
sweaters
Catherine (Jeanne Moreau) in a raggedy, moth-eaten sweater and oversized newsboy cap, wears a moustache and smokes a cigar (via). DP: Raoul Coutard.
A movie with gorgeous sweater fashion*
“She's a strange breed.”
– Jim
Throwing in a little Movember for good measure.
* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.
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Na wylot [Through and Through] (Grzegorz Królikiewicz, 1972)
Nov
4
1933
Maria (Anna Nieborowska) and Jan (Franciszek Trzeciak) in court. The film is based on the 1933 Jan and Maria Malisz’s Case. DP: Bogdan Dziworski.
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Nosferatu: Phantom der Nacht [Nosferatu the Vampyre] (Werner Herzog, 1979)
Oct
22
eternal returns
Adjani, Kinski, and Herzog on set. DP: Jörg Schmidt-Reitwein.
[A favourite] horror remake*
“I never thought I could be friends with a German again. But here I am… Werner is somehow like Murnau brought back to life.”
– Lotte Eisner visiting the set of Herzog's Nosferatu (via)
Coming back to Murnau's expressionist masterpiece was Herzog's bridge between the films made by the grandfathers of German cinema and his era. Herzog, born in 1942 Munich, noted this void created by that philistine regime and felt that, by picking up the thread cut a quarter of a century earlier, German culture could see a restoration to its (non-nationalistic) greatness. Thus a menagerie of rats and actors was released in a reluctant, bourgeois Dutch town.
But that's a story for another generation to draw upon.
* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.
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La chute de la maison Usher [The Fall of the House of Usher] (Jean Epstein, 1928)
Oct
21
A favourite horror film adapted from a book or short story*
“Everything in this masterpiece contributes to its unity: the absolute mastery of editing and rhythm; slow motion, superimpositions, tracking shots, the mobile camera all play their roles and never gratuitously. The photographic quality, worthy of the most learned German operators, the lighting of the sets which envelops them in mystery, the sets themselves, neither realistic nor stylized, but as if sketched; the acting neither realistic nor expressionist, and yet adapted to the fantastic, to the violence; to the pauses; to the blur.”
A groundbreaking expressionist interpretation of Poe's inner horrors. Many of the tropes so common in later horror films, are fully fledged and present here.
* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.
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하녀 [Hanyeo / The Housemaid] (Kim Ki-young , 1960)
Oct
12
rice
A distraught looking woman appears to be force fed rice by a person just off-screen. DP: Kim Deok-jin.
“I won't cook for a concubine, even if today is the last day of my life.”
– Mrs Kim
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Il demonio [The Demon] (Brunello Rondi, 1963)
Oct
6
exorcism
While several men hold her down, Purif (Daliah Lavi) sticks out her tongue to the crucifix held up to her. DP: Carlo Bellero.
[A favourite] exorcism film*
“Blood of Christ. Demon. A curse upon this man. A curse that he will never forget me. Blood of my body. Until the grave. A curse that he will never forget me.”
– Purificazione
When a rejected young woman puts a curse on her heart's desire, the locals see nothing less than witchcraft. It is decided that Purif must be possessed, and exorcised.
* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.
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ტარიელ მკლავაძის მკვლელობის საქმე [Tariel Mklavadzis mkvlelobis saqme / The Hero of Our Time] (Ivane Perestiani, 1925)
Sep
21
wine
A dark eyed woman lurks from behind a white horse, while holding a glass of wine. DP: Aleksandr Digmelov.
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Слънцето и сянката [Slantzeto i syankata / Sun and Shadow] (Rangel Vulchanov, 1962)
Sep
18
National First Love Day
The two young lovers (Georgi Naumov and Anna Prucnal). DP: Dimo Kolarov.
First love for National First Love Day (USA).
A boy and a girl fall in love at a resort at the Black Sea. He's the son of an architect, an optimist who sees creation where possible. She's the daughter of a nuclear scientist, the future an inevitable apocalypse.
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Un matrimonio interplanetario [A Marriage in the Moon] (Enrico Novelli, 1910)
Sep
12
Луна 2 – 1959
Aldovin (director and author of La Colonia Lunare (1908) meets his lovely Martian fiancée halfway, on the Moon.
To commemorate the launch (not landing) of the Луна 2 aka the Second Soviet Cosmic Rocket on September 12, 1959, we present The Moon.
According to Wikipedia, Luna 2 was the first spacecraft to touch the surface of the Moon, and the first human-made object to make contact with another celestial body. Well, Enrico Novelli went there first…
“Mars Daughter, You are fine. I am loving you and I should like very much to marry you.”
– Aldovin, Terrestrial Astronomer (Aldovin's radiotelegraph to Mars), via