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La perle [The Pearl] (Henri d'Ursel, 1929)
Dec
15
National Wear Your Pearls Day
A giddy Kissa Kouprine as the jewellery salesgirl. A pearl necklace jauntily dangles from her suspender. DP: Marc Bujard.
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Ascenseur pour l'échafaud [Elevator to the Gallows] (Louis Malle, 1958)
Dec
13
croissants
Mr Tavernier (Maurice Ronet) taking a bite out of a croissant while dialling a number in a lively French café. A blonde behind him shows an interest. DP: Henri Decaë.
“Have you seen Mr Tavernier tonight?”
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Laura (Otto Preminger + Rouben Mamoulian, 1944)
Dec
11
Laura Hunt (Gene Tierney) interrupts arsine newspaper columnist Waldo Lydecker (a delicious Clifton Webb) with her designs during his lunch. DPs: Joseph LaShelle & Lucien Ballard.
“I don't use a pen. I write with a goose quill dipped in venom.”
– Waldo Lydecker
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The Unknown (Tod Browning, 1927)
Dec
3
Let's Hug Day
Someone's hugged on Let's Hug Day [sic]. Target girl Nanon (Joan Crawford) hugs her circus partner, Alonzo (Lon Chaney) the knife thrower. Her tight embrace may reveal his secret. DP: Merritt B. Gerstad.
“Men! The beasts! God would show wisdom if he took the hands from all of them!”
– Nanon Zanzi
As mighty as Alonzo may be, the incomparable Lon Chaney owes much to armless violinist and knife thrower “Judge” Paul Desmuke. Story goes that Desmuke taught Chaney his knife act in two months. More probable is that some of the more impressive close-up scenes show the Judge's, not Chaney's, feet.
Like Alonzo, The Unknown has lost some flesh. Until 1968, only mangled bootlegs were available; a complete print was considered non-existent. Five years later, news broke about film reels of unknown origin labelled inconnu – [the] unknown, somewhere in the bowels of the Cinémathèque Française.
Some 14 minutes, outlining the Armless' background, are still missing. Do check your attic.
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La Belle et la Bête [Beauty and the Beast] (Jean Cocteau + René Clément, 1946)
Nov
28
Giving Tuesday
The most beautiful flower, a rose, in La Bête's enchanted garden. DP: Henri Alekan.
Just before leaving home for a business trip, a father asks his three daughters what he can bring them as a return gift. The eldest two ask for silly, extravagant things. A monkey! A parrot! The youngest simply wishes the most beautiful flower which the father finds in an enchanted garden, guarded by a terrible beast. And will pay for with his life unless he gives his youngest away to the beast, to die in his place.
– Can such miracles really happen?
– You and I are living proof.
#Cocteau and Clément's La Belle et la Bête is of course based on Gabrielle-Suzanne Barbot de Villeneuve's fairy-tale, which on its turn was based on the classic myth of Cupid and Psyche.
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Lonesome (Pál Fejős, 1928)
Nov
20
A Beautiful Day
Two hopelessly lonely hearts meet each other at Coney Island, spending the most wonderful day in each other's company. Pál Fejős' joyful Lonesome was made just when motion pictures became talkies, and new and more modern novelties were expected by the audience. Fejős delivers, with sound and musical inserts, and the occasional – almost shocking – burst of colour.
– Nice day, isn't it?
– Yes, isn't it!
– It's swell. It's perfect.
With light touches of Murnau's groundbreaking Sunrise: A Song of Two Humans (1927) and Jean Vigo's more experimental À propos de Nice (1930), Lonesome depicts the exuberance of youth with an optimism soon to be lost to the vices of history.
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Hellzapoppin' (H.C. Potter, 1941)
Oct
24
National Crazy Day
Olsen and Johnson break all the walls. DP: Elwood Bredell.
“Any resemblance between HELLZAPOPPIN’ and a motion picture is purely coincidental”
– tagline
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The Leather Boys (Sidney J. Furie, 1964)
Oct
17
National Motorcycle Ride Day
Pete (Dudley Sutton) in his black leather tiger jacket waiting for Reggie (Colin Campbell). He leans against a window pane while Reggie drives up. It's raining and Reg is merely a blur. DP: Gerald Gibbs.
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心中天網島 [Shinjū: Ten no Amijima / Double Suicide] (Masahiro Shinoda, 1969)
Oct
10
International Stage Management Day
Jihei (Kichiemon Nakamura ) and his children with a stagehand visible between them. DP: Tōichirō Narushima.
心中天網島 is based on a 1721 文楽 [#bunraku] puppet theatre play]. As traditional in this style of theatre, the puppeteers are in full view of the audience wearing all-black cloaks. 心中天網島 does the same, but substitutes the puppets with flesh and blood actors.
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The Animal (Walter Ungerer, 1976)
Sep
30
National Ghost Hunting Day
Jo (Jo Moore) in the couple's cabin. She's seen reflected in a mirror, together with what appears to be an older woman in an old photograph. DP: Walter Ungerer.