settima

romance

The Thomas Crown Affair (Norman Jewison, 1968)

Jan

26

champagne

The Thomas Crown Affair (1968)

A production photo showing Thomas Crown (McQueen) and Vicki Anderson (Dunaway) sharing foods and drinks. Them seem enthralled with each other. DP: Haskell Wexler.

– Do you play? – Try me.

High Sierra (Raoul Walsh, 1940)

Jan

19

High Sierra (1940)

Roy Earle (Bogart) pensively smoking an after-meal cigarette while Marie Garson (Lupino) looks on. DP: Tony Gaudio.

“Roy, this is the land of milk and honey for the health racket. Every woman in California thinks she's either too fat or too thin or too something.”

– 'Doc' Banton

Ο Δράκος [O Drakos / The Ogre of Athens / The Ogre / The Vampire] (Nikos Koundouros, 1956)

Jan

2

Martini

Ο Δράκος (1956)

The boss, Hondros (Giannis Argyris), pours out a stiff drink on the floor of his cabaret with Mr Tomas (Dinos Iliopoulos) in the background. DP: Kostas Theodoridis.

The first film dinner of 2024.

Ο Δράκος [O Drakos / The Ogre of Athens / The Ogre / The Vampire] (Nikos Koundouros, 1956)

Dec

31

New Year's Eve

Ο Δράκος (1956)

Men in identical white shirts and dark slacks dancing in the club during after hours. Their upper bodies seem top-heavy, tending to lunge towards the ground. DP: Kostas Theodoridis.

New Year's Eve celebrations.
A mousy bank clerk (Dinos Iliopoulos), who bears an uncanny resemblance to a criminal on the run, finds himself hiding in a shady cabaret on New Year's Eve instead of spending a quiet evening alone. During his forced stay at the nightclub, he comes to enjoy and identify more and more with his newfound persona and assumes the role of the notorious “Drago”.

 

An initial box office dud, it is now considered one of the top ten all-time best Greek films.

 

Happy new year, everyone! On to many more cinematic discoveries!

La baie des anges [Bay of Angels] (Jacques Demy, 1963)

Dec

23

pears

La baie des anges (1963)

A blonde Moreau at a restaurant table with a man seen from the back. There are several semi-empty wine glasses and pears sliced lengthwise on a plate, covered with a napkin. Jeanne's character Jackie Demaistre is holding a small sheet of paper with a schematic drawing of a roulette wheel while throwing the man a sceptical glance. DP: Jean Rabier.

“We'll go back to Nice tomorrow. The Bay of Angels brings us luck.”

– Jean Fournier

La perle [The Pearl] (Henri d'Ursel, 1929)

Dec

15

National Wear Your Pearls Day

La perle (1929)

A giddy Kissa Kouprine as the jewellery salesgirl. A pearl necklace jauntily dangles from her suspender. DP: Marc Bujard.

Pearls worn for National Wear Your Pearls Day. No one said those pearls were to be worn in the obvious place.

Ascenseur pour l'échafaud [Elevator to the Gallows] (Louis Malle, 1958)

Dec

13

croissants

Ascenseur pour l'échafaud (1958)

Mr Tavernier (Maurice Ronet) taking a bite out of a croissant while dialling a number in a lively French café. A blonde behind him shows an interest. DP: Henri Decaë.

“Have you seen Mr Tavernier tonight?”

Laura (Otto Preminger + Rouben Mamoulian, 1944)

Dec

11

Laura (1944)

Laura Hunt (Gene Tierney) interrupts arsine newspaper columnist Waldo Lydecker (a delicious Clifton Webb) with her designs during his lunch. DPs: Joseph LaShelle & Lucien Ballard.

“I don't use a pen. I write with a goose quill dipped in venom.”

– Waldo Lydecker

The Unknown (Tod Browning, 1927)

Dec

3

Let's Hug Day

The Unknown (1927)

Someone's hugged on Let's Hug Day [sic]. Target girl Nanon (Joan Crawford) hugs her circus partner, Alonzo (Lon Chaney) the knife thrower. Her tight embrace may reveal his secret. DP: Merritt B. Gerstad.

Nanon Zanzi (Joan Crawford) is mortally afraid of men. Of their grabbing, grasping, groping hands. This is why she only trusts her knife throwing partner Alonzo the Armless (Lon Chaney). What she doesn't know is that Alonzo and his 4'10”/1,47 m accomplice Cojo (that great staple of precode horror Tufei Filhela aka John George), use the #circus to hide from the long arm of the law, who is looking for a murderer with a deformed thumb. Who would suspect an armless man?

“Men! The beasts! God would show wisdom if he took the hands from all of them!”

– Nanon Zanzi

As mighty as Alonzo may be, the incomparable Lon Chaney owes much to armless violinist and knife thrower “Judge” Paul Desmuke. Story goes that Desmuke taught Chaney his knife act in two months. More probable is that some of the more impressive close-up scenes show the Judge's, not Chaney's, feet.

 

Like Alonzo, The Unknown has lost some flesh. Until 1968, only mangled bootlegs were available; a complete print was considered non-existent. Five years later, news broke about film reels of unknown origin labelled inconnu – [the] unknown, somewhere in the bowels of the Cinémathèque Française.

 

Some 14 minutes, outlining the Armless' background, are still missing. Do check your attic.

La Belle et la Bête [Beauty and the Beast] (Jean Cocteau + René Clément, 1946)

Nov

28

Giving Tuesday

La Belle et la Bête (1946)

The most beautiful flower, a rose, in La Bête's enchanted garden. DP: Henri Alekan.

Just before leaving home for a business trip, a father asks his three daughters what he can bring them as a return gift. The eldest two ask for silly, extravagant things. A monkey! A parrot! The youngest simply wishes the most beautiful flower which the father finds in an enchanted garden, guarded by a terrible beast. And will pay for with his life unless he gives his youngest away to the beast, to die in his place.

– Can such miracles really happen? – You and I are living proof.

#Cocteau and Clément's La Belle et la Bête is of course based on Gabrielle-Suzanne Barbot de Villeneuve's fairy-tale, which on its turn was based on the classic myth of Cupid and Psyche.