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The Sleeping Tiger (Joseph Losey, 1954)
Jan
14
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A cheque dated January 14. DP: Harry Waxman .
“If the halo fits, put it on. And don't pretend you don't love winding people up like little toys.”
– Glenda Esmond
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Tarry-Dan Tarry-Dan Scarey Old Spooky Man (John Reardon, 1978)
Jan
10
Tarry-Dan (Paul Curran) observing kids at the school's gate. DP: Peter Bartlett.
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Nowhere to Go (Seth Holt + Basil Dearden, 1958)
Dec
22
Tue
A man checks into a hotel. A wall calendar reads December 22, a Tuesday. DP: Paul Beeson .
“Sloane! Be lucky!”
– Paul Gregory
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The Automatic Motorist (Walter R. Booth, 1911)
Dec
17
Saturnalia
While on the ringed planet, they pick up a cop to save him from spear-wielding rascals, but he elopes with the planet's fairy. Look at those lovebirds on the rings of Saturn!
A planet with rings for Saturnalia
Two lovely newlyweds and their robot chauffeur take a trip to Saturn for their honeymoon, followed by a jolly ride under the sea. A remake of Booth's own The '?' Motorist from 1906.
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The Baby of Mâcon (Peter Greenaway, 1993)
Dec
12
Dīpāvalī
The miraculous child (Nils Dorando) surrounded by candles. DP: Sacha Vierny.
When an old crone gives birth to a beautiful baby, a young virgin claims the child as hers. With the Immaculately Conceived wonder put on display – to the child's contemporaries, the court of Cosimo de' Medici attending a reenactment of the events, and us film viewers – He protects the false Virgin from losing her chastity and blurs the walls between staging and gospel.
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The Criminal [The Concrete Jungle] (Joseph Losey, 1960)
Nov
21
chow time
A prison space. Two tough looking guys in dark clothing appear to savour their meals. One of them is holding a book. DP: Robert Krasker.
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Women in Love (Ken Russell, 1969)
Nov
18
Bates and Reed in post-jostle bliss, bathing in the fireplace's glow (via). DP: Billy Williams.
A memorable fire or fireplace scene*
“Oh, my God, Gerald! Shall I die?”
– Gudrun Brangwen
Oddly, one barely remembers the fireplace.
* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.
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Requiem for a Village (David Gladwell, 1975)
Nov
14
The wedding party revellers sing. DP: Bruce Parsons.
“Early one morning, just as the sun was rising,
I heard a maid sing in the valley below;
‘O don’t deceive me, O never leave me!
How could you use a poor maiden so?”
– Early one morning, via
A sort of Wicker Man visits Mon oncle, this painting of an old England is. Painter filmmaker David Gladwell's impressionist work takes us to a small Suffolk community that, like all other communities, is both frozen in time and unable to escape its progression. The churchyard's caretaker, amongst the living and the dead, watches, works, and knows.
* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.
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The Mystery of the Mary Celeste [Phantom Ship] (Denison Clift, 1935)
Nov
11
Anton Lorenzen (Bela Lugosi). DPs: Eric Cross & Geoffrey Faithfull.
“No, I never left the wheel; not for a moment.”
– Anton Lorenzen
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Night of the Demon (Jacques Tourneur, 1957)
Oct
28
John Holden (Dana Andrews) standing in Stonehenge's inner circle. He's holding a strip of paper with something written on it. DP: Edward Scaife.
“It's in the trees! It's coming!”