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Whistle Down the Wind (Bryan Forbes, 1961)
Jul
9
Barn Day
The man (Alan Bates) in the barn surrounded by little children. The older girl in the light coat, Kathy, is played by Hayley Mills, author Mary Hayley Bell's daughter. DP: Arthur Ibbetson.
In the barn of a remote Lancashire farmhouse, three children stumble upon a stranger. Confused, they conclude that the fellow must be the Second Coming of Christ. In the world of the adults, a man is wanted by the police.
“Good night, Gentle Jesus. Sleep well.”
– Charlie Bostock
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The Treasure of the Sierra Madre (John Huston, 1948)
Jun
30
campfire grub
Curtin (Tim Holt), Dobbs (Bogart), and Howard (Walter Huston) eating campfire grub. DP: Ted D. McCord.
“Say, mister. Will you stake a fellow American to a meal?”
– Dobbs
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The Treasure of the Sierra Madre (John Huston, 1948)
Jun
29
National Handshake Day
Fred (Humphrey Bogart) and Curtin (Tim Holt) shake hands witnessed by gruff prospector Howard (Walter Huston). DP: Ted D. McCord.
“I know what gold does to men's souls.”
– Howard
Seemingly character driven, Huston's The Treasure of the Sierra Madre is an adventure moved by a relentless #landscape, the urge to drift, and #greed.
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Compulsion (Richard Fleischer, 1959)
Jun
29
coffee
A squeaky young Stockwell and Varsi at a diner. We're looking in from the outside through an open window. The place is busy but she's all enthralled by his wit and intellect (and looks for sure). DP: William C. Mellor.
“Europe, a Stutz Bearcat, the best restaurants. You fellas really have a hard life, don't you?”
– Harold Horn, DA
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Stromboli (Terra di Dio) [Stromboli] (Roberto Rossellini, 1950)
Jun
27
tuna (fresh)
Karen (Ingrid Bergman) looking miserable at a small kitchen table. A huge tuna covers most of its surface. DP: Otello Martelli.
Posted while deciding on my film dinner. Eventually I went with Tourneur's La Main du Diable (1943).
“I don't care about your barley. Or, your vines! Or, your new terra!”
– Karen
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Stromboli (Terra di Dio) [Stromboli] (Roberto Rossellini, 1950)
Jun
27
Decide To Be Married Day
Antonio (Mario Vitale) and Karen (Ingrid Bergman). DP: Otello Martelli.
Karen – “Karin” in the opening credits – is a displaced Lithuanian woman in an Italy-based refugee camp. She meets an Italian military man bivouacking on the other side of the barbed wire and decides to say yes when he proposes. When the newly-weds leave for home, she finds to her dismay that he's a poor Sicilian fisherman from #Stromboli; a magnificent active volcanic island home to a small Catholic parish. Again displaced, Karen is confronted with herself more than with the others that share her faith.
“Here we are, poor wretches, in this hell, Condemned to tyranny.”
– Antonio
Roberto #Rossellini's Stromboli (Terra di Dio) is a peculiar melodramatic Italian/American hybrid that seems to strongly dismiss the Italian aspect. The significance of Struògnuli – the Sicilian name for the volcano – and the people's faith connected to the volatile mountain and the surrounding sea is presented as primitive superstition. That the Sicilian dialogue – song, prayer, life – remains untranslated and the locals' broken English is used as comic relief adds insult to injury.
Otello Martelli's photography excels when he manages to tear himself away from Bergman's face. Only when we're confronted with the magnificence of Struògnuli, the gifts from the ocean, and the greatness of nature we'll be able to understand why the island is man's home.
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Jeopardy (John Sturges, 1953)
Jun
25
National Camp Counts Day
– Aw, mom. You always talk about civilization.
– Don't knock it, son.
John Sturges' Jeopardy is a thrilling reverse home invasion based on Maurice Zimm's radioplay A Question of Time. Without falling into the trap of an illustrated radio broadcast, the haunting photography by Victor Milner, small, intense cast, short runtime and claustrophobic sets make for a very modern, economic thriller.
And Barbara Stanwyck the type of heroine we wouldn't see much of until decades later.
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Dark Star (John Carpenter, 1974)
Jun
23
space lunch
The men enjoying a joyless lunch, consisting of something semi-liquid in a squeeze packet. DP: Douglas Knapp.
“Today over lunch I tried to improve morale and build a sense of camaraderie among the men by holding a humorous, round-robin discussion of the early days of the mission. My overtures were brutally rejected. These men do not want a happy ship. They are deeply sick and try to compensate by making me feel miserable.”
– Sgt. Pinback's video diary
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Get Rollin' (J. Terrance Mitchell, 1980)
Jun
22
Young Black men jammin' to resident DJ “Big Bob” Clayton's grooves with Maurice Gatewood taking centre stage. Later in the 80s, the Empire Roller Disco would become a meeting point for gay Black and Latinx men who would hold rollerdance competitions. DP: Joseph Friedman.
The groove is driving and the characters jammin' in J. Terrance Mitchell's Get Rollin' (1980). We follow entrepreneur Vinzerrelli (Vinnie Vinzerrelli) who aims to become “the Muhammad Ali of #RollerBoogie” and to enter the Guinness Book of World Records as the first roller skater to make a million dollars. In his tow, smooth-as-silk Pat the Cat (Pat Richardson), who calls it a day to become a star roller derby player in “London, England”. Pat's wife and suddenly-ex-boss are less charmed by the idea. Those skates are expensive, and steam-cleaning those customised tees cost a dime, too. But Pat, he's determined. He's the Cowboy on Skates, rollin' his and everyone's blues away.
“It's spontaneous combustion!”
– Vinzerrelli
And in her own quiet way, there's soft-spoken physical therapist Inez from Alabama, who can be seen swerving around like a Disco Queen if not teaching a mangled man in Central Park how to rollerskate with flair and self-esteem.