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The War Game (Peter Watkins, 1966)
Sep
16
“In the next world war, I believe that both sides could stop before the ultimate destruction of cities so that both sides could retire for a period of ten years or so of post-attack recuperation, in which world wars four to eight could be prepared.”
– a leading American nuclear strategist
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И дойде денят [I doyde denyat / And the Day Came] (Georgi Djulgerov, 1973)
Sep
9
1944
Mustafa (Plamen Maslarov) running. DP: Radoslav Spassov.
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Friendship's Death (Peter Wollen, 1987)
Sep
9
1970
Bill Paterson and Tilda Swinton as Sullivan and Friendship. DP: Witold Stok.
“What will happen when your machines become intelligent? When they become autonomous? When they have private thoughts? You humans look down on your machines because they're man-made. They're a product of your skills and labour. They weren't even domesticated like animals were. You see them simply as extensions of yourself, of your own will. I can't accept that. I can't accept subhuman status simply because I'm a machine based on silicon rather than carbon, electronics rather than biology. If I sound fanatical, it's because I've been trapped in a time warp. In a world where the full potential of machines hasn't been guessed at. A world where I have to wear a human disguise to be accepted? I came here too late. It will all end before the computers that already control the fate of the world have reached the point where they wanted to survive.”
– Friendship
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A Canterbury Tale (Michael Powell + Emeric Pressburger, 1944)
Aug
27
Alison (Sheila Sim) looking out over the rolling hills of Kent with the Canterbury Cathedral somewhere out there. DP: Erwin Hillier.
“Well, there are more ways than one of getting close to your ancestors. Follow the old road, and as you walk, think of them and of the old England. They climbed Chillingbourne Hill, just as you. They sweated and paused for breath just as you did today. And when you see the bluebells in the spring and the wild thyme, and the broom and the heather, you're only seeing what their eyes saw. You ford the same rivers. The same birds are singing. When you lie flat on your back and rest, and watch the clouds sailing, as I often do, you're so close to those other people, that you can hear the thrumming of the hoofs of their horses, and the sound of the wheels on the road, and their laughter and talk, and the music of the instruments they carried. And when I turn the bend in the road, where they too saw the towers of Canterbury, I feel I've only to turn my head, to see them on the road behind me.”
– Thomas Colpeper, JP
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Восточный коридор [Vostochny Koridor / Eastern Corridor] (Valentin Vinogradov, 1967)
Jan
15
People eating, drinking, singing. DP: Yuri Marukhin.
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飼育 [Shiiku / The Catch] (Nagisa Ōshima, 1961)
Dec
26
offerings
An altar with two rotund, smiling stone statues – possibly Jizō, a bowl of rice with chopsticks stuck into it, and a Japanese soldier's photograph. The position of the chopsticks tells us that the soldier has died. DP: Yoshitsugu Tonegawa.
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Празник [Praznik / The Feast] (Đorđe Kadijević, 1967)
Dec
25
Christmas dinner
Soldiers eating bread at a set table. DP: Aleksandar Petković.
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La battaglia di Algeri [The Battle of Algiers] (Gillo Pontecorvo, 1966)
Dec
18
Arabic Language Day
Petit Omar (Mohamed Ben Kassen) reading out a letter to Ali La Pointe (Brahim Hadjadj) in the قصبة, (Cashbah). If it were not for the leads' jeans and sneakers, this scene could be in any century. DP: Marcello Gatti.
“The first section's dead. There's no one left. We lost contact with the second. The third is reorganizing. All that's left is the fourth. It's enough to start over with.”
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Punishment Park (Peter Watkins, 1971)
Dec
13
U.S. National Guard Birthday
A European camera crew follows a diverse group of American minor dissidents – pacifists, feminists, communists – who are given the choice to spend decades in federal prison, or three days in Bear Mountain Punishment Park, chased by National Guardsmen and law enforcement officers. If they manage to capture the American flag, they're free to go.
“America is as psychotic as it is powerful and violence is the only goddamn thing that will command your attention.”
– Defendant Lee Robert Brown
While the washed-out 16mm footage and references to #Nixon may tell you otherwise, Punishment Park remains a gut-punching portrait of a timeless America.
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The Big Shave [The Big Shave… or, Viet '67] (Martin Scorsese, 1967)
Dec
2
Safety Razor Day
A young man (Peter Bernuth) shaving in front of a mirror. The bathroom is clean, white, with chrome fixtures. DP: Ares Demertzis.
Accompanied by the sweet tunes of Bunny Berigan and Ira Gershwin's I Can't Get Started, a young man shaves his face. The Big Shave is a short commissioned film which contains many of the hallmarks of Martin Scorsese's later, more accessible work.
“I've been consulted by Franklin D.,
Gretta Garbo has had me to tea,
Still I'm broken hearted,
Cause I can't get it started,
With you”
–Ira Gershwin, I Can't Get Started (1936)
There's also the obvious influence of #KennethAnger to be found, in nostalgic show tunes, the fetishisation of chrome and clean lines, followed by lustful, by ways erotic, violence. #Scorsese theme here is not homoeroticism, not on the surface at least, but the carnage laid upon so many young men sent off to the smouldering battlefields of #Vietnam. There'd be another six years of that. And meanwhile, some young men came back. And some picked up a job, driving a cab.