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La sixième face du pentagone [The Sixth Face of the Pentagon] (Chris Marker + François Reichenbach, 1968)
Oct
21
1967
Armed police seen from the back. In front of him someone holds up a sign that reads WHY WAR. DPs: Tony Daval, Chris Marker & Christian Odasso.
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1943-1997 ['43 – '97] (Ettore Scola, 1997)
Oct
16
1943
The boy (Francesco Cencioni) on the run in a locked down town. DP: Carlo Tafani.
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Smrt si říká Engelchen [Death Is Called Engelchen] (Ján Kadár + Elmar Klos, 1963)
Sep
19
ER – 1994
Pavel (Jan Kačer) recovering face-down in his hospital bed. DP: RudolfMilič.
An emergency room: ER debuts on this date in 1994.
A paralysed Czechoslovak partisan recovering from a shot in the back in an emergency ward, feverishly remembers the events that brought him to that moment. He particularly remembers Engelchen, the SS Sturmbannführer who killed his best friend and massacred the local villagers.
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Hullumeelsus [Безумие / Madness] (Kaljo Kiisk, 1968)
Sep
15
International Day of Democracy
Windisch (Jüri Järvet) pacing, blending in with a white-clad inmate. DP: Anatoliy Zabolotskiy.
“Stop shooting! Stop democracy!”
– Person Nr. 1
The Gestapo arrives to liquidate the inmates of a mental hospital. Then Windisch, plainclothes Nazi, brings them a letter: there's a special commando hiding amidst the 583 patients. Interrogating them slowly pushes Windisch among them.
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Estate violenta [Violent Summer] (Valerio Zurlini, 1959)
Jul
19
Roberta (Eleonora Rossi Drago) and Carlo (Jean-Louis Trintignant). DP: Tino Santoni.
Characters go on a date, or fall in love*
“It would be thrilling if you were willing,
and if it can never be, pity me,
for you were born to be kissed,
I can’t resist, you are temptation,
and I am yours!”
– Nacio Herb Brown & Arthur Freed, Temptation (1933)
On a beautiful summer day in Rimini, Carlo, the handsome son from a bourgeois home, saves a little girl and becomes infatuated with the girl's mother, a young widow years his senior. Set in July 1943, the events in the outer world (poss. spoilers) and the fate of the two uneven lovers slowly come to their logical conclusion.
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Popiół i diament [Ashes and Diamonds] (Andrzej Wajda, 1958)
Jun
27
National Sunglasses Day
Maciek Chelmicki (Zbigniew Cybulski) wearing his sunglasses in a dark, almost German Expressionist space, embellished with meandros. DP: Jerzy Wójcik.
– Why do you always wear those dark glasses?
– A souvenir of unrequited love for my homeland.
According to IMDb, the sale of sunglasses in Poland went through the roof after this film was released and Cybulski became his country's very own James Dean.
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The Diary of an Unknown Soldier (Peter Watkins, 1959)
Jun
14
Army Day
That glance. Any soldier at any time. DP: Peter Watkins.
A [favourite] soldier in film for Army Day (USA). I can not in all seriousness link to any official website in fear of throwing up, so please follow along here
“That’s how I will probably die, left like a poor old rag on the battlefield. When you know this is going to happen to you, your body suddenly becomes something terribly precious to you. This flesh, soft and warm is yours; a personal belonging not to be discarded like an awful piece of meat. You find yourself thinking about this, realizing what a wonderful thing your body is, and what an awful and wrong thing it is to maltreat it.”
Watkins takes the anonymous slaughter of the masses on the battlefield inside, into the body and mind of a young soldier.
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Skammen [Shame] (Ingmar Bergman, 1968)
Jun
12
Loving Day
Eva (Liv Ullmann) and Jan Rosenberg (Max von Sydow) (via). DP: Sven Nykvist.
“Sometimes everything seems just like a dream. It's not my dream, it's somebody else's. But I have to participate in it. How do you think someone who dreams about us would feel when he wakes up. Feeling ashamed?”
– Eva
After Vargtimmen (1968), the second of Bergman's Ullmann/Von Sydow cycle. It was followed by En passion (1969).
Against the backdrop of war, a violinist couple tends a garden – and marriage – on the island of Fårö.
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Le chagrin et la pitié [The Sorrow and the Pity] (Marcel Ophüls, 1969)
Jun
5
Sorry I Was on a Boat Day
“One thing I find appalling is when people who were [Vichy President] Pétain supporters come up to me and tell me what they did for the Resistance. Sometimes it's unreal. “Oh, Mr. Gaspard, if only you knew what we did, what I did for the Resistance.” Go ahead, pal, tell me all about it. I try to stay calm. I'm a salesman, and I want to sell my product. The company doesn't pay me to do politics and pick fights, so sometimes I find myself obliged to listen to a song and dance of some guy who shows me a drawer and gets his wife to confirm that there was indeed a revolver in that drawer during the war, a revolver which he was supposedly ready to use on the Germans. Only he never actually used it. History doesn't lie.”
And what is yours?
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Летят журавли [Letyat zhuravli / The Cranes Are Flying] (Mikhail Kalatozov, 1957)
May
8
VE Day
A young woman standing in what was a room in a building, looks out over the ruins of a city. A broken lampshade and a grandfather's clock whisper of other times. DP: Sergey Urusevskiy.
A non-battlefield war movie on VE Day. It had to be a Soviet film, on this date. Thank you, Russia.
“Time will pass. Towns and villages will be rebuilt. Our wounds will heal. But our fierce hatred of war will never diminish.”
– Stepan
When the cranes fly over Moscow, a young couple learns about the war. Now separated, one day, when it is over, if, they'll reunite