Norman McLaren's low-budget pixelation (animation created with live action footage) was groundbreaking in many aspects; even the soundtrack was painted directly onto the film stock.

“Love your neighbour”

– title card

Read more about its fascinating backstory and watch the short animation over at the National Film Board of Canada's website.

Great Highland #bagpipes, or a' phìob mhòr as they're called in Scottish Gaelic, are traditionally played on the battlefield. Peter Watkins' Culloden moves the senseless bloodshed from 1960s Vietnam to the Scottish Highlands of 1746.

“And wherever he went, he took with him his music, his poetry, his language and his children… thus within a century of Culloden, the English and the Scottish lowlanders had made secure forever their religion, their commerce, their culture, their ruling dynasty.”

– narrator

The most clearly it's seen in the men's eyes. That stare we recognise all too well from the many images that reached the west in the 60s, ever before and after.

“Shoulder to shoulder. The land is ours. Tomorrow is ours.”

– sailor

“Sir John MacDonald, Jacobite captain of cavalry. Aged, frequently intoxicated, described as 'a man of the most limited capacities'.”

– narrator

In the children's film Valahol Európában, a gang of plundering feral orphans hiding out in a ruined castle find an old disillusioned pacifist conductor (Artúr Somlay) who's waiting out the war.

In a strange other #England – in the village of Chillingbourne to be precise – a train pulls into the station. On board are several people on their way to #Canterbury.

“You're not dreaming.”

– Thomas Colpeper, JP

When Alison disembarks, believing she arrived at the pilgrim's town, a stranger pours #glue in her hair. She's the eleventh, the policeman said. It's the glue man, the townsfolk know. Like the pilgrims of #Chaucer's poem, Alison and her fellow stranded travellers journey towards the closure of this mystifying case.

For authenticity reasons, The General was – for the most part – filmed on location in Oregon. Set during the #AmericanCivilWar, it's a comedic retelling of a popular war memoir about the #GreatLocomotiveChase.

“This girl was in the baggage car when we stole the train, so I thought it best to hold her.”

– Captain Anderson

Sadly it was a box office #flop, resulting in Keaton losing his independence and his movie entering the #PublicDomain as early as 1954. Luckily for us that means we too can enjoy Oregon beautiful 1920s vistas.

In the summer of 1945, the people of a small Japanese village find a Black American helicopter pilot in one of their traps and lock him in the communal storeroom. While the war continues and the villagers wait for orders from above, the man – for the townspeople, his presence, this allegory – becomes something else.

“Your keeping this animal has meant all of us suffer!”

飼育 shares more than a few themes with Đorđe Kadijević's Празник from 1967. The war's the same, any war is, and the Chetniks too capture a Black American pilot. Again, the villagers seem to share a folie, a madness, rooted in an unshaken belief – call it tradition or shared illusions foolishness or hope.