Flic Story [Cop Story] (Jacques Deray, 1975)
Sep
3
1947

A close-up of a man's feet hastily walking along a corridor. Superimposed it reads 3 SEPTEMBRE 1974. DP: Jean-Jacques Tarbès.
@settima@zirk.us
Flic Story [Cop Story] (Jacques Deray, 1975)
Sep
3
1947

A close-up of a man's feet hastily walking along a corridor. Superimposed it reads 3 SEPTEMBRE 1974. DP: Jean-Jacques Tarbès.
Corridor of Mirrors (Terence Young, 1948)
Sep
3

Mifanwy (Edana Romney) anachronistically smoking a cigarette. DP: André Thomas.
“Ich mag Männer, bin 30 Jahre alt, von Beruf Lehrer.”Taxi zum Klo (Frank Ripploh, 1980)
Sep
2
Christa McAuliffe 1948 – 1986

Frank (Frank Ripploh) teaching kids about the human body on an anatomy dummy. DP: Horst Schier.
A teacher for what would have been Christa McAuliffe's birthday.
– Frank Ripploh
Frank Ripploh is a sexual ethics and biology teacher by day, and hedonistic gay man and aspiring pornographer by night. When Frank Ripploh, the man, publicly came out in 1978 in the tabloid Stern, he lost his teaching job and did become that filmmaker. Taxi zum Klo – litt. taxi to the john/loo – is his story. A frank pre-AIDS pre-Internet pre-victimhood depiction of male gay culture in West Germany. Maybe raw, possibly misogynist, definitely true to life.
Red [The Red Half-Breed / Red the Half Breed] (Gilles Carle, 1970)
Sep
2

A counter at a Québécois branch of the Banque de Montréal – oddly enough using its English-language name. A wall calender reads September 2. DP: Bernard Chentrier.
Endişe [Anxiety] (Yılmaz Güney + Şerif Gören, 1974)
Sep
1
Labor Day

A Kurdish worker in the cotton fields. She looks straight into the camera while two others continue their work. DP: Kenan Ormanlar.
The Industrial Revolution, or unions, for Labor Day (USA)
Kurdish seasonal cotton pickers fear losing their job when mechanisation is preferred by their overseers. While unionising, Cevher, one of the workers – tries to stay out of the hands of his enemies, who want him because of a blood feud.
Человечка нарисовал я [Chelovechka narisoval ya / It Was I Who Drew the Little Man] (Valentin Lalayants, Zinaida Brumberg + Valentina Brumberg, 1960)
Sep
1
День знаний

Mesmerised schoolboy Fedya holds up a huge bubble. DP: Elena Petrova.
On September 1, also known as Knowledge Day (День знаний) in Russia, an enthusiastic schoolboy draws a little man on the classroom wall, and causes a whole lot of trouble.
Happy End (Oldřich Lipský, 1967)
Sep
1
1889

Butcher Bedřich Frydrych (Oldřich Lipský), born September 1, 1889 in Trumberk. DP: Vladimír Novotný.
“Life is a messy weapon.”Shock Corridor (Samuel Fuller, 1963)
Aug
30
1954

Inpatient Stuart (James Best) in one of the many scenes that appear to bear some of the seeds of Mark Frost & David Lynch's Twin Peaks (1990–1991). DPs: Stanley Cortez & Samuel Fuller.
– Pagliacci
Mon oncle (Jacques Tati, 1958)
Aug
29
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Mr Hulot and three women enjoy an outdoor lunch in Villa Arpel's concrete backyard. A woman in furs laughs heartily, head thrown back, with Hulot looking into her open mouth, halting a woman reaching for a carafe mid-movement. The third woman, in an avant-garde Eastmancolor-red poncho, calmly smokes through her cigarette holder. DP: Jean Bourgoin.
– A house like yours must be such a job!
– Oh, a leaf! Ah, yes it's a chore.
– Admit it, you love it.
Mon oncle (Jacques Tati, 1958) / Koolhaas Houselife (Ila Bêka + Louise Lemoine, 2008)
Aug
29
grey


A delivery man in front of the gates of Villa Arpel (via), and custodian Guadalupe Acedo working the lift in Maison à Bordeaux. DP of Mon Oncle: Jean Bourgoin.
[A favourite] colour: grey*
Approaching the 60s, Mr Hulot finally switches from black-and-white to colour. Suddenly, we see that his suit is a beigeish grey and so is the Arpels' house, that modernist masterpiece designed by Tati. The beloved luddite struggles with hypermodern people and their hypermodern constructs, much alike the future Hulot from Playtime (1967).
In similar absurd fashion, Guadalupe Acedo, cleaning lady, works her way through Rem Koolhaas' Maison à Bordeaux (1998) in Bêka and Lemoine's Koolhaas Houselife (2008). Too steep are the stairs, too leaky everything else. Levelheaded, she does her thing; a small beacon of romantic practicality in a world of absurd efficiency.
* the Bales 2025 Film Challenge for August is not date-related but lists, for the most part, the colours of the rainbow.