にっぽん戦後史 マダムおんぼろの生活 [Nippon Sengoshi – Madamu onboro no Seikatsu / History of Postwar Japan (Shōhei Imamura, 1970)
Jan
17
Customer Service Day

Hostess Emiko Takada watching footage of US occupying forces in a movie theatre. DP: Masao Tochizawa..
@settima@mograph.social
にっぽん戦後史 マダムおんぼろの生活 [Nippon Sengoshi – Madamu onboro no Seikatsu / History of Postwar Japan (Shōhei Imamura, 1970)
Jan
17
Customer Service Day

Hostess Emiko Takada watching footage of US occupying forces in a movie theatre. DP: Masao Tochizawa..
“Fifty ways to meet your lover”Fetish & Dreams (Steff Gruber, 1985)
Jan
16
National Boston Day

Michèle (Michèle Rusconi) and S. (Steff Gruber) in front of a mirror. While she combs her long dark hair, he photographs the reflection of the both of them. DP: Rainer Klausmann.
Swiss documentary maker S. (Steff Gruber) explores New York's high-tech dating market when he slowly comes to the realisation that he himself is lonely. Trying to track down the woman he saw on the plane en route to America, S. and his crew find themselves in Boston.
– computer dating ad
Иконостасът [Ikonostasat / The Icon Stand] (Todor Dinov & Christo Christov, 1969)
Jan
15
World Religion Day

Icon maker Raphe (Dimitar Tashev) and Katerina (Violeta Gindeva) surrounded by the icon stand. The Holy Virgin can be seen in the background. DP: Atanas Tasev.
The cyclical story of the Christ envisioned as an icon maker, the creator of sacred images of the saints and the Holy.
When you know what to look for – the significance of bread, the judgement of the Pantocrator, the wheel that begets martyrs – Иконостасът speaks the language of the people, not of the ecclesiastic.
“This song is called 'Alice's Restaurant', and it's about Alice. And the restaurant. But Alice's Restaurant is not the name of the restaurant, that's just the name of the song. And that's why I called the song 'Alice's Restaurant'.Alice's Restaurant (Arthur Penn, 1969)
Jan
13
Stephen Foster Memorial Day

Arlo (Arlo Guthrie, son of legendary folk musician Woody) jams with his film-dad Pete Seeger. DP: Michael Nebbia.
A songwriter as the lead.
– Arlo Guthrie, intro to “Alice’s Restaurant Massacree” (1967)
“Fran.”De man die zijn haar kort liet knippen [The Man Who Had His Hair Cut Short] (André Delvaux, 1965)
Jan
12
freebie: Teacher Appreciation Day

Govert Miereveld (Senne Rouffaer) having his hair cut. DPs: Ghislain Cloquet & Roland Delcour.
A teacher, enthralled by one of his students, gets lost after she graduates.
– Govert Miereveld
Heavy and light, absurd and profane. An absolute recommendation.
“You who go, you will return
You who sleep, you will rise
You who walk, you will be resurrected”المومياء [Al-mummia / The Night of Counting the Years / The Mummy] (Chadi Abdel Salam, 1969)
Jan
11
Heritage Treasures Day

Men carrying the sarcophagi through the desert in a long, winding procession. Both the porters and the dead are dressed in white cloth. DP: Abdel Aziz Fahmy.
“Shirley my dear, would you mind sitting somewhere else? Body odor offends me.”The Anniversary (Roy Ward Baker + Alvin Rakoff, 1968)
Jan
10
National Houseplant Appreciation Day

Dear Mrs. Taggart (Bette Davis) takes a moment during the anniversary to water her many many houseplants in her winter garden. DP: Harry Waxman.
Someone is watering houseplants for National Houseplant Appreciation Day (USA)
– Mrs. Taggart
“What the hell are you doing?”書を捨てよ町へ出よう [Sho o suteyo machi e deyō / Throw Away Your Books, Rally in the Streets] (Shūji Terayama, 1971)
Jan
9
成人の日

Young adults rally in the streets. DP: Masayoshi Sukita.
Coming of Age Day in Japan.
“Grand Hotel… always the same. People come, people go. Nothing ever happens.”Grand Hotel (Edmund Goulding, 1932)
Jan
8
World Typing Day

Despite Flaemmchen – Joan Crawford in her breakout role – is introduced as a “little stenographess”, that's clearly a typewriter on her desk. DP: William H. Daniels.
– Flaemmchen
Le Pétomane du Moulin Rouge [The Fart Maniac] (1900)
Jan
7
National Pass Gas Day

Flatulist Joseph Pujol blowing out a candle with his derrière.
Witness the world famous pétomane shot on location at the Moulin Rouge (and amazingly not at Edison's Black Maria), as saved for prosperity by Edison Studios. The large trumpet-like contraption that can be seen on the left, the Edison Kinetophone, also present in The Dickson Experimental Sound Film (William Dickson, 1894/95), recorded the sound on a cylinder, that then could be played back in synch with the picture.
The original audio recording that accompanied this film is lost; do check your attic.